Idiot Box

Both the style and content of this film (as previous reviewers have stated) are far from fresh, but I can't be too unkind to a film that at least doesn't pander to the PG-13 crowd with the usual doses of sitcom sensitivity and redemptive moralism. The performances are all well delivered, the look of the film is grimly realistic, and the only obligatory, sensationalistic aspect of the piece is the annoyingly typical song-track music (that gleefully exploits and sells the usual mishmash that adds up to a pop-muzak CD). There's some good dialogue here and some fine widescreen photography for those film enthusiasts who are interested in checking out the DVD release of this decent Aussie indie.

i thought this movie was really cool when it came out dark, funny,real. filled with jerks and sensitive people good bad and ugly. Overall still enjoyable. I loved the music i loved jeremy sims and robyn loau. I also thought ben mendelson was awesome in his character. Maybe you don't get Aussie humour. Thats OK But there are lots of others who do! Sure The Boys is good but not as funny and enjoyable as Idiot Box. I would recommend this and Two Hands, and another movie that has bryan Brown and Toni Collette in it its set in the 60s, its very good, not that old, as some beaut Aussie films. plus Shine by Scott Hicks brilliant movie,

Idiot Box is a deliberately paced,philosophical and realistic comedy/drama from Australia.

Like many Australian films this is an artistic and original piece of film making with something important to say.If you were thrilled by Bad Boy Bubby's intelligent and insightful script you will be equally pleased by Idiot Box's insightful,realistic and philosophical script.

This film is also written by it's Director. It's David Caesar''s first film and hopefully not his last.Caesar has made a film filled with realistic characters and equally true to life situations and denouements to them.This is a film with great dialogue which amuses and provokes thought.His characters are all well developed and very credible as possible real people.

The story of Idiot Box is about two unemployed losers Kev (Ben Mendelson) and Mick (Jeremy Sims),who one day decided that robbing a bank wouldn't be such a bad idea.The movie deals with the lead up to this possible event and at the same time it is very much a slice of life style film.Like many great Australian film's (e.g. The Well) Idiot Box is able to have it's cake and eat it.By having solid character development and a enjoyable and original story.

The performances are also strong.Ben Mendelson as the explosive and angry Kev is extremely credible never becoming a caricature of his character for a minute.The smarter,slack and philosophical Mick is equally well played by Jeremy Sims.Sims brings to the screen a wonderfully multi-layered character who seems utterly credible.

David Caesar has also brought a sumptuous visual design to his picture making the most of cinema's widescreens.He shows us many lovely panoramic views of the wasteland of Australian suburbia.If this is not seen in the theaters or on video without widescreen much of the film's eloquence and beauty will be lost.

Overall Idiot Box is another powerful and meaningful film from Australia,which excels in all elements of film making.Idiot Box also packs an ending which though in some ways an anti-climax,it is one the truest and credible endings I've seen in film.

4/5

Look, I applaud any Australian movie that tries to tell a story about contemporary life in this country, but time and time again local film makers either make movies too derivative of overseas releases ("the Australian 'Scream'", "the Australian 'Pulp Fiction'"), or sabotage themselves with basically lousy and unconvincing characters. 'Idiot Box' does both. Everything about it is seen-it-all-before. The friendship between two losers, one supposedly sensitive, the other self destructive, the half baked robbery plan, the "ironic" use of pop culture references (in this case the corny cutting between the on screen story and the TV shows the characters watch), c'mon, this is supposed to be original and innovative movie making?

The characters of Kev and Mick (played by Ben Mendelsohn of 'The Year My Voice Broke' and Jeremy Sims of soapie 'Chances') are simplistic caricatures, who in no way are a true representation of suburban blue collar angst. Kev in particular is so yobboish that you never care a hoot about him. Mick's poetry and relationship with the girl who works at the local bottle shop (former pop singer Robyn Loau in a ludicrously under-written role) is supposed to show him as more worthy I suppose, but again, his character is so unconvincing there is no empathy or interest there.

A much more successful and disturbing look at Aussie surburbia can be seen in Rowan Woods superb movie 'The Boys'. Ironically two of "the boys" John Polson and David Wenham have supporting roles in 'Idiot Box'. Polson as a dim drug dealer, Wenham as a bank teller.

'Idiot Box' is phony and trite rubbish, and a complete waste of time.

What is needed for this film is a cultural reference point, that is some sort of experience/insight to suburban Australian life.

As anyone who has ever lived or spent time in the western suburbs of Sydney will no doubt know, the options for fun and excitement are, to say the least, somewhat limited. All that exists is a cycle of bad straight tovideo movies, longnecks in the park, and conversations with a selection of dodgy blokes in pubs...

Now with that background in place, we come to idiot box. The film, although a comedy, is no satire. It is more an accurate representation of the pointlessness and utter boredom of the Sydney suburbs an draws its humor from such.

A feeling of subdued frustration prevails in this film, in fact it is the general theme of it. The characters plan to rob a bank, however woefully conceived, is an extension on this, a philosophy that it does not matter whether they succeed, fail or even try, it matters only that they have done SOMETHING.

Idiot Box resonates with Sydneysiders, with Australians, it is an extremely relevant and poignant representation of a culture of boredom and frustration,a culture that lays its blame for this othersat the feet of others. It is not a film that translates well to other cultures.