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Marvins Töchter

Originaltitel: Marvin's Room
  • 1996
  • 6
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
6,7/10
31.136
IHRE BEWERTUNG
Leonardo DiCaprio in Marvins Töchter (1996)
Trailer
trailer wiedergeben2:23
1 Video
88 Fotos
Coming-of-AgePsychological DramaDrama

Nach siebzehn Jahren kehren eine leidenschaftlich unabhängige Frau und ihr rebellischer Sohn nach Hause zurück, und gemeinsam stellen sie die Familie, die sie zurückgelassen hat, auf den Kop... Alles lesenNach siebzehn Jahren kehren eine leidenschaftlich unabhängige Frau und ihr rebellischer Sohn nach Hause zurück, und gemeinsam stellen sie die Familie, die sie zurückgelassen hat, auf den Kopf.Nach siebzehn Jahren kehren eine leidenschaftlich unabhängige Frau und ihr rebellischer Sohn nach Hause zurück, und gemeinsam stellen sie die Familie, die sie zurückgelassen hat, auf den Kopf.

  • Regie
    • Jerry Zaks
  • Drehbuch
    • Scott McPherson
  • Hauptbesetzung
    • Meryl Streep
    • Leonardo DiCaprio
    • Diane Keaton
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    31.136
    IHRE BEWERTUNG
    • Regie
      • Jerry Zaks
    • Drehbuch
      • Scott McPherson
    • Hauptbesetzung
      • Meryl Streep
      • Leonardo DiCaprio
      • Diane Keaton
    • 88Benutzerrezensionen
    • 47Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 4 Gewinne & 13 Nominierungen insgesamt

    Videos1

    Marvin's Room
    Trailer 2:23
    Marvin's Room

    Fotos88

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    + 80
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    Topbesetzung26

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    Meryl Streep
    Meryl Streep
    • Lee
    Leonardo DiCaprio
    Leonardo DiCaprio
    • Hank
    Diane Keaton
    Diane Keaton
    • Bessie
    Robert De Niro
    Robert De Niro
    • Dr. Wally
    Hume Cronyn
    Hume Cronyn
    • Marvin
    Gwen Verdon
    Gwen Verdon
    • Ruth
    Hal Scardino
    Hal Scardino
    • Charlie
    Dan Hedaya
    Dan Hedaya
    • Bob
    Margo Martindale
    Margo Martindale
    • Dr. Charlotte
    Cynthia Nixon
    Cynthia Nixon
    • Retirement Home Director
    Kelly Ripa
    Kelly Ripa
    • Coral
    John Callahan
    John Callahan
    • Lance
    Olga Merediz
    Olga Merediz
    • Beauty Shop Lady
    Joe Lisi
    Joe Lisi
    • Bruno
    Steve DuMouchel
    • Gas Station Guy
    • (as Steve Dumouchel)
    Bitty Schram
    Bitty Schram
    • Janine
    • (as Bitty Schramm)
    Lizbeth Mackay
    Lizbeth Mackay
    • Novice
    Helen Stenborg
    Helen Stenborg
    • Nun on Phone
    • Regie
      • Jerry Zaks
    • Drehbuch
      • Scott McPherson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen88

    6,731.1K
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    Empfohlene Bewertungen

    7evanston_dad

    Better Than It Should Have Been

    This stage to screen adaptation about two estranged sisters attempting a reconciliation after one is diagnosed with cancer is sentimental to the extreme, manipulative beyond forgiveness.....and had me close to blubbering like a baby by the time it was over.

    Chalk it up to the fact that I had recently lost a grandmother to cancer, but this film nearly devastated me even as I was mad that it was so maudlin. The fact that it works as well as it does is due largely to the fact that such good actors are cast in it. Meryl Streep and Diane Keaton play the sisters (Keaton is the ill one), and while it would never have occurred to me to put these two actresses together, the decision was inspired. And right before he rocketed to international fame, Leonardo DiCaprio does strong work as Keaton's troubled nephew.

    I won't even try to defend this film against those who say it's too schmaltzy to bear, but please let the rest of us enjoy it in blubbery peace.

    Grade: A-
    7eschetic-2

    Intimate dramas are the hardest to film - well worth the effort when they work though

    Small cast, intimate dramas like MARVIN'S ROOM, NIGHT MOTHER or STEEL MAGNOLIAS are among the hardest to adapt from the confines of the stage where the imagination can open the plays ideas up and make what might seem maudlin, real and life affirming to the more realistic form of film where it is harder to see beyond the mundane "bed pan" realities of life. In order to reinvent the best of these - like the plays mentioned above - to the new genre, every break is needed starting with bravura casts who, one hopes, an audience will want to see even "reading the phone book." When a play turns around the characters dealing literally with confrontations with death at the core of the plot as in these three great plays, what HAD been on stage a single set intense evening is frequently "opened up" with all sorts of other locations and events almost as if to distract us from the very issues which we are supposed to be attending to.

    On stage and screen MARVIN'S ROOM may well be the best of these three "death plays," all of which started and thrived Off-Broadway (only NIGHT MOTHER made the leap to a Broadway house in its initial production). While, somewhat amazingly (considering that one of the standards of the award is "depiction of American life"), MARVIN'S ROOM was not even a finalist for the Pulitzer Prize for Drama in 1992, it did win a number of other accolades which virtually demanded that Hollywood attempt to bring it to the rest of the nation - and they certainly gave it their all starting with the genuinely all star cast which is both the movie's blessing and its curse. It enraptures with the bouquet of bravura performances even while moving focus away from the central "earth-mother" of the family forced to face her own mortality while trying to care for and hold her collapsing family together around her (Diane Keaton's Oscar nomination - the film's only - notwithstanding).

    Ultimately, the film gets where the play was going (as well it ought to have, since Scott McPherson had the luxury of adapting his own play - he may have written his screenplay simultaneously with, if not before the tighter stage version, since he died in 1992, the year MARVIN'S ROOM received its Off-Broadway production at Playwrights' Horizons, winning the Outer Critics' Circle and Drama Desk Awards as best Play of the Year), but the power seems to have shifted from the play's revelations themselves to the dazzling performances. It's still well worth taking the trip, but more to appreciate a monument to more than a dozen brilliant stage and screen careers than a revelatory experience on the meaning of humanity in the face of life and death that the play had been.

    Do, by all means see the movie. It works. ...but if you ever get a chance to see the play which either suggested it or grew from it, by all means do - it's smaller but even better.
    9xavrush89

    The screenplay is really the star of this film.

    It's such a wonderful story, not at all as dreary as one would expect. The late Scott McPherson injected so much humor and heart into this film, it's hard not to just go along with it. Diane Keaton got the Oscar nomination, but Meryl Streep's character drives the film, as she works her way back into a family she turned her back on so she could have a life of her own. She was right to do so, as her sister (Keaton) has become consumed with caregiving for her father and aunt, taking absolutely no time out for herself. The film also features a nice departure for Robert De Niro from his typically heavy roles. That alone is worth seeing, and fans of his typical performances should be forced to watch this.

    This quiet film may not have enough action for some, but it is far better than most films dealing with serious illness. The journey these sisters begin is something that has been explored in countless TV movies (think Lifetime), but what separates it is the humor and the character development that makes the viewer wish he/she could stay and watch the family long after the film ends. The film also benefits from the presence of Leonardo DiCaprio, who gives an unlikely nuanced performance as the older son who develops some character and helps his flighty mother grow along with him. The great thing about his presence in the film is that younger viewers (mostly female, probably) will be more likely to see this movie and get something out of it in the process.

    Finally, a word about Gwen Verdon and Hume Cronyn. Their contributions to this film are immeasurable. And as already mentioned, it's great that younger viewers can watch this film and get a last look at them in these touching roles and see how charm never fades with age. Cronyn has little to do but lie ill in bed, yet somehow his character remains a focal point. And Verdon's comic relief pairing with the younger son is a real highlight. She also manages a poignant moment or two in a her scenes with Keaton. This truly is an ensemble piece, and it wouldn't have been without their talent. Why I don't yet own a copy of this sweet film is a mystery.
    8Conork2

    Oh what a difference a screenplay makes!!!!

    I came across this movie on Netflix and thought I would give it a go! Surely a movie with Meryl Streep and Dianne Keaton wouldn't disappoint! It sure didn't! While the story has been done before in various formats it's the screenplay that makes this movie a real gem. The main three actors really do a great job. But with Streep, Keaton and DiCaprio one would expect nothing less. For me the the late Gwen Verdon steals the show. she really shows how comedy should be done. The scene with the orange is one that stands out. A mixture of comedy and heart wrenching reality showcases how underrated she has been. This for me should have definitely gained a nod in any supporting actress awards. This movie certainly won't change your life but it really does provide you with food for though about love, family and the importance of life! Give it a go. It won't disappoint.
    10Bianca-3

    Great acting, simple story

    This movie should be reviewed for its great performances from some of the best actors today. Meryl Streep does not fail to shine out as one of the best actresses of all time as an emotionally distraught mother in this tale of hopes, emotions and intense feelings. Keaton, on the other hand portrays her best performance ever, and Leonardo DiCaprio proves that he has talents besides being a heartthrob. This movie really moved me, not because of the story itself but the acting was very realistic....I believe that they all should have received an Oscar nomination. Well done!

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    Handlung

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    • Wissenswertes
      Writer Scott McPherson died of complications from AIDS shortly after completing this adaptation of his stage play. As such, it is his only film screenplay.
    • Patzer
      As Meryl Streep's character is packing her suitcase in a hurry, she grabs an article of clothing off the wall and the clock can be seen falling. In the next scene she is grabbing another article of clothing off the wall and the clock is back in place.
    • Zitate

      Hank: Most of the time I just keep to myself. I think like what it would be like to be... someone else.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Mars Attacks!/Marvin's Room/The Preacher's Wife/Hamlet/Citizen Ruth (1996)
    • Soundtracks
      Consumer Watch
      Written by Jim Jacobsen (as James Williamson)

      Courtesy of Ole Georg Music (ASCAP)

    Top-Auswahl

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    FAQ20

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    Details

    Ändern
    • Erscheinungsdatum
      • 5. Juni 1997 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • La sangre que nos une
    • Drehorte
      • South Fernwood Rd, Rockledge, Florida, USA
    • Produktionsfirmen
      • Scott Rudin Productions
      • Tribeca Productions
      • Marvin Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 23.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 12.803.305 $
    • Eröffnungswochenende in den USA und in Kanada
      • 57.739 $
      • 22. Dez. 1996
    • Weltweiter Bruttoertrag
      • 12.803.305 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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