IMDb-BEWERTUNG
6,9/10
7185
IHRE BEWERTUNG
Ein neurotischer, zweifach geschiedener Science-Fiction-Autor zieht wieder zu seiner Mama, um seine persönlichen Probleme zu lösen.Ein neurotischer, zweifach geschiedener Science-Fiction-Autor zieht wieder zu seiner Mama, um seine persönlichen Probleme zu lösen.Ein neurotischer, zweifach geschiedener Science-Fiction-Autor zieht wieder zu seiner Mama, um seine persönlichen Probleme zu lösen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 5 Nominierungen insgesamt
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Sometimes, from the endless stream of average movies, comes a gem, this is one such film.
Albert Brooks is impossible to beat if you're looking for character driven comedy, and "Mother" comes second only to another Brooks film, "Modern Romance".
Here we have the story of a science-fiction writer, blocked and fresh from his second divorce. It's the break up with this woman that prompts John Henderson (Brooks) to move back in with his mother, in the hope that solving his life-long problems with her will lead to the solution of his myriad of other problems.
The comedy is brilliant throughout. The scene in his mother's kitchen (food talk) is a contender for the finest comedy scene ever written. And the small things, that other writers neglect, are what make this film a standout: One example is the scene when Brooks' character is attempting to make a start on his next novel; it's truly hilarious, and any telling of its humour hear wouldn't convey the true laugh-out-loud quality of the moment, so just watch the movie.
Albert Brooks and Debbie Reynolds both give perfect performances as the lost and insecure son, and the unsure and uninterested mother, and their chemistry is unique.
An absolute comedy gem, and my second favourite film of all time; second only to "Modern Romance"
Albert Brooks is impossible to beat if you're looking for character driven comedy, and "Mother" comes second only to another Brooks film, "Modern Romance".
Here we have the story of a science-fiction writer, blocked and fresh from his second divorce. It's the break up with this woman that prompts John Henderson (Brooks) to move back in with his mother, in the hope that solving his life-long problems with her will lead to the solution of his myriad of other problems.
The comedy is brilliant throughout. The scene in his mother's kitchen (food talk) is a contender for the finest comedy scene ever written. And the small things, that other writers neglect, are what make this film a standout: One example is the scene when Brooks' character is attempting to make a start on his next novel; it's truly hilarious, and any telling of its humour hear wouldn't convey the true laugh-out-loud quality of the moment, so just watch the movie.
Albert Brooks and Debbie Reynolds both give perfect performances as the lost and insecure son, and the unsure and uninterested mother, and their chemistry is unique.
An absolute comedy gem, and my second favourite film of all time; second only to "Modern Romance"
This is a great movie that is a lot of fun. I really liked Debbie Reynolds, who I think deserved a Best Supporting Actress award for her performance. Her comic timing is perfect.
Albert Brooks is great too. He reminds somewhat of Woody Allen, playing a neurotic science fiction writer who gets writer's block. He moves back home with Mom (Reynolds) in hopes of breaking the block.
The interplay between these two great actors is marvelous, thanks to a wonderful Brooks script.
One other comment I will add is that there is practically nothing in this movie to find offensive or objectionable. Good, clean fun, with many laughs.
Brooks more recent movie, "The Muse" featured a similar theme of a writer whose talents are temporarily stifled. I wonder if there is any autobiography to Brooks' scripts, but I am sure there is not, for his stories are often full of wonderfully funny moments.
I really recommend "Mother".
Albert Brooks is great too. He reminds somewhat of Woody Allen, playing a neurotic science fiction writer who gets writer's block. He moves back home with Mom (Reynolds) in hopes of breaking the block.
The interplay between these two great actors is marvelous, thanks to a wonderful Brooks script.
One other comment I will add is that there is practically nothing in this movie to find offensive or objectionable. Good, clean fun, with many laughs.
Brooks more recent movie, "The Muse" featured a similar theme of a writer whose talents are temporarily stifled. I wonder if there is any autobiography to Brooks' scripts, but I am sure there is not, for his stories are often full of wonderfully funny moments.
I really recommend "Mother".
Albert's Brooks' comedy 'Mother' is frequently hilarious, with some cracking dialogue, and highly perceptive: few viewers will fail to recognise some aspect of their relationships with their family in its portrayal of its eponymous central character and her middle-aged son, played by Brooks himself. But in taking their interaction as its principal subject, instead of using it as a backdrop to a wider story, the film chooses to pursue limited ambitions, and there's a level of contrivance necessary to support this narrow focus: while, at a micro-level, the film is perfect, the overall plot makes less sense, and the ending is a little pat. Not a great film; but one guaranteed to make you smile.
Mother is a beautiful movie, in that it gives us an insight to our relationships with our parents. While I am not female, things might be a little different for daughters, but as a son, I can see the same behaviors that have cultivated in my mother. And she can see it in her mother. My girlfriend can see it in her mother, and her grandmother. While the comedy is a little dry, and actually slightly confusing on the initial viewing, if you return to the movie after a year or so, it will make complete sense. It only gets better after that. I can understand being underwhelmed by this movie the first time. Please don't judge it too harshly. I know I would have rated it a 6 or so when I first saw it, and now I've given it a 9. Maybe I should explain why it doesn't get a 10. There are a few sequences that should have been altered. I found the date scene to be a little too long, and the Mrs Robinson sequence should have been almost completely eliminated. It is a painfully bad gag, and the humor of it is something that can only be appreciated by those of a certain mind set. Don't worry, I'm not insulting you if you like it.
I think Albert Brooks did a wonderful job with this film. Portraying all the odd little things that happen in our relationships with our respective mothers. We all have those moments where we look at her and can't believe that we were spawned from her loins. The ways that at any age, she can reduce us to about 9 years old and completely humiliate and embarrass the hell out us at a moments notice.
Debbie Reynolds is magnificent as the mother, she has that maniacal sense of motherly perfection that all of our mother's, at the very least, attempt to portray.
Rob Morrow is also hilarious as the jealous younger brother. Every scene between him and Brooks is a laugh riot, because they both seem to regress to their younger days when they would fight over toys and the remote control.
All in all, I think it is something everyone can relate to on some sense. We have all had one or two of these moments with our mothers and it is more than likely they will happen again.
Debbie Reynolds is magnificent as the mother, she has that maniacal sense of motherly perfection that all of our mother's, at the very least, attempt to portray.
Rob Morrow is also hilarious as the jealous younger brother. Every scene between him and Brooks is a laugh riot, because they both seem to regress to their younger days when they would fight over toys and the remote control.
All in all, I think it is something everyone can relate to on some sense. We have all had one or two of these moments with our mothers and it is more than likely they will happen again.
Wusstest du schon
- WissenswertesSince she had received no alimony from ex-husband Paul Simon, Albert Brooks asked good friend (and daughter of the movie's star Debbie Reynolds), Carrie Fisher, if she would ask her ex to give Brooks the right to use an adapted version of his famous song "Mrs. Robinson", which had originally been used in the film Die Reifeprüfung (1967). Both Simon and his equally famous partner Art Garfunkel had previously refused to allow anyone to use their iconic song. For instance, in the early eighties, the duo were offered a lot of money to rework the song for a "Mr. Coffee" commercial. They refused that and all other offers. However, because of his relationship with Fisher, Simon agreed, and the song was rewritten using the name "Mrs. Henderson" instead.
- PatzerThe "original" baseball card that Jeff tells John is worth $50,000 clearly has the words "Reprint Series" visible on the back, which means it wouldn't be worth more than one dollar in 1996.
- Zitate
Beatrice Henderson: I love you.
John Henderson: I know you think you do, Mother.
- SoundtracksMrs. Robinson
by Paul Simon
Special lyrics by Albert Brooks & Monica Mcgowan Johnson (as Monica Johnson)
Performed by Steve Lively & Jess Harnell
Produced by Marc Shaiman
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 19.145.198 $
- Eröffnungswochenende in den USA und in Kanada
- 137.701 $
- 29. Dez. 1996
- Weltweiter Bruttoertrag
- 19.145.198 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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