Lethal Christmas - Feuer in den Straßen

As far as straight to video action films go, this is superb and is worth adding to your DVD collection, particularly if you are a fan of the other titles from PM Entertainment.

If you are a fan of hard-edged action films like "The Warriors" and "Judgment Night", then you will certainly appreciate the concept of this film. It is basically an on-foot chase movie through deserted streets, punctuated by superb martial arts choreography and action scenes. You will have to be forgiving of the acting in the film, which is quite atrocious and usually commonplace in straight to video fare, but most of the performances are done "tongue in cheek" which makes for a very fun night in! Gary Daniels has never been a very good actor, but he certainly looks great and has nice charisma. But what counts in a film like this is the action and it's fantastic, although maybe a notch down from PM's best work. This is understandable though, because it is more martial arts orientated, as opposed to their usual demolition derby style films.

The martial arts are superb and there is one amazing scene where Gary Daniels single handedly takes on numerous guys on motorbikes. It is quite reminiscent of the finale of "Drive"! The stunts are breathtaking and Joseph Merhi shows off some of his best editing yet, with well-timed cuts of people smashing through panes of glass or hitting the ground violently. The explosions are fantastic and prove why PM are the best in the business for blowing shite up! Cars don't just ignite, they flip over and land dangerously next to actors.

So watch with low expectations and remember that it is very low budget and you will have a great time. Get the DVD, its only $6.99!

The Story: A riot erupts in a major US city following the deaths of some teenagers at the hands of the police. Shane Alcott, a British soldier, is called in to rescue his former love, the daughter of the British Consulate, who was kidnapped by a gang of hoods. Trapped in the riot zone, Alcott must rescue the girl, stop the hoods & their IRA handlers, who are using the riot to further their own ambitions.

Riot comes from director Joseph Merhi, who has made a whole slew of cheap action films, such as The Glass Jungle, Repo Jake, CIA: Code Name Alexa & the entertaining The Sweeper. Here Merhi uses the background of a riot in order to drive a story about a high-profile kidnapping by hoods employed by the IRA (why the IRA would operate on American shores is something of a mystery). If you want to watch the film expecting riots, you will be disappointed, since the riot scenes are used in the start of the film only. Not to mention the fact that the scenes are played along with Christmas music, which makes the scenes quite funny to watch. As an action film, it is entertaining, with Gary Daniels fighting various hoods & IRA terrorists. But the film falters by not using the riot scenes in the proper way. Grade: C+ Review by M. K. Geist

While RIOT has absolutely nothing new to offer for the tiresome and tedious action genre, this film does sport a few incredible and breathtaking action sequences that puts this film a few light years ahead of the usual low-budget junk.

On Christmas Eve, 1999, in Florida, full grown teenage racial riots have sparked everywhere... Windows are shattered, lives are devastated, and the national guard cannot do anything that is remotely close to detaining the anarchy.

Amid the violence and the nonstop chaos comes a ruthless, merciless enemy, the IRA. These twisted souls have just kidnapped the daughter (Paige Rowland) of a powerful and popular British ambassador. Working in collusion with some of the street gangs in Florida, the IRA demands a heavy ransom of over 1 million dollars plus from both the United States and British governments, or else, they will return the Ambassador's daughter...mutilated to pieces...

Enter a tough officer and kick-boxing martial artist Shane Alcott (Gary Daniels) along with his buddy, Major Williams (former boxing champion Sugar Ray Leonard). They must save the British Ambassador's daughter and soon-to-be Alcott's betroth from beneath all that rubble and consummate destruction in the city. Alcott must kick his way into enemy territory, but to Alcott, he has an old score to settle with the terrorist group, the IRA...

RIOT is an enjoyable film which is big on action and stunts. This movie has its share of car crashes, shoot-outs, explosions, martial arts, and people burned alive. However, RIOT lacks that magic, which is a cohesive plot, that is suppose to keep this film from collapsing under its own weight. RIOT has substantive performances from Daniels, Leonard, and the villains, but this is one of those "been there, done that" type action movies. If you've seen one, you've seen them all...

Evidently, there are no salient features in this movie, RIOT, but it's still worth a look. The escape from an exploding helicopter is a highlight and the nighttime motorcycle chase scene is also well done. Gary Daniels fighting against several roller blade assassins is also fun, exciting and achieved pretty well.

Director Joseph Merhi and producer Richard Pepin, two prolific filmmakers who specialize in making "made-for-video" movies have a gift for designing solid, above average action vehicles. These films, made exclusively for the video market are short on plot, but long on excitement. RIOT is a film that has also done its best to convey a message about the consequences of racial tensions and hatred escalating into shambles. RIOT is a proficiently made, fast-paced movie which is perhaps too cliché at times...

RATING: ** out of ****.

Gary Daniels stars as a soldier who, with Sugar Ray Leonard dive into gang territory to save the ex-girlfriend of Daniels, seems our English hero's girlfriend(Also English)is the daughter of an ambassador and the IRA are looking to hold her for ransom and well you can guess pretty much what happens next. I saw this a couple months ago on HBO (or was it Showtime, in any-case thank goodness I take notes) and this was pretty much what I expected it to be. Of course the movie was a PM effort so this meant that there was tons of mindless action and plot threads which make no sense, of course all of this is made acceptable by the fact that Gary Daniels is a good martial artist and that the the action sequences deliver the expected punch that you would hope for. However much more disappointing is the lack of Sugar Ray Leonard who only gets one big action sequence. Also on the wasted front are Charles Napier and Patrick Kilpatrick. Good old Patrick Kilpatrick, he's made a living playing these type of roles (From Death Warrant to Substitute IV) and he is always convincing. So basically I give it a two star rating because I derived some mild enjoyment from this title, however it's only for fans of this genre. I can't imagine anyone else deriving much from this movie. Of course I'm a fan of the genre and this while not great, was a pretty watchable movie. Perfect with Beer and Pizza. Then again what isn't perfect with that combo?

* * out of 4-(Fair)

This TV Movie is one of many aimed towards the martial-arts action market, the type that goes straight to video and has clearly been done on a budget, but can nevertheless be reviewed critically. Riot sets out to do one thing: provide a platform for the butt-kicking skills of its star, Gary Daniels. He may not be Robert De Niro in the acting stakes but within his own domain, that of the B-list actioner, he is king of all he surveys.

The "plot": When his ex-fiancé, the daughter of the city's (we don't know which) British ambassador is kidnapped in an inner city riot zone on Christmas Eve, stateside stationed SAS man Shane Allcott has to come to the rescue by delivering the money to her ransomers. In doing so he comes face to face with his past, in the form of IRA terrorists.

I would imagine that fans of this kind of low budget action fest would not go far wrong with Riot. I do not count myself in their number, but sticking with this film for its 80 minutes was no chore, especially given some very competently made stunts, fight sequences, and chases. These are especially good when they are taken seriously, because at times the film can be quite powerful, specifically the scene where Sugar Ray Leonard's character falls from Shane Allcott's (Daniels) grip and onto the pavement some twenty storeys below. Seeing that sequence was a real surprise in what I took to be a mindless action fest, and showed that even in simple or even plain silly movies, you can get great moments of film. Many of the scenes in the film have a nightmarish and excited feel, as the viewer is taken into the heart of the riot zone with Allcott. That part was well done, but unfortunately the rest of the film is a mixed bag.

Realism seems to have been sacrificed for simplicity, as the writers take the complex dynamic of the conflict between the SAS and IRA and turn it into a bunch of caricatures of various stereotypes, especially in the case of the two main villains the (get this) o'Flaherty brothers, Brian and Paddy. One of them even looks like Vernon Wells in Commando. You would not find a more clichéd stereotype in an Irish theme bar. Same goes for the black gang members in the riot zone, who are built up as running things on a racial ideology, despite the very obvious multi-ethnic nature of the rioters. Although the fight scenes are well done, any pretence that the IRA are represented accurately must surely be dispensed with. The acting is generally good, with the exception of Paige Rowland, who should have been blacklisted for her attempts. The film at times feels like a cheap spoof, but as I mentioned it does have its moments, and these are when Gary does what he does best - flex his muscles and dispatch armies of villains.

All the action is handled well, not surprisingly as this is a specialist production by an experienced team. The climax is well done on a technical level, but lacks the spectacle which a few camera angles could have changed. Charles Napier, Sugar Ray Leonard, and Dex Elliot Sanders all put in good performances, but in Napier's case this is just for a cameo. I'll ignore the lack of logic in the plot and accept this is a made for video Gary Daniels action flick.

In all, fans of this type of thing will feel at home. Anyone else, if they can put aside the simplicity of this picture, may find something they like too.

5.5/10