IMDb-BEWERTUNG
5,8/10
5727
IHRE BEWERTUNG
Eine Gruppe von Teenagern unterhält sich selbst, indem sie eine Anthologie berühmter urbaner Legenden mit einer modernen Wendung erzählt, darunter Schminke, Monster, Psychopathen und Gespens... Alles lesenEine Gruppe von Teenagern unterhält sich selbst, indem sie eine Anthologie berühmter urbaner Legenden mit einer modernen Wendung erzählt, darunter Schminke, Monster, Psychopathen und Gespenster.Eine Gruppe von Teenagern unterhält sich selbst, indem sie eine Anthologie berühmter urbaner Legenden mit einer modernen Wendung erzählt, darunter Schminke, Monster, Psychopathen und Gespenster.
Frederick Lawrence
- Rockin' Rob (segment "The Hook")
- (as Rick Lawrence)
Christopher Masterson
- Eric (segment "The Campfire")
- (as Christopher Kennedy Masterson)
Suzanne Goddard-Smythe
- Mom (segment "People Can Lick Too")
- (as Suzanne Goddard)
- …
Empfohlene Bewertungen
Sporting surprisingly high production values and a cast full of familiar faces, the horror anthology "Campfire Tales" will keep genre fans mildly amused.
Why only mildly amused? Well, the cast isn't the only familiar thing about this movie. Most eek freaks have already heard variations of the film's stories around campfires of their own. To wit, the opening segment (starring James Marsden and Amy Smart) is a quick retread of "The Hook" urban legend.
The three main tales, told by a group of teenagers (including Christine Taylor and Christopher Masterson) get progressively better. Ron Livingston turns up in an acceptable bit about terrorized honeymooners, followed by a rather creepy cautionary tale of an Internet predator. Finally, the always effectual Glenn Quinn plays a stranded biker who falls for a mute, mysterious girl (Jacinda Barrett) in the film's best segment.
Of course, it's those storytelling kids who suffer the nastiest twist of all.
The film's end title music, a slightly retooled version of "The Monster Mash" is weirdly fitting. Though entertaining, "Campfire Tales" is nothing new.
Why only mildly amused? Well, the cast isn't the only familiar thing about this movie. Most eek freaks have already heard variations of the film's stories around campfires of their own. To wit, the opening segment (starring James Marsden and Amy Smart) is a quick retread of "The Hook" urban legend.
The three main tales, told by a group of teenagers (including Christine Taylor and Christopher Masterson) get progressively better. Ron Livingston turns up in an acceptable bit about terrorized honeymooners, followed by a rather creepy cautionary tale of an Internet predator. Finally, the always effectual Glenn Quinn plays a stranded biker who falls for a mute, mysterious girl (Jacinda Barrett) in the film's best segment.
Of course, it's those storytelling kids who suffer the nastiest twist of all.
The film's end title music, a slightly retooled version of "The Monster Mash" is weirdly fitting. Though entertaining, "Campfire Tales" is nothing new.
This is a gem of a movie I discovered by accident. It is a nice anthology horror film which contains four stories rolled into one. There is graphic sex which is a little distracting, though. If you like this one you should check out "After Midnight".
Good (not great) little horror film with a high "creep" factor (not to be confused with a 1991 movie by the same name, or the more recent (2001) Campfire STORIES). Central tale of stranded teens telling ghost stories around a campfire in spooky woods nicely leads into, and ties together the different stories that make up the bulk of the movie (Watch for Ron Livingston (Office Space, Band of Brothers) and Jennifer MacDonald in a spirited, sexy segment ("The Honeymoon")). Solid acting and a few truly "scary" moments make this an above-average chiller. Good example of interesting story line, coupled with quality ensemble acting resulting in a whole greater than the sum of its parts. "Surprise" ending of the main story adds nice creepy twist, although some may see it coming. Movie is not available on DVD, but can be found on VHS.
The Honeymoon.
The first segment is based on a different version of The Hook. It's somewhat similar to the urban legend, with a couple going to an isolated area with an unknown killer lurking around. One thing they added is a random local man who appears and tells them a creepy short story that gives off an unsettling vibe. The segment does a good job build up the tension to it and is somewhat suspenseful. The scene with the killer is terrorizing. Valerie is creepy, but the noises it makes are pretty stupid. The ending of the segment is similar to the urban legend. Overall, it's a decent one to start off with.
People Can Lick Too.
The second segment is somewhat similar to the urban legend itself. It goes through a decent pace and is built up pretty well. The scene with the chat room is disturbing because it revealed that the girl whom Amanda is talking to is an online predator posing as a young girl. Unfortunately, the two characters in the segment both sisters aren't that likable at all because both of them are bratty characters. The segment has pretty good tension with the predator stalking Amanda in the bushes, entering her house, and the garage scene. The ending is really similar to the urban legend itself. Overall, just like the previous segment, this is a decent one.
The Locket.
I don't know what urban legend this segment is based on, but it's about a young man who enters a farmhouse with a mute woman who lives there. Just like the previous segment, this one is built up nicely, and it is interesting to watch this. I think the character enters a place that is a time loop with an incident that repeats over and over again. It does build tension to it and is chilling on how it's executed. The ending itself is strange but interesting on the twist of it. Overall, another good segment.
The first segment is based on a different version of The Hook. It's somewhat similar to the urban legend, with a couple going to an isolated area with an unknown killer lurking around. One thing they added is a random local man who appears and tells them a creepy short story that gives off an unsettling vibe. The segment does a good job build up the tension to it and is somewhat suspenseful. The scene with the killer is terrorizing. Valerie is creepy, but the noises it makes are pretty stupid. The ending of the segment is similar to the urban legend. Overall, it's a decent one to start off with.
People Can Lick Too.
The second segment is somewhat similar to the urban legend itself. It goes through a decent pace and is built up pretty well. The scene with the chat room is disturbing because it revealed that the girl whom Amanda is talking to is an online predator posing as a young girl. Unfortunately, the two characters in the segment both sisters aren't that likable at all because both of them are bratty characters. The segment has pretty good tension with the predator stalking Amanda in the bushes, entering her house, and the garage scene. The ending is really similar to the urban legend itself. Overall, just like the previous segment, this is a decent one.
The Locket.
I don't know what urban legend this segment is based on, but it's about a young man who enters a farmhouse with a mute woman who lives there. Just like the previous segment, this one is built up nicely, and it is interesting to watch this. I think the character enters a place that is a time loop with an incident that repeats over and over again. It does build tension to it and is chilling on how it's executed. The ending itself is strange but interesting on the twist of it. Overall, another good segment.
The horror anthology movie has been a popular source of enjoyment for horror fans for a number of decades. As is pretty much always the case, the quality of each segment of the films varies - and this always will be the case. Case in point Campfire Tales.
Something of a little treat for those inclined, this offers up four main stories and a wraparound device which involves four teenagers telling the tales around a campfire after their car has crashed. In my own anthology experiences, the main stories have tended to improve in quality as each story plays out, Campfire Tales is different, it opens weakly - has two great stories in the middle - and then closes on a damp boring squib. leading into the big - if unsurprising - reveal at films end.
The poster for the film puts Amy Smart and James Marsden up at the front, which is a bum steer given that their screen time is not massive. Their story, "The Hook", opens the film and it's poor, devoid of scares and tension, and it obviously gears itself up for a chilling reveal but it ends up more funny (even baffling) than creepy.
"The Honeymoon" is up next and things significantly improve. Based on one of the most famous of urban legends, this finds a young couple of honeymooners stranded out in the woods when their camper van runs out of petrol. Choices are made, menacing terror begins, which all leads to a genuinely shocking finale.
Next up is "People Can Lick Too", which finds a young girl home alone and stalked by a paedophile she met on line. The whole episode has a sinister eeriness to it, with some reveals sending chills down the spine. The ending is heart stopping and blood curdling.
The last segment is "The Locket", which is well acted but ultimately more wistful and ethereal than anything scary or unnerving. Though the denouement is sure to appeal to many. Nice musical score here as well. And on to the reveal, straight out of The Twilight Zone and from any number of films of the same ilk. Great fun even if not all the stories knock it out of the park. 7.5/10
Something of a little treat for those inclined, this offers up four main stories and a wraparound device which involves four teenagers telling the tales around a campfire after their car has crashed. In my own anthology experiences, the main stories have tended to improve in quality as each story plays out, Campfire Tales is different, it opens weakly - has two great stories in the middle - and then closes on a damp boring squib. leading into the big - if unsurprising - reveal at films end.
The poster for the film puts Amy Smart and James Marsden up at the front, which is a bum steer given that their screen time is not massive. Their story, "The Hook", opens the film and it's poor, devoid of scares and tension, and it obviously gears itself up for a chilling reveal but it ends up more funny (even baffling) than creepy.
"The Honeymoon" is up next and things significantly improve. Based on one of the most famous of urban legends, this finds a young couple of honeymooners stranded out in the woods when their camper van runs out of petrol. Choices are made, menacing terror begins, which all leads to a genuinely shocking finale.
Next up is "People Can Lick Too", which finds a young girl home alone and stalked by a paedophile she met on line. The whole episode has a sinister eeriness to it, with some reveals sending chills down the spine. The ending is heart stopping and blood curdling.
The last segment is "The Locket", which is well acted but ultimately more wistful and ethereal than anything scary or unnerving. Though the denouement is sure to appeal to many. Nice musical score here as well. And on to the reveal, straight out of The Twilight Zone and from any number of films of the same ilk. Great fun even if not all the stories knock it out of the park. 7.5/10
Wusstest du schon
- WissenswertesThe end credits feature a cover of the 1962 song "Monster Mash" by the female-fronted punk rock band Bobsled. Their cover hasn't been released elsewhere, and by the time the film came out in 1997, the band had already split up.
- PatzerIn "the locket" segment as Scott walks around the foot of the bed to look out the window, he goes from wearing boxers, to jeans, then back to boxers again.
- Crazy CreditsAbout 30 seconds into the credits, it briefly cuts to a scene which ties back to the opening segment, and which also features a cameo from one of the film's directors.
- Alternative VersionenThere is a subtitled Swedish DVD release of the film that features a slightly different soundtrack compared to New Line's 2005 American DVD reissue. For example, the musical cue that plays when Eddie discovers the Hook attached to his car reappears in the post-credits scene, whereas in the New Line DVD it does not.
- VerbindungenFeatured in Ping! (2000)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Campfire Tales?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Campfire Tales - Geschichten vom Grabesrand
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
What is the Brazilian Portuguese language plot outline for Campfire Tales (1997)?
Antwort