IMDb-BEWERTUNG
6,9/10
7182
IHRE BEWERTUNG
Ein neurotischer, zweifach geschiedener Science-Fiction-Autor zieht wieder zu seiner Mama, um seine persönlichen Probleme zu lösen.Ein neurotischer, zweifach geschiedener Science-Fiction-Autor zieht wieder zu seiner Mama, um seine persönlichen Probleme zu lösen.Ein neurotischer, zweifach geschiedener Science-Fiction-Autor zieht wieder zu seiner Mama, um seine persönlichen Probleme zu lösen.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 5 Nominierungen insgesamt
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This is a great movie that is a lot of fun. I really liked Debbie Reynolds, who I think deserved a Best Supporting Actress award for her performance. Her comic timing is perfect.
Albert Brooks is great too. He reminds somewhat of Woody Allen, playing a neurotic science fiction writer who gets writer's block. He moves back home with Mom (Reynolds) in hopes of breaking the block.
The interplay between these two great actors is marvelous, thanks to a wonderful Brooks script.
One other comment I will add is that there is practically nothing in this movie to find offensive or objectionable. Good, clean fun, with many laughs.
Brooks more recent movie, "The Muse" featured a similar theme of a writer whose talents are temporarily stifled. I wonder if there is any autobiography to Brooks' scripts, but I am sure there is not, for his stories are often full of wonderfully funny moments.
I really recommend "Mother".
Albert Brooks is great too. He reminds somewhat of Woody Allen, playing a neurotic science fiction writer who gets writer's block. He moves back home with Mom (Reynolds) in hopes of breaking the block.
The interplay between these two great actors is marvelous, thanks to a wonderful Brooks script.
One other comment I will add is that there is practically nothing in this movie to find offensive or objectionable. Good, clean fun, with many laughs.
Brooks more recent movie, "The Muse" featured a similar theme of a writer whose talents are temporarily stifled. I wonder if there is any autobiography to Brooks' scripts, but I am sure there is not, for his stories are often full of wonderfully funny moments.
I really recommend "Mother".
Albert's Brooks' comedy 'Mother' is frequently hilarious, with some cracking dialogue, and highly perceptive: few viewers will fail to recognise some aspect of their relationships with their family in its portrayal of its eponymous central character and her middle-aged son, played by Brooks himself. But in taking their interaction as its principal subject, instead of using it as a backdrop to a wider story, the film chooses to pursue limited ambitions, and there's a level of contrivance necessary to support this narrow focus: while, at a micro-level, the film is perfect, the overall plot makes less sense, and the ending is a little pat. Not a great film; but one guaranteed to make you smile.
I think Albert Brooks did a wonderful job with this film. Portraying all the odd little things that happen in our relationships with our respective mothers. We all have those moments where we look at her and can't believe that we were spawned from her loins. The ways that at any age, she can reduce us to about 9 years old and completely humiliate and embarrass the hell out us at a moments notice.
Debbie Reynolds is magnificent as the mother, she has that maniacal sense of motherly perfection that all of our mother's, at the very least, attempt to portray.
Rob Morrow is also hilarious as the jealous younger brother. Every scene between him and Brooks is a laugh riot, because they both seem to regress to their younger days when they would fight over toys and the remote control.
All in all, I think it is something everyone can relate to on some sense. We have all had one or two of these moments with our mothers and it is more than likely they will happen again.
Debbie Reynolds is magnificent as the mother, she has that maniacal sense of motherly perfection that all of our mother's, at the very least, attempt to portray.
Rob Morrow is also hilarious as the jealous younger brother. Every scene between him and Brooks is a laugh riot, because they both seem to regress to their younger days when they would fight over toys and the remote control.
All in all, I think it is something everyone can relate to on some sense. We have all had one or two of these moments with our mothers and it is more than likely they will happen again.
This is one of those movies that's like watching a play on a movie screen, and what an enjoyable play it is. Through deft writing and flawless acting, this film manages to capture the subtle psychological warfare taking place b/t Brooks and his family. Also to his credit, the Brooks character is far from flawless or blameless that the relationship has become such an emotional wasteland. A gentle giant.
I normally don't like Albert Brooks comedies because his humor is subtle, and sometimes, so sarcastic that it seems to me, that he tries too hard. He often comes off like a gigantic dufus who's every character, is always the over-looked, but honest and quite nice guy (see Broadcast News). Here, he is once again, the same character.
However, in watching this movie with my folks, I found it to be quite a funny little comedy about a grown man who tries to connect with his mother. Brooks plays John, a writer who is recently divorced. Suffering from writer's block, probably due to his recent 'problems,' he decides that he needs some sort of emotionally reinvigorating experience. One in which he is in search of "something," but he doesn't really know what it is. Sort of like, he'll know it when it happens.
He goes to spend some time with his widowed mother, Beatrice, played by the lovely Debbie Reynolds. They seem like exact opposites, she is timid, and somewhat flaky. He is rather pushy, and often, sarcastic. She appears more provincial; he comes off as more modern. It doesn't seem like they're related at first, because they're so different.
What might've started as a desire to find some inspriation to write by cooling off from a divorce, becomes a 360 drive to reconnect with his mother, and work out their innocuous differences in personality, outlook, humor, and so forth, until mother and son finally understand one another. This may not be clear to either intially that this will eventually be the ends to the vacation.
Rob Morrow plays John's equally annoying brother, a "mama's boy" type who frequently contacts Beatrice, trying to get her to be more modern and everything else like John does, but at the same time, not trying so hard to force it on her, and also, not trying like John to resolve anything laden in their relationship that may be troubling them. Though, it seems to be suggested that there is a slight "Oedepis Complex." But, Rob Morrow is only a subplot, and kind of an aggravating character at that. Beatrice seems so pleasant, and so well...motherly.
The strange reformations that John and his mother take on are quite amusing. The bit, for example, in the beginning when John first arrives at his mother's house, and she doesn't seem to have anything he likes to eat. Or, when they go to the mall together, and he tries to stop her from always feeling obligated to explain everything to strangers (like her son is a middle aged divorced man with writer's block). It's really cute. According to the trivia, Nancy Reagan was considered for Debbie Renynolds' role, which would've probably been played wonderfully by her. Some of things that Reynolds's (like the restaurant scene) is hilarious with the cursing and all of that as she becomes impatient with her son John's wanting to change her every moment.
Basically, the whole movie is Albert Brooks and Debbie Reynolds. John McGinnley and Lisa Kudrow show up for a minute role as the best friend and blind date (respectively). It might be worth watching for older audiences. I watched it with my folks, and they really seemd to enjoy it (they usually don't like Albert Brooks movies, either). It's worth a try.
However, in watching this movie with my folks, I found it to be quite a funny little comedy about a grown man who tries to connect with his mother. Brooks plays John, a writer who is recently divorced. Suffering from writer's block, probably due to his recent 'problems,' he decides that he needs some sort of emotionally reinvigorating experience. One in which he is in search of "something," but he doesn't really know what it is. Sort of like, he'll know it when it happens.
He goes to spend some time with his widowed mother, Beatrice, played by the lovely Debbie Reynolds. They seem like exact opposites, she is timid, and somewhat flaky. He is rather pushy, and often, sarcastic. She appears more provincial; he comes off as more modern. It doesn't seem like they're related at first, because they're so different.
What might've started as a desire to find some inspriation to write by cooling off from a divorce, becomes a 360 drive to reconnect with his mother, and work out their innocuous differences in personality, outlook, humor, and so forth, until mother and son finally understand one another. This may not be clear to either intially that this will eventually be the ends to the vacation.
Rob Morrow plays John's equally annoying brother, a "mama's boy" type who frequently contacts Beatrice, trying to get her to be more modern and everything else like John does, but at the same time, not trying so hard to force it on her, and also, not trying like John to resolve anything laden in their relationship that may be troubling them. Though, it seems to be suggested that there is a slight "Oedepis Complex." But, Rob Morrow is only a subplot, and kind of an aggravating character at that. Beatrice seems so pleasant, and so well...motherly.
The strange reformations that John and his mother take on are quite amusing. The bit, for example, in the beginning when John first arrives at his mother's house, and she doesn't seem to have anything he likes to eat. Or, when they go to the mall together, and he tries to stop her from always feeling obligated to explain everything to strangers (like her son is a middle aged divorced man with writer's block). It's really cute. According to the trivia, Nancy Reagan was considered for Debbie Renynolds' role, which would've probably been played wonderfully by her. Some of things that Reynolds's (like the restaurant scene) is hilarious with the cursing and all of that as she becomes impatient with her son John's wanting to change her every moment.
Basically, the whole movie is Albert Brooks and Debbie Reynolds. John McGinnley and Lisa Kudrow show up for a minute role as the best friend and blind date (respectively). It might be worth watching for older audiences. I watched it with my folks, and they really seemd to enjoy it (they usually don't like Albert Brooks movies, either). It's worth a try.
Wusstest du schon
- WissenswertesSince she had received no alimony from ex-husband Paul Simon, Albert Brooks asked good friend (and daughter of the movie's star Debbie Reynolds), Carrie Fisher, if she would ask her ex to give Brooks the right to use an adapted version of his famous song "Mrs. Robinson", which had originally been used in the film Die Reifeprüfung (1967). Both Simon and his equally famous partner Art Garfunkel had previously refused to allow anyone to use their iconic song. For instance, in the early eighties, the duo were offered a lot of money to rework the song for a "Mr. Coffee" commercial. They refused that and all other offers. However, because of his relationship with Fisher, Simon agreed, and the song was rewritten using the name "Mrs. Henderson" instead.
- PatzerThe "original" baseball card that Jeff tells John is worth $50,000 clearly has the words "Reprint Series" visible on the back, which means it wouldn't be worth more than one dollar in 1996.
- Zitate
Beatrice Henderson: I love you.
John Henderson: I know you think you do, Mother.
- SoundtracksMrs. Robinson
by Paul Simon
Special lyrics by Albert Brooks & Monica Mcgowan Johnson (as Monica Johnson)
Performed by Steve Lively & Jess Harnell
Produced by Marc Shaiman
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 19.145.198 $
- Eröffnungswochenende in den USA und in Kanada
- 137.701 $
- 29. Dez. 1996
- Weltweiter Bruttoertrag
- 19.145.198 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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