IMDb-BEWERTUNG
7,4/10
6457
IHRE BEWERTUNG
Der Film befasst sich mit der Karriere eines vermeintlich vergessenen Pioniers des internationalen Kinos, Colin McKenzie, der angeblich im Jahr 1888 im ländlichen Neuseeland das Licht der We... Alles lesenDer Film befasst sich mit der Karriere eines vermeintlich vergessenen Pioniers des internationalen Kinos, Colin McKenzie, der angeblich im Jahr 1888 im ländlichen Neuseeland das Licht der Welt erblickte.Der Film befasst sich mit der Karriere eines vermeintlich vergessenen Pioniers des internationalen Kinos, Colin McKenzie, der angeblich im Jahr 1888 im ländlichen Neuseeland das Licht der Welt erblickte.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Jeffrey Thomas
- Narrator
- (Synchronisation)
Johnny Morris
- Self - Film Archivist
- (as Jonathon Morris)
Beatrice Ashton
- Hannah McKenzie
- (Nicht genannt)
Peter Corrigan
- Stan the Man
- (Nicht genannt)
Julie Holmes
- Market girl Extra
- (Nicht genannt)
Paul Kingdom
- Farmer
- (Nicht genannt)
- …
Isaac D Lucas
- Policeman
- (Nicht genannt)
Charlie McClellan
- Soldier firing machine gun in Gallipolli
- (Nicht genannt)
Sarah McLeod
- May Belle
- (Nicht genannt)
- …
George Port
- Undertermined role
- (Nicht genannt)
Empfohlene Bewertungen
This hour-long documentary details the amazing work of the nearly unknown Colin McKenzie, the first man to film movies with sound or in color. He documented the first man to ever fly (before the Wright Brothers, even!) and filmed a biblical epic on a massive set he built single handedly in the mountainous forests of New Zealand. So why haven't you heard of him? It might be because most people are biased against New Zealand film-makers, or it could be because this movie is entirely fictitious.
The very real, very brilliant director Peter Jackson fashioned this very funny and touching film for New Zealand television, and it's worth checking out for many reasons. First of all, it's technically amazing- the vintage film scenes are very convincing and well thought out. Second of all, the movie is very funny, including the hilarious antics of Stan the Man, a mean spirited prankster who is kind of like Tom Green, only much less annoying because he's silent. Finally, this movie has real heart, and gets you to care about the eccentric MacKenzie. As a bonus, this movie also features (an was co-conceived by) the guy from "Bad Taste" who threw the pine cone at Derik.
This movie is kind of hard to find, but well worth hunting down, especially if you are a fan of Jackson's work (and everyone should be).
The very real, very brilliant director Peter Jackson fashioned this very funny and touching film for New Zealand television, and it's worth checking out for many reasons. First of all, it's technically amazing- the vintage film scenes are very convincing and well thought out. Second of all, the movie is very funny, including the hilarious antics of Stan the Man, a mean spirited prankster who is kind of like Tom Green, only much less annoying because he's silent. Finally, this movie has real heart, and gets you to care about the eccentric MacKenzie. As a bonus, this movie also features (an was co-conceived by) the guy from "Bad Taste" who threw the pine cone at Derik.
This movie is kind of hard to find, but well worth hunting down, especially if you are a fan of Jackson's work (and everyone should be).
This life of a forgotten New Zealander at the dawn of movies is very knowing and loving. Its weirdly right on target with the way things were done by the maverick film makers of the day. Its also very funny and touching and a really good way to spend 53 minutes. I'm baffled that people actually thought this was real since there are numerous clues, nay, out right examples of why this couldn't be real, how the young film maker made movies years before anyone else is actually quite silly.
If can see this on the DVD since the extras add to the magic of the film. Chief among them is the making of documentary that tells you and shows you how they did what they did. In strange way thats even better than the film itself.
That said this is probably a renter rather than a keeper, but it should be on the must see list especially f you love old movies and movie history.
If can see this on the DVD since the extras add to the magic of the film. Chief among them is the making of documentary that tells you and shows you how they did what they did. In strange way thats even better than the film itself.
That said this is probably a renter rather than a keeper, but it should be on the must see list especially f you love old movies and movie history.
10msz
This film could've been made only by someone with a deep love of cinema : an homage to movies, coming from the heart. It's just too bad that Colin McKenzie didn't live to see his work being appreciated ...
Come to tink of it: it's just too bad that Colin didn't live at all. What a loss!
Come to tink of it: it's just too bad that Colin didn't live at all. What a loss!
To fully appreciate this film, you must consider two things. First, this is a MOCumentary. It is not a real story, but instead something created through the imagination of a very rich storyteller. Second, this film was released to the general New Zealand public without them knowing that this was a mocumentary and they completely felt that it was a real occurrence. They took the bait
hook, line, and sinker. It reminded me of the fear that Orson Welles was able to conjure when he did 'The War of the Worlds' broadcast in 1938. Welles was able to create a mythological occurrence that was packaged so well that audiences bought it. This is the same with Peter Jackson's creation, Forgotten Silver. Jackson's attention to detail and excitement behind this project is seen with every digitized photo, every sound bite, and every word of the story.
The great idea behind mocumentaries is that you have the opportunity to create a world from the ground up. I think this was an aspect that I thoroughly enjoyed about this picture was every creative angle that Jackson took with his characters. They were flawed, but in a good way. They were real, yet in a sense very cartoonish. They gave you this dream about life that is normally missing in most films, yet these guys were never alive for you to believe in. It was funny how deeply rooted you could become with this film until you had to pull yourself away and say that it was just a work of fiction. For anyone to say that about a film means that the filmmaker is doing a spectacular job. The only director that I can think of that closely able to pull this off today is Christopher Guest, but even in his work you can tell that it is a mocumentary from the beginning. Jackson never gives you the opportunity to find the truth. Everything he hands to you has been researched and tested giving us the chance to believe in our man Colin throughout all of it.
Perhaps what I am trying to say here is that Jackson doesn't just create a story, he creates a world filled with emotion and chaos. It is easy to create a story, books are released everyday, but to put visuals with this story AND build a main character that the average Joe can relate to is much harder. While only pushing 60 minutes, Jackson had quite a bit of work on his hands. This was not an easy project. Jackson not only had to play director, but also put himself into the film that I think only helped build the mirage of truth. You kept forgetting that he created this story, yet was in it himself. It honestly takes away that feeling of cinematic rubbish that Hollywood releases daily and builds a true story.
The interventions between Harvey Weinstein, Sam Neill, and Leonard Maltin only help build more of that 'truth' to the film. You hear these men from the industry talk about this fictitious man named Colin McKenzie, you begin to believe that perhaps he was alive and Jackson is just trying to tell the truth.
While I have spoken heavily about the amazing fake factoids that Jackson disperses through the film, what I found funny was the type of humor that Jackson placed intermittently throughout the film. The idea of Stan the Man is brilliant and his 'Rodney King' moment proved that it is always possible for history to repeat itself. The jail time that Colin faced due to his 'smut' film had me rolling in my seat. The exuberant size of the extras needed for this film kept me smiling throughout. There was just something about this humor that made me excited about my educational background.
Finally, I would like to say that the fact that the New Zealand public never realized that it was a mocumentary should already prove the worthiness of this film. I do not see why it didn't receive more press than it did, but this has been the biggest film enjoyment of the week. I remember a line from a film that went something like this, 'The greatest trick the devil ever pulled was convincing the world he didn't exist'. Think of this line as you witness Jackson's film Forgotten Silver. It will make you curious.
Overall, I thought that this film was beautiful. Midway through this film you will loose track of reality and think that you are watching a true documentary, and that is when you can realize that you have a master director giving you a perfect 'gem'. This was not a film filled with violence and annoying Gollems, but instead cunning wit and satire. Jackson continually proves that he can handle so much more than just The Lord of the Rings with this film. No CGI is needed to see the imagination and brilliance behind this visionary. For those of you that are huge Lord of the Rings fans, you may not enjoy it as much, but for me this was Jackson in his truest form.
Bravo!
Grade: ***** out of *****
The great idea behind mocumentaries is that you have the opportunity to create a world from the ground up. I think this was an aspect that I thoroughly enjoyed about this picture was every creative angle that Jackson took with his characters. They were flawed, but in a good way. They were real, yet in a sense very cartoonish. They gave you this dream about life that is normally missing in most films, yet these guys were never alive for you to believe in. It was funny how deeply rooted you could become with this film until you had to pull yourself away and say that it was just a work of fiction. For anyone to say that about a film means that the filmmaker is doing a spectacular job. The only director that I can think of that closely able to pull this off today is Christopher Guest, but even in his work you can tell that it is a mocumentary from the beginning. Jackson never gives you the opportunity to find the truth. Everything he hands to you has been researched and tested giving us the chance to believe in our man Colin throughout all of it.
Perhaps what I am trying to say here is that Jackson doesn't just create a story, he creates a world filled with emotion and chaos. It is easy to create a story, books are released everyday, but to put visuals with this story AND build a main character that the average Joe can relate to is much harder. While only pushing 60 minutes, Jackson had quite a bit of work on his hands. This was not an easy project. Jackson not only had to play director, but also put himself into the film that I think only helped build the mirage of truth. You kept forgetting that he created this story, yet was in it himself. It honestly takes away that feeling of cinematic rubbish that Hollywood releases daily and builds a true story.
The interventions between Harvey Weinstein, Sam Neill, and Leonard Maltin only help build more of that 'truth' to the film. You hear these men from the industry talk about this fictitious man named Colin McKenzie, you begin to believe that perhaps he was alive and Jackson is just trying to tell the truth.
While I have spoken heavily about the amazing fake factoids that Jackson disperses through the film, what I found funny was the type of humor that Jackson placed intermittently throughout the film. The idea of Stan the Man is brilliant and his 'Rodney King' moment proved that it is always possible for history to repeat itself. The jail time that Colin faced due to his 'smut' film had me rolling in my seat. The exuberant size of the extras needed for this film kept me smiling throughout. There was just something about this humor that made me excited about my educational background.
Finally, I would like to say that the fact that the New Zealand public never realized that it was a mocumentary should already prove the worthiness of this film. I do not see why it didn't receive more press than it did, but this has been the biggest film enjoyment of the week. I remember a line from a film that went something like this, 'The greatest trick the devil ever pulled was convincing the world he didn't exist'. Think of this line as you witness Jackson's film Forgotten Silver. It will make you curious.
Overall, I thought that this film was beautiful. Midway through this film you will loose track of reality and think that you are watching a true documentary, and that is when you can realize that you have a master director giving you a perfect 'gem'. This was not a film filled with violence and annoying Gollems, but instead cunning wit and satire. Jackson continually proves that he can handle so much more than just The Lord of the Rings with this film. No CGI is needed to see the imagination and brilliance behind this visionary. For those of you that are huge Lord of the Rings fans, you may not enjoy it as much, but for me this was Jackson in his truest form.
Bravo!
Grade: ***** out of *****
At this stage of his career, Peter Jackson was making strikingly original pictures, but they were mainly novelty pictures. Meet the Feebles: came up with the idea of taking muppets, and having them swear and do vulgar things. Bad Taste is superlative exploitation horror-comedy that claims to be the "grossest thing you'll ever see." Braindead was also horror comedy, and Forgotten Silver is a mockumentary about a lost New Zealand film pioneer.
Like the best mockumentaries (This is Spinal Tap), this absolutely relies on its facade of being real: to air in this, Jackson has recruited some impressive real-life movie figures, like Harvey Weinstein, Leonard Maltin and Sam Neill. As a testament to how well it puts up this facade, a couple of reviews on this site tell of people who saw it and for years thought it was real.
The persistent joke in this film is that a filmmaker would have remained entirely unknown until the making of this documentary, yet have secretly beaten every other film innovator to their discoveries: in the course of his life inventing the camera, the first feature film, the first film with a cast of thousands... i won't spoil the rest for you, but its great fun.
The other persistant joke is for locals (and the rest of us can have a good giggle too) that it was a New Zealander doing all this.
Sends up the obsession over lost films and filmmakers, as well as the entire of film history, no less. Yet it also taps into the excitement of invention, and the excitement of film discovery.
You'll get the most out of this if you know a little film history yourself, and know the real eras certain things were invented and who invented them - in which case you'll get an extra joy out of this, yet this knowledge is not necessary: Jackson slips in the dates of the actual innovations, like the first talkies and the first sound films, so you don't need to bring anything to the movie to enjoy it.
Like the best mockumentaries (This is Spinal Tap), this absolutely relies on its facade of being real: to air in this, Jackson has recruited some impressive real-life movie figures, like Harvey Weinstein, Leonard Maltin and Sam Neill. As a testament to how well it puts up this facade, a couple of reviews on this site tell of people who saw it and for years thought it was real.
The persistent joke in this film is that a filmmaker would have remained entirely unknown until the making of this documentary, yet have secretly beaten every other film innovator to their discoveries: in the course of his life inventing the camera, the first feature film, the first film with a cast of thousands... i won't spoil the rest for you, but its great fun.
The other persistant joke is for locals (and the rest of us can have a good giggle too) that it was a New Zealander doing all this.
Sends up the obsession over lost films and filmmakers, as well as the entire of film history, no less. Yet it also taps into the excitement of invention, and the excitement of film discovery.
You'll get the most out of this if you know a little film history yourself, and know the real eras certain things were invented and who invented them - in which case you'll get an extra joy out of this, yet this knowledge is not necessary: Jackson slips in the dates of the actual innovations, like the first talkies and the first sound films, so you don't need to bring anything to the movie to enjoy it.
Wusstest du schon
- WissenswertesThis was originally screened as a genuine documentary to an unsuspecting New Zealand public, and was only revealed to be a hoax a few days afterwards.
- PatzerThe film implies that Colin invented the close-up around 1912, but the earliest close-ups date from around 1903, nine years earlier.
- Crazy CreditsThe hoax of this film is carried on into the credits. Cast members Beatrice Ashton (Hannah McKenzie) and Sarah McLeod (Mae Belle) are credited as Research Assistants. Other bit players are credited as research assistants, production advisers, and are otherwise given phony credits.
- VerbindungenEdited from Dewars Scotch Whiskey (1897)
Top-Auswahl
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Details
Box Office
- Budget
- 650.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 26.459 $
- Eröffnungswochenende in den USA und in Kanada
- 1.740 $
- 5. Okt. 1997
- Weltweiter Bruttoertrag
- 26.459 $
- Laufzeit53 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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Oberste Lücke
By what name was Kein Oscar für Mr. McKenzie (1995) officially released in Canada in English?
Antwort