Nachdem ihre Mutter Selbstmord begangen hat, reist eine junge Frau nach Italien, um Liebe, Wahrheit und eine tiefere Beziehung zu sich selbst zu suchen.Nachdem ihre Mutter Selbstmord begangen hat, reist eine junge Frau nach Italien, um Liebe, Wahrheit und eine tiefere Beziehung zu sich selbst zu suchen.Nachdem ihre Mutter Selbstmord begangen hat, reist eine junge Frau nach Italien, um Liebe, Wahrheit und eine tiefere Beziehung zu sich selbst zu suchen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 11 Nominierungen insgesamt
Sinéad Cusack
- Diana
- (as Sinead Cusack)
Empfohlene Bewertungen
This is not a "great" film, but it's elegant, well-shot, and staffed with superb actors & actresses that know their work & do it well.
You have all read the plot line, so I won't dwell on that. I will say, though, that viewers searching for a typical "story-conflict-wrapup" will be disappointed. This film is about life...several lives... and we are shown a brief window into those lives.
Lucy's story (Lucy = Liv Tyler) is, I believe, the least interesting -- we always observe her, and never get into her head, and yet know what she's about. But...she's 19... she knows very little... and Bertolucci knows that.
The real stories are how the others, older, react to her and to each other... lust, memory, envy, nostalgia for lost youth, jealousy, pride, recognition, understanding of the motion of life...
All of these evoke other stories that, unfortunately for all of you that want a nicely wrapped-up movie, you are going to have to make up in your own heads. But that's the beauty of this film.
While I hate to generalize, teens will dislike this movie, as will adults who think that suburban life is pretty good. It's never explained what any of these people actually DO, and I know that's an important problem for many movie goers.
But the rest of you... give it a try.
You have all read the plot line, so I won't dwell on that. I will say, though, that viewers searching for a typical "story-conflict-wrapup" will be disappointed. This film is about life...several lives... and we are shown a brief window into those lives.
Lucy's story (Lucy = Liv Tyler) is, I believe, the least interesting -- we always observe her, and never get into her head, and yet know what she's about. But...she's 19... she knows very little... and Bertolucci knows that.
The real stories are how the others, older, react to her and to each other... lust, memory, envy, nostalgia for lost youth, jealousy, pride, recognition, understanding of the motion of life...
All of these evoke other stories that, unfortunately for all of you that want a nicely wrapped-up movie, you are going to have to make up in your own heads. But that's the beauty of this film.
While I hate to generalize, teens will dislike this movie, as will adults who think that suburban life is pretty good. It's never explained what any of these people actually DO, and I know that's an important problem for many movie goers.
But the rest of you... give it a try.
I think I saw this film at a film festival when it was newly released (or prior to release) and seem to recall a scene that was missing when I watched it again recently.
Remember when they all go over to that grand villa for the evenings party and the artist guy stays home to carve away at his tree stump with the chainsaw. I remember him sanding more and creating this lovely (and suggestive!) hole in it that later when his wife returns home and finds him caressing the hole suggestively and the two of them then make love. This time when I watch the film it just cuts to the place where she leans against the wall and hikes up her dress above the knee (what the hell is that all about?). The original was one of my favorite parts because of how that scene was enhanced with the music soundtrack... but now it's gone! So my question is: Am I right or dreaming? Anybody else remember this?
Remember when they all go over to that grand villa for the evenings party and the artist guy stays home to carve away at his tree stump with the chainsaw. I remember him sanding more and creating this lovely (and suggestive!) hole in it that later when his wife returns home and finds him caressing the hole suggestively and the two of them then make love. This time when I watch the film it just cuts to the place where she leans against the wall and hikes up her dress above the knee (what the hell is that all about?). The original was one of my favorite parts because of how that scene was enhanced with the music soundtrack... but now it's gone! So my question is: Am I right or dreaming? Anybody else remember this?
I have to say this, so forgive: if you are a woman, you will understand this movie. If only my own adolescence and graduation into womanhood could have been so rich and beautiful. This film is one of my favorites! It is masterfully filmed, it couldn't help but be with Bertolucci at the helm. Liv Tyler is gorgeous and full of youthful innocence, romance and curiosity. For me, the whole experience of naively stumbling into one's sexuality is accurately portrayed. If you go in expecting that you will see a "Hollywood" ending--one that neatly ties up all the loose ends of the character's life--then you will be disappointed. This film is about a "chapter" in the journey of one young woman's life. And it's a fine chapter.
The first twenty minutes of this movie had me riveted. The Italian landscape was incredible and upon meeting all the diverse characters, one would think this was the perfect stage for a fine film.
But it wasn't.
Lucy's search for her father is first pushed on the back burner then brought miraculously to life near the end of the movie. Meanwhile the plot involves the entire house buzzing like old maids about the poor girl's virginity, as if the topic were front page news. But then again Jeremy Irons character said it best: "Up here on this hill, the only thing we have to talk about is each other". Hm, maybe so, but the idea quickly becomes dull.
Instead of becoming interested in Lucy, the only scenes I found enjoyable involved Miranda and her dim-witted "boyfriend". Richard made me laugh so much that I nearly forgave the pointless plot. And I would've been very disappointed were it not for Jeremy Irons and his wonderful character of Alex. Alex's musing, thoughts and expressions made me smile and made me think. (" 'The incredible frivolity of the dying' You have to allow me a little frivolity")
As far as what Lucy sees in Nicholo or what made her take the plunge with someone she barely knew, baffles me. Take the beautiful cinemetography, interesting characters and mold them in an entirely different way and you've got yourself a much better movie than what was presented. Such potential..wasted *sigh*
But it wasn't.
Lucy's search for her father is first pushed on the back burner then brought miraculously to life near the end of the movie. Meanwhile the plot involves the entire house buzzing like old maids about the poor girl's virginity, as if the topic were front page news. But then again Jeremy Irons character said it best: "Up here on this hill, the only thing we have to talk about is each other". Hm, maybe so, but the idea quickly becomes dull.
Instead of becoming interested in Lucy, the only scenes I found enjoyable involved Miranda and her dim-witted "boyfriend". Richard made me laugh so much that I nearly forgave the pointless plot. And I would've been very disappointed were it not for Jeremy Irons and his wonderful character of Alex. Alex's musing, thoughts and expressions made me smile and made me think. (" 'The incredible frivolity of the dying' You have to allow me a little frivolity")
As far as what Lucy sees in Nicholo or what made her take the plunge with someone she barely knew, baffles me. Take the beautiful cinemetography, interesting characters and mold them in an entirely different way and you've got yourself a much better movie than what was presented. Such potential..wasted *sigh*
While this is not my favorite Bertolucci film, Stealing Beauty left me inspired and contented. Bertolucci's brush strokes are wide, yet meticulously placed, leading us down a sensual and beautiful path of discovery. He packs a lot of plot into a week of story and two hours of film, but it is believable because many extraordinary things can happen in a short time frame when one travels abroad. Liv Tyler did well, reminding me of my teenage years, yearning yet still undecided. This movie has one of the best (sexy!) loss of virginity scenes in recent memory.
Wusstest du schon
- WissenswertesJeremy Irons and Sinéad Cusack are a real-life couple and have been married since 1978.
- PatzerWhen Lucy enters the Tuscan Villa for the first time you see a swallow (Hirundo rustica) flying combined with the screeching call of the swift (Apus apus).
- Zitate
Lucy: Why are you crying?
Osvaldo Donati: Because I want to kiss you.
- Crazy CreditsDuring the opening credits, there is a montage of Lucy (Liv Tyler) being recorded on a video camera during her travel to Italy by an unknown man.
- SoundtracksRocket Boy
Performed by Liz Phair
Written by Liz Phair, Jim Ellison
Courtesy of Matador Records/Atlantic Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Stealing Beauty
- Drehorte
- Brolio, Castiglion Fiorentino, Arezzo, Tuscany, Italien(Brolio, Gaiole in Chianti, Siena, Tuscany, Italy)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.722.310 $
- Eröffnungswochenende in den USA und in Kanada
- 103.028 $
- 16. Juni 1996
- Weltweiter Bruttoertrag
- 4.900.436 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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