IMDb-BEWERTUNG
5,7/10
2157
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen a gang shoots his father, Bookman (Fred Williamson) returns to his hometown, rounds up some of his own people and begins an all-out war to restore the neighborhood to its rightful sense... Alles lesenWhen a gang shoots his father, Bookman (Fred Williamson) returns to his hometown, rounds up some of his own people and begins an all-out war to restore the neighborhood to its rightful sense of justice.When a gang shoots his father, Bookman (Fred Williamson) returns to his hometown, rounds up some of his own people and begins an all-out war to restore the neighborhood to its rightful sense of justice.
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This film does not work.
It has great potential and the theme of abandoning your roots frequently pops up -- giving potential for further plot development which most action films do not even approach. However, this all-star cast of blaxploitation veterans making their first film together rarely jells.
For instance, Fred Williamson, who produced, seems to have forgotten that there were other great actors from that era. 90% of the film is him strutting around, pontificating on how bad the neighborhood has become and why don't the cops/neighbors/politicians/whoever do something about it. He saw fit to put Jim Brown in as co-star, but Brown serves as little more than a bodyguard, punching the whey out of a few people and (in his one big solo scene) threatening a young thug. Richard ("Shaft") Roundtree and Mr. "Superfly" himself -- Ron O'Neal -- are given glorified cameos. In fact, the introductory scene with O'Neal is shown completely in long shot. Why didn't the director do a few closeups? You can hardly tell it's O'Neal. That's just sloppy direction (either that or they didn't have permits to shoot on city streets and shot this on the sly).
Other great character actors -- Robert Forster, Charles Napier, Wings Hauser -- are featured but have little to do but act like cartoon characters. Whoever wrote this film should have given thought to the reasons why the best blaxploitation epics worked.
Not a complete failure but overall a major disappointment considering this is the first and only film these stars have been in together (no chance for a reunion with O'Neal's recent passing).
** out of *****
It has great potential and the theme of abandoning your roots frequently pops up -- giving potential for further plot development which most action films do not even approach. However, this all-star cast of blaxploitation veterans making their first film together rarely jells.
For instance, Fred Williamson, who produced, seems to have forgotten that there were other great actors from that era. 90% of the film is him strutting around, pontificating on how bad the neighborhood has become and why don't the cops/neighbors/politicians/whoever do something about it. He saw fit to put Jim Brown in as co-star, but Brown serves as little more than a bodyguard, punching the whey out of a few people and (in his one big solo scene) threatening a young thug. Richard ("Shaft") Roundtree and Mr. "Superfly" himself -- Ron O'Neal -- are given glorified cameos. In fact, the introductory scene with O'Neal is shown completely in long shot. Why didn't the director do a few closeups? You can hardly tell it's O'Neal. That's just sloppy direction (either that or they didn't have permits to shoot on city streets and shot this on the sly).
Other great character actors -- Robert Forster, Charles Napier, Wings Hauser -- are featured but have little to do but act like cartoon characters. Whoever wrote this film should have given thought to the reasons why the best blaxploitation epics worked.
Not a complete failure but overall a major disappointment considering this is the first and only film these stars have been in together (no chance for a reunion with O'Neal's recent passing).
** out of *****
This is something like a re-union party of the so-called blaxploitation film stars, which shows the whole world that those guys and ladies are still sexy and strong enough to teach some lessons to the young, disrespectful punks in the neighborhood of the city of Gary, Indiana. That's all about the story, which is as uninspired as any B-action flicks. "Original" gangstas come back to town, to fight against the "new" gangsters that rule the street with terror. The charm of the film lies in the cast, which looks a dream team for any fans of the 1970's blaxploitaion films. Here they are back in good form: Fred Williamson ("Black Caesar"), Jim Brown ("Slaughter"), Pam Grier ("Coffy"), Richard Roundtree ("Shaft") and Ron O'Neil ("Superfly") and you got also players like Robert Forster (who in the following year makes a smashing collaboration with Pam Grier in "Jackie Brown") and Wings Hauser in his very unlikely role. It is a gift from the heaven for the movie fans like me.
Overall rating: 7 out of 10.
Overall rating: 7 out of 10.
Original Gangstas (1996)
*** 1/2 (out of 4)
Blaxploitation in the 90's has a street gang killing off people so the old guys (Fred Williamson, Jim Brown, Pam Grier, Ron O'Neal, Richard Roundtree) come to take the streets back. This all-star extravaganza remains a lot of fun like those films of the 1970's but this one here also has a message and asks a lot of serious questions. Whereas those 70's flicks simply blamed white folks, this one here goes a lot deeper in its message and even throws blame towards those earlier films. A lot of interesting ideas are brought up here, although we still get some mindless, if fun, action. Larry Cohen wrote a brilliant script and the performers all do a fine job. Robert Forster also stars.
*** 1/2 (out of 4)
Blaxploitation in the 90's has a street gang killing off people so the old guys (Fred Williamson, Jim Brown, Pam Grier, Ron O'Neal, Richard Roundtree) come to take the streets back. This all-star extravaganza remains a lot of fun like those films of the 1970's but this one here also has a message and asks a lot of serious questions. Whereas those 70's flicks simply blamed white folks, this one here goes a lot deeper in its message and even throws blame towards those earlier films. A lot of interesting ideas are brought up here, although we still get some mindless, if fun, action. Larry Cohen wrote a brilliant script and the performers all do a fine job. Robert Forster also stars.
It's like old home wee when stars like Jim Brown (Slaughter, Black Gunn), Fred Williamson (Starsky & Hutch), Pam Grier, Ron O'Neal (Superfly), Richard Roundtree (Shaft), and Paul Winfield (Sounder) get together to teach some young punks a lesson. Heavys of the 70's blaxploitation genre are called home to get some revenge and clean up the town. Lots of talking and shooting and good old fashioned fisticuffs.
Pam Grier (Coffy, Foxy Brown) is back in the form we like. She was one of the first female action stars in Hollywood. Looking forward to a retrospective this weekend when they replay two of her best.
Pam Grier (Coffy, Foxy Brown) is back in the form we like. She was one of the first female action stars in Hollywood. Looking forward to a retrospective this weekend when they replay two of her best.
This is a powerful film and I hope you see it. Caught it here recently on THIS TV Network, so likely it will come around again.
The opening scenes of Gary, Indiana present as an arresting message of what happens to prosperity when do-gooders, Wowsers, Uplifters, Eco-messiahs, Carrie Nations, lunatics, and other chronic nuisances chase industry and jobs away in the name of saving something or other. Plants close and shortly rust. People quit their homes and leave them to face nature's relentless onslaught along with the thugs who move in and make them into Den's of iNiquity.
Richard Roundtree, Fred Williamson, Ron 'Superfly' O'Neil, they're all here along with the great Pam Grier, Jim Brown - Captain Anders in 1968's "Ice Station Zebra", along with the late and very much missed Paul Winfield who evinced touching cinemagic in 'Green Eyes'.
Even if you don't enjoy films in general, let alone the Blaxploitation genre, anyone who's into UE, Urban Exploration, sometimes called Industrial Archaeology - and if you're not, you should be - you'll swoon as serial images of one decrevalent building after another after oxydizing blast furnace after abandoned ten storeys-high heat stoves march across your screen. Yes, Gary, Indiana in "Original Gangstas" is prime Urban Exploration territory.
The film's message is poignant as ever: Don't incite people, particularly those wise in years, to righteous indignation. It's an unwise practice to do so.
Be sure to watch for the David Lynch-esquire visual anachronisms, e.g. the film takes place in 1996, yet many police cruisers hail from the 80s as well as the 90s. The Gangstas drive cars whose model years span a fifty year period, thus keeping you off balance until the stunning conclusion.
The wry humor, "there goes the neighborhood", will catch you off guard as well, and send you tumb-bumbling off the couch, onto the floor, and scurrying to your video store for your own copy of "Original Gangstas". If you don't own a copy of this, you should. Now. So do it. Now.
Paul Vincent Zecchino
Manasota Key, Florida
11 October, 2010
The opening scenes of Gary, Indiana present as an arresting message of what happens to prosperity when do-gooders, Wowsers, Uplifters, Eco-messiahs, Carrie Nations, lunatics, and other chronic nuisances chase industry and jobs away in the name of saving something or other. Plants close and shortly rust. People quit their homes and leave them to face nature's relentless onslaught along with the thugs who move in and make them into Den's of iNiquity.
Richard Roundtree, Fred Williamson, Ron 'Superfly' O'Neil, they're all here along with the great Pam Grier, Jim Brown - Captain Anders in 1968's "Ice Station Zebra", along with the late and very much missed Paul Winfield who evinced touching cinemagic in 'Green Eyes'.
Even if you don't enjoy films in general, let alone the Blaxploitation genre, anyone who's into UE, Urban Exploration, sometimes called Industrial Archaeology - and if you're not, you should be - you'll swoon as serial images of one decrevalent building after another after oxydizing blast furnace after abandoned ten storeys-high heat stoves march across your screen. Yes, Gary, Indiana in "Original Gangstas" is prime Urban Exploration territory.
The film's message is poignant as ever: Don't incite people, particularly those wise in years, to righteous indignation. It's an unwise practice to do so.
Be sure to watch for the David Lynch-esquire visual anachronisms, e.g. the film takes place in 1996, yet many police cruisers hail from the 80s as well as the 90s. The Gangstas drive cars whose model years span a fifty year period, thus keeping you off balance until the stunning conclusion.
The wry humor, "there goes the neighborhood", will catch you off guard as well, and send you tumb-bumbling off the couch, onto the floor, and scurrying to your video store for your own copy of "Original Gangstas". If you don't own a copy of this, you should. Now. So do it. Now.
Paul Vincent Zecchino
Manasota Key, Florida
11 October, 2010
Wusstest du schon
- WissenswertesLarry Cohen stated how he enjoyed filming and how cooperative the real gang members in the film were "who came every day to work. They were always on time. They did everything they were asked to do. You know, if you wanted to shoot them and have them fall down, they did falls. They did anything you asked, and they were very friendly to me. They used to come to my trailer and bring me Famous Amos cookies, things like that. They did their best to ingratiate themselves. I was not concerned with the ones we hired, but with the ones that didn't get hired. I thought, "Well, now one of the ones that didn't get hired might just drive by one day with a machine gun or something, and polish us all off in one afternoon." But it never happened. Everything was fine there for the entire shoot of the picture, and they were all very cooperative and pleasant. And then it was all over, and we left. And it was kind of sad, because while we were there they all had jobs, and they had some place to go every day, and they had some focus and some reason for being. Then when we left, we kind of just abandoned everybody. And there's nothing we could do about it. We couldn't take them back to Hollywood. That's where they lived, so there's nothing we could do".
- PatzerWhen John and Jake do a drive-by at the steel mill in an attempt to start the gang war, several fires in barrels are burning. When they make their second pass, the smoke and fire can be seen going backwards, back into the barrels.
- Zitate
John Bookman: Big talk coming from a faggot who don't even know what sex his mother is.
- VerbindungenFeatured in Baadasssss Cinema (2002)
- SoundtracksHit the Gas
Performed by 3X Krazy
Produced by Tone Capone for Dollars & Spenc Productions
Co-Produced by One Drop Scott
Written by Tone Capone (as Anthony Gilmour), Lamore Jacks, Charles Williams, Ramone Curtis, One Drop Scott (as Scott Roberts)
Publishing: True Science Publishing (ASCAP)
Courtesy of Str8 Game Records
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Details
Box Office
- Budget
- 4.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.718.087 $
- Eröffnungswochenende in den USA und in Kanada
- 1.157.721 $
- 12. Mai 1996
- Weltweiter Bruttoertrag
- 3.718.087 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Original Gangstas (1996) officially released in India in English?
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