Normal Life - Tödliche Illusion

This was surprisingly good (based on a true story) about a young couple who get in over their heads. Luke Perry (who I've never liked as an actor) is believable as the cop-husband who loses track. Ashley Judd, a lovely and talented actress who makes too many bad films, is edgy, sardonic, and nihilistic in a beautiful and frightening way. She cooks the space surrounding her and it's a joy to see.

A 7 out of 10. Best performance = Ashley Judd. If Ms. Judd made more films like this, she would be respected more instead of being lusted after quite so much. She needs better advisers when it comes to her film choices (just my opinion; I think she's great). This film probably did no business, but it's worth your time and very human.

I always like being surprised by films I've never heard of or come across and this one is a very good way to pass the time.

Luke perry was very good in one of his first "grown up roles" as a by the book cop who becomes obsessed with a clearly deranged ashley judd who does a good impression of a young angelina jolie. If you're a Judd fan, you'll be pleased to know there's several topless shots of said lady.

Tittle-tattle aside, this is a very entertaining movie to watch, it doesn't spend ages on building up characters but gives you all you need to know with the minimum of fuss which allows time for the film to progress nicely.

There are a few plot holes and there wont be any awards for acting but this was a decent enough thriller that should be checked out.

"Normal Life" was barely given a theatrical release by its studio, Fine Line. That's a shame, because there is a lot that is worthy in this movie. John McNaughton was a good choice to direct this movie, because in "Henry: Portrait Of A Serial Killer", he showed he had a talent for showing those in lower class positions with low self esteem - just like the two main characters in this movie. These characters have high ambitions and try to do better (at least initially), but they are shot down by themselves and their surrounding society. They want, but don't get, respect. The movie is focused on their insides, not much on what surrounds them like their jobs. They are drawn together because they are two lost souls - they at least have that to share. The two actors are excellent in their roles (Luke Perry sheds his pretty-boy image completely here.) The movie is not perfect - there are a few details that are not explained (like what exactly is used to justify Perry's character's firing from his job.) Also, the movie is a bit too long, more noticeably in the first half of the movie - cutting fifteen or so minutes from the movie would have helped. But despite these faults, the movie is still well worth seeking out.

An incompatible couple try to find a normal life. Differences of opinion constantly lead to outbursts of anger and threats of ending the partnership. Pam (Ashley Judd) is an irresponsible woman who makes up for the lack of excitement in her life by indulging in drugs and alcohol. She is certainly not content to be a housewife. Policeman Chris (Luke Perry) on the other hand is a level-headed husband who pampers her in every material way. He is soon in dreadful debt.

The turbulent life-style of these two main characters occupy the screen most of the time and we feel there is no hope for either of them. Indeed their incompatibility is enough to put one totally off marriage. Their shouting matches are quite savage and somewhat depressing.

When Chris resigns from the police force and discovers a new way to riches and living life to the full, excitement takes over and the characters are fired with a new enthusiasm. Pam insists she be a part of this new game and for a time she becomes a new woman.

The characters are well drawn, the car chases quite exciting. This change of mood spices up their sex lives clearly depicted in a series of bedroom scenes.

The final sequences are dramatic and exciting so stay with the film to the end. The old saying that "Crime does not pay" is clearly delivered and understood.

I don't know why, but I haven't been able to get into the films of director John McNaughton. Of the films of his I've seen(HENRY: PORTRAIT OF A SERIAL KILLER, MAD DOG AND GLORY, WILD THINGS, and this), I can see obvious talent, but for some reason he hasn't put it all together for me(HENRY, the best of those, was tighter, but had some problems). At least here, I can detail what went wrong for me. For one, there were too many shouting matches(someone ought to tell actors that yelling is not the only way to express anger). For another, I've never really liked Luke Perry, and he runs the gamut of expressions here from A to B. Ashley Judd is quite good here, giving an intuitive performance, and never quite answering what's wrong with her character, but letting us guess for ourselves(of course, she's a drug addict and alcoholic, but there seems to be more to it). And the details of this supposedly true story seem fascinating. I just wish it added up to more.