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The Substance of Fire

  • 1996
  • R
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
6,0/10
703
IHRE BEWERTUNG
The Substance of Fire (1996)
HV
trailer wiedergeben1:40
1 Video
16 Fotos
Drama

Füge eine Handlung in deiner Sprache hinzuPublishing magnate refuses to publish a book by his son's male lover so the kids buy out their father and run it themselves!Publishing magnate refuses to publish a book by his son's male lover so the kids buy out their father and run it themselves!Publishing magnate refuses to publish a book by his son's male lover so the kids buy out their father and run it themselves!

  • Regie
    • Daniel J. Sullivan
  • Drehbuch
    • Jon Robin Baitz
  • Hauptbesetzung
    • Tony Goldwyn
    • Benjamin Ungar
    • Timothy Hutton
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    703
    IHRE BEWERTUNG
    • Regie
      • Daniel J. Sullivan
    • Drehbuch
      • Jon Robin Baitz
    • Hauptbesetzung
      • Tony Goldwyn
      • Benjamin Ungar
      • Timothy Hutton
    • 16Benutzerrezensionen
    • 12Kritische Rezensionen
    • 54Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 1 Nominierung insgesamt

    Videos1

    The Substance of Fire
    Trailer 1:40
    The Substance of Fire

    Fotos15

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 10
    Poster ansehen

    Topbesetzung40

    Ändern
    Tony Goldwyn
    Tony Goldwyn
    • Aaron Geldhart
    Benjamin Ungar
    • Young Isaac Geldhart
    Timothy Hutton
    Timothy Hutton
    • Martin Geldhart
    Tom McDermott
    Tom McDermott
    • Old Printer
    Sarah Jessica Parker
    Sarah Jessica Parker
    • Sarah Geldhart
    George Morfogen
    George Morfogen
    • Otto the printer
    Ron Rifkin
    Ron Rifkin
    • Isaac Geldhart
    Lee Grant
    Lee Grant
    • Cora Cahn
    Andrew Pang
    Andrew Pang
    • Mr. Otani jr
    Edmund Ikeda
    • Mr. Otani sr
    Elizabeth Franz
    Elizabeth Franz
    • Miss Barzakian
    Gil Bellows
    Gil Bellows
    • Val Chenard
    Eric Bogosian
    Eric Bogosian
    • Gene Byck
    Ronny Graham
    Ronny Graham
    • Louis Foukold
    John Sullivan
    • Stewart
    Sophia Salguero
    • Rachel
    John Patrick Walker
    • Peter
    Roger Rees
    Roger Rees
    • Max
    • Regie
      • Daniel J. Sullivan
    • Drehbuch
      • Jon Robin Baitz
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    6,0703
    1
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    Empfohlene Bewertungen

    Pete8139

    A tough drama that's worth sitting through.

    I have to admit, I once began watching this and didn't get very far. But I tried again and found it very interesting - more interesting, at least, than the other poster. I thought Ronny Graham was hilarious as the elderly, cantankerous author. In fact, there was more humor in the movie than I imagined. Tony Goldwyn and Sarah Jessica Parker could easily pass as siblings, and the children of Ron Rifkin, but Tim Hutton didn't seem to belong to the same family. The most interesting thing to me, and perhaps a reason to watch it, was the brief scene of Goldwyn and Gil Bellows (as his boyfriend) dancing together.
    gingertea

    Requires the viewer to be capable of analyzing a subject.

    Top notch film? No. Boring as hell? NO. This film will not appeal to people who have no sense of history, family, or the ability to sit still for more than five minutes and analyze something.

    The film was fascinating, not always clear as to its intent, but an interesting journey with characters worth watching.

    You have a father, a Holocaust survivor, who even in his own madness still believes in the quality of THINGS. In this case it's his publishing house which has been an imprint of quality work. There are, unfortunately, few places for works such as this in our times. Few people have the patience or understanding of quality and workmanship. Thus the conflict with one of his sons. His son wants the imprint to continue but with a much broader audience, quantity above quality. I don't believe it is even about money. It's about moving away from the past. Neither the father or children are completely capable of doing this. The past, the family, has a hold on all of them no matter how they deny it or try to move away from each other.

    If you have an understanding of what we have lost by having everything being bought and sold to the lowest common denominator; a family dealing with madness of a beloved relative, and THINGS being valued above the love and respect of others give the film a try. If you have an attention span of a knat try something with Arnold. Some things are worth muddling through just for the rare glimpse of ourselves.
    nikki_eyez

    This movie was pretty decent

    I thought that this was an interesting look at how one person's hardheadedness can affect a family so strongly. Ron Rifkin did a wonderful job portraying 'Isaac'. I think he's a very underrated actor and I even loved his annoying accent.!( He uses the same accent that he had on "I'm not Rappaport.") I read an interview where he compares the movie vs. the stage version and supposedly it ends differently. I would have liked to have seen the play.
    fargo26

    Boring as hell ...

    I saw this movie just recently and was certainly disappointed ... not that I was expecting a masterpiece either but it was sooooooo long and uninteresting I nearly fell asleep at the 2/3's point ...

    A whole lot of pointless dialogues going round and round ... discussions about some old book that we don't care for anyway ... annoying characters on the screen (like the author of that Holocaust book that made me cringe 10 times at least during the movie wishing he would shut up and stop whining about everything from the coffee he was drinking to the editors he was meeting) ...

    The stubborn old man in the lead was also quite boring (not too mention hard headed) and then last part of the movie where he finally goes off his rockers (big surprise, pretty clear from the get go this guy has serious "issues" !) for good is really bad ... lots of scenes that made me think "oh, come on" and wish I could slap the old dude back into reality at once... or maybe send him to an asylum ...

    I couldn't wait for this "thing" to end ... 1.5/5
    Sig

    Excellent film, but should not have used such foul language.

    This is a film that could have been an important film if it had not stooped to the use of repeated use of the 'f' word and other foul language. The people depicted in this film would not ordinarily use such language. I am acquainted with many Holocaust survivors and I have never heard such language pass their lips.

    Although the Holocaust was used as the starting point of the film, and as a background for the most important character, there was no attempt to explain how that experience molded the character to make him what he is in the film.

    Also it was never shown how the children of the Holocaust survivor were affected by their father's experience as it was with most children of Holocaust survivors.

    It should have been a strong family drama, and it was to a point. But the foul language ruined it.

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      Film debut of Viola Davis.
    • Zitate

      Sarah Geldheart: Tell me the truth. Does anybody actually finish a book once they have formed an opinion of it?

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: The Devil's Own/Cats Don't Dance/B*A*P*S/The Sixth Man/The Eighth Day/The Substance of Fire (1997)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 14. März 1997 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Det förflutnas skuggor
    • Produktionsfirma
      • Miramax
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 31.638 $
    • Eröffnungswochenende in den USA und in Kanada
      • 56.211 $
      • 16. März 1997
    • Weltweiter Bruttoertrag
      • 31.638 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 37 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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