Clueless: Die wichtigen Dinge des Lebens

This show is one of the funniest sit-coms on TV. It's really hard for me to explain. The show is obviously not of Seinfeld quality but everytime I watch the show I laugh my a** off. I love it and hope that the WB keeps showing it for a long time.

I actually like the sitcom better than the movie. I don't know why so many people weren't that into this. One thing that makes this show great is it's more wholesome than the movie was. (Most episodes of the TV series are rated G, the movie was PG-13) As for the comparison between Alicia Silverstone and Rachel Blanchard, come on the two of them look almost exactly a like. If you stood them next to each other, could you honestly tell the difference? I'll bet the two of them are somehow related. The only problem I have is when they replaced Michael Learner with Doug Sheehan as Mel Horowitz. The two of them have nothing in common whatsoever. Other than that, this is a great show.

This show was a total embarrassment to one of the few truly good teen movies. I remember being excited to watch this series, but it disgusted me so much that I could barely sit through it. 'Clueless' is a highly original and charming movie, but in the series they just turned it into a typical '90s sitcom that almost NOBODY liked.

I'll just leave it at that. If you like dime-a-dozen sitcoms, then this is the show for you. Otherwise, forget it.

The T.V. series "Clueless" takes off right where the extremely funny film left off. Here we find the character of Cher Horowitz portrayed by newcomer Rachel Blanchard, but the rest of the cast remains in tact. Minor characters like Ty and Josh have been removed (which makes sense because their "stories" were neatly wrapped up in the film) and instead we focus on the day to day adventures and teen-struggles of Cher, Dionne, Murray and Amber. The series takes the sardonic outlook of 90s teens that made the movie a success and expounds on it with great effect. The expansion of the Amber character to be a double edged uber-villain-cum-confidant is beneficial and often makes the episodes so enjoyable.

yet another example of industry bigwigs trying to milk success far beyond the limit. What made the film a success was the way in which Jane Austen's Emma was cleverly adapted for 1990s Los Angeles. The television version removes all trace of Austen and adds extra vacuity - this may be an ironic gesture, but somehow that seems doubtful. Overall, a steaming pile of pants.