IMDb-BEWERTUNG
5,5/10
1087
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn Memphis, a middle-class white teenager and a black Vietnamese immigrant meet in a gay cruising spot and discover what they don't have in common.In Memphis, a middle-class white teenager and a black Vietnamese immigrant meet in a gay cruising spot and discover what they don't have in common.In Memphis, a middle-class white teenager and a black Vietnamese immigrant meet in a gay cruising spot and discover what they don't have in common.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Empfohlene Bewertungen
This movie wasted tooo much time on other subjects. It should of made the storyline with the two guys a lot more intense and interesting. Instead - yawwwwwwn city. Who cared about the slacker boys and girls getting high in what looked like a garage. Or the relationship between that girl and Shayne.
This movie could have been a whole lot better.
This movie could have been a whole lot better.
OMG i can't believe this John guy he talk an Engrish that i can clearly understand, and he look and act exactly like my gay friends in here, in Vietnam, the director did so good about that, i'm so glad to see a Vietnamese in a gay film, we did make some gay films here too but it too little... about this film, i can tell that why things happened in this film, prob it not a love story, just another lonely and sad one that make me feel so bad, it good itseft, but it just so.... realistic.
"THE DELTA is wanting in focus, maundering in a scattershot fashion that becomes a norm in 1990s indie sphere and later the "mumblecore" in the noughties (often in default of a scintillating script and/or munificent funds). For instance, the passages depicting Lincoln's social life with his entitled friends feel wretchedly slack, totally disengaged from the film's theme. It is also not helping by the fact that Gray is a pretty but empty vase, a polite smile of condescension is his only expression regardless of what happens. However, Sachs shows more promise in his attempt to probe John's intersectionality (black, Asian, gay and immigrant constitute a gold mine, which is a rare sight). John's dialogue hews closely to the subculture vernacular and Chan pours out enough raw emotion into John's dysphoria-turned-cynicism-and-resentment, which poignantly projects a sharp political angle to elevate the film slightly above its ilks."
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Call me by your name meets Moonlight ... but with no final resolution.
The temptation is to write about obvious good intentions. Shayne Gray is just cute and this seems be the basic virtue offered to his character .
Thang Chan performance is the basic good point of film, presenting, sure, with a good fist of ciches, the reaistic image of allianation.
The probem, maybe the first part, we intentioned , ooking for suggest the struggle of Lincoln with his sexuality but, unfortunately, too ong and pretty boring.
In short, just a familiar indie recipe, not different by another, proposing faces of loneliness and reminding social traumas in fair manner.
The end is so predictable than just works as nice confirmation of what you suppose.
So, a nice film . Sure, for a precise target.
Thang Chan performance is the basic good point of film, presenting, sure, with a good fist of ciches, the reaistic image of allianation.
The probem, maybe the first part, we intentioned , ooking for suggest the struggle of Lincoln with his sexuality but, unfortunately, too ong and pretty boring.
In short, just a familiar indie recipe, not different by another, proposing faces of loneliness and reminding social traumas in fair manner.
The end is so predictable than just works as nice confirmation of what you suppose.
So, a nice film . Sure, for a precise target.
Wusstest du schon
- SoundtracksOM BOY
Words by Joey Pegram
Music by Apocalax
Performed by Apocalax
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 18.134 $
- Eröffnungswochenende in den USA und in Kanada
- 18.134 $
- 17. Aug. 1997
- Laufzeit1 Stunde 25 Minuten
- Farbe
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