Hip Hop Hood - Im Viertel ist die Hölle los

Originaltitel: Don't Be a Menace to South Central While Drinking Your Juice in the Hood

1996
12
1 Std. 29 Min.

IMDb-BEWERTUNG

6,5/10

64.226

IHRE BEWERTUNG

BELIEBTHEIT

3.461

345

Marlon Wayans and Shawn Wayans in Hip Hop Hood - Im Viertel ist die Hölle los (1996)

A parody of several U.S. films about being in the 'Hood', for instance Boyz n the Hood (1991), South Central (1992), Menace II Society (1993), Higher Learning (1995) and Juice (1992).

trailer wiedergeben1:32

1 Video

86 Fotos

Buddy Comedy Dark Comedy Parody Slapstick Comedy Crime

Eine Parodie auf mehrere US-Filme über das Dasein in der 'Hood', z.B. Boyz n the Hood (1991), South Central (1992), Menace II Society (1993), Higher Learning (1995) und Juice (1992).Eine Parodie auf mehrere US-Filme über das Dasein in der 'Hood', z.B. Boyz n the Hood (1991), South Central (1992), Menace II Society (1993), Higher Learning (1995) und Juice (1992).Eine Parodie auf mehrere US-Filme über das Dasein in der 'Hood', z.B. Boyz n the Hood (1991), South Central (1992), Menace II Society (1993), Higher Learning (1995) und Juice (1992).

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,5/10

64.226

IHRE BEWERTUNG

BELIEBTHEIT

3.461

345

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 1 Nominierung insgesamt

Videos1

Trailer 1:32

Official Trailer

Fotos86

+ 78

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Handlung

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Wissenswertes
(at around 4 mins) Early in the film, Shawn Wayans's character says that his father is only a few years older than him. Lahmard J. Tate, who plays Ashtray's father, is less than two years older than Wayans. Cuba Gooding Jr. is only 7 years younger than Laurence Fishburne, who played his character's father in Boyz n the Hood - Jungs im Viertel (1991).

Patzer
(at around 9 mins) When Ashtray is getting a haircut from his dad, in one frame he's wearing a barber cape in the next one he's not wearing one, then right before the scene is over he's wearing it again.

Zitate
Grandma: Ashtray! You little bitch ass motherfucker! Come over here and give your grandma a hug!

Crazy Credits
Robert Schimmel is listed in the opening credits, yet he does not appear anywhere in the film, and is missing from the end credits.

Alternative Versionen
The Unrated version contains the following alternate scenes: Loc Dog's chat with the thug chick at the barbecue is extended; After Ashtray is released from jail Loc Dog, Preach and Crazy Legs play a game of Po'Nopoly; Loc Dog's dream is shown at the Old School scene; During Toothpick's drive by, instead of Ashtray running away he tries to save Dashiki, making more sense why he is suddenly lying on the ground; When grandma is said to have the "juice", she chops the guy's head off and puts it in her purse, referring to 'Dead Presidents'.

Verbindungen
Featured in Siskel & Ebert & the Movies: From Dusk Til Dawn/Eye for an Eye/12 Monkeys/Two If by Sea/Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996)

Soundtracks
Food Fight
Written by E. Humphrey, Shock-G (as G. Jacobs), T. Jones
Zomba Songs Inc./Pubhowyalike (administered by Zomba Songs Inc.) (BMI)/T. Jones
Performed by Digital Underground (as digital underground)
Produced by DA' D-Flow Pro-Diduction Squid-OD
(P) 1996 Island Records, Inc., a PolyGram Company

Benutzerrezensionen155

Ausgewählte Rezension

Way On, Right On

Nearly all movies are about other movies.

Nearly all life acts are from movies; nearly all stereotypes are from acts.

The Wayons merely close the loop: movies where the acts are stereotypes of stereotypes. They really know what they are doing, disguising it as social commentary. But that you get enough of in the first five minutes. Check out how many jokes are about acting, about every third one.

And then check out what they did next, with "Scary Movies," which takes the circle one more loop.

I admit that I'm a fan. They seem to be the only ones who can do what Zucker used to: serve up what are generally called spoofs.

I think it is because they start knowing that the target isn't bits of movies, but the bits we use in inventing the stories of who we are.

Ted's Evaluation -- 3 of 3: Worth watching.