Smoke - Raucher unter sich

Every once in a while, a film comes down the pike that is so refreshing, so rich, you'd swear it was inspired by some immortal spirit who condescended to take human form in order to share her perspective with us. Smoke is one such film.

Although there's nothing particularly special about each of several main characters, seemingly picked at random off of a New York street corner, they come off as noble, even heroic, in spite of the fact that their collective problems amount to nothing more than the usual garden variety. The main character, for example (Auggie Wren, played by Harvey Keitel) is a tobacconist around whose shop the main characters revolve. He has an unusual habit: every morning, at the same time of the day, he photographs the same street corner, and puts the pictures together in a series of albums. It's time-lapse photography on an enormous scale. He can't explain why he does it. He just needs to do it. And it's a really marvelous device for delivering the movie's main theme: everything that matters, all the meaning in the world that can be condensed from holy books and vows and catechisms and poems, is right there before us. We just need to have the eyes to see it. The things we tend to dismiss as prosaic, out of familiarity, emerge from the pages of his album as special, wonderful, enchanted.

There's a great line in the movie about how Sir Walter Raleigh measured the weight of smoke. He took a cigar, weighed it, smoked it, and weighed the ash. The difference between the cigar and the ash was the weight of the smoke. Although he new nothing of the chemistry of combustion, he did the best that he could, based upon what he knew. Likewise, Smoke is a movie about people with limited knowledge and perspective. Their assumptions are often wrong; but, they do the best that they can. A small, seemingly insignificant piece of information can, and does, change everything.

Though the writing is very "stagey", the acting is fantastic all around. The more you allow yourself to get into this movie, the more you will enjoy it. The soundtrack insidiously lulls the viewer into a state where the everyday is made beautiful.

This movie is full of overlooked performances by some of today's best actors, including Forest Whitaker, Harold Perrineau Jr, (who most people know from the OZ HBO series), and Ashley Judd, whose takes one of the smallest roles in the movie but develops an extraordinary character.

Harvey Keitel and William Hurt have a dynamic in each scene that shows the true brilliance of each actor. Stockard Channing plays a character that could easily have been overacted with a style and realism that engage the viewer.

Certainly a movie you have to put yourself into, but you won't be disappointed if you do.

This is one of the most awe inspiring movies that i have seen *EVER*. At the time of watching I was getting very bored with the standard fare Hollywood was churning out and bought this movie on a hunch after having seen an interview with 'Wayne Wang' or Paul Auster (can't remember which now!)...it totally hit me and restored my faith in film making, especially in the plain and (deceptively) simple style. The best bits of the film have to be the tale at the end, and the photograph albums. What is it?...'Everyone needs a hobby.' This is an exceptional movie, take a break from your hectic life and let the Smoke waft over you! (I should write tag-lines!! ;-) )

"It's such a sad old feeling, the fields are soft and green, it's memories that I'm stealing, but you're innocent when you dream, when you dream, you're innocent when you dream" ---Tom Waits

Smoke is a very difficult film to describe because it does not unfold with a coherent narrative, but rather with slice-of-life vignettes about chance, communication, and inter-connectedness. Author Paul Auster and director Wayne Wang (The Joy Luck Club) worked on the story for years before it reached the screen and the collaboration produces a highly literate, novelistic cinema that is divided into separate chapters, each elaborating a different character. I have seen this small masterpiece many times, but I keep watching it because I love its celebration of the simple pleasures of life: friendships, good conversation, and, of course, smoking a good cigar. Smoke is not a complex or experimental film, just a beautiful and simple delineation of humanity.

Harvey Keitel plays Auggie Wren, the owner of a small cigar store in Brooklyn. An amateur photographer as well as a raconteur of tall tales, Auggie has taken one photograph a day from the street corner outside his store every day for the past 14 years. "People say you have to travel to see the world,'' Auggie says. "Sometimes I think that if you just stay in one place and keep your eyes open, you're going to see just about all that you can handle.'' When a friend comments that all the snapshots look alike, Auggie points out the differences: the light, the season, and the look on people's faces. It's all a matter of slowing down, Auggie says, being in present time, and observing what is in front of you.

One of the store's regular customers is writer Paul Benjamin (William Hurt) who hasn't published a novel since his wife died a few years ago in an incident of street violence. When a young Black man, Rashid Cole, (Harold Perrineau Jr.) saves Paul's life by pulling him away from on an oncoming car, Paul offers him a place to sleep. The lives of the two become intertwined in the young man's encounter with some robbers and in his search for his father, brilliantly played by Forrest Whitaker. When Auggie's former lover, Ruby (Stockard Channing), shows up, she tells Auggie he has a pregnant daughter (Ashley Judd) that now needs his help. These incidents come together in a powerful, fully realized conclusion.

Although Smoke has its moments of high drama, it is mostly a low-key, slice-of-life type of film that depicts events in life as happening for a purpose, not as random or chance occurrences. The characters are not "movie colorful", but ordinary down-to-earth people brought to realization by a flawless ensemble cast. The film reaches a sublime conclusion in a tender Christmas story narrated by Keitel and supported by Tom Waits' haunting song "Innocent When You Dream". Everyone ends up in a better place than when they started, including myself as viewer.

I'll try to make this short and sweet. This is simply one of the greatest movies I have ever seen. Even the credits can't be missed. Harvey Keitel and William Hurt are just unbelievable. Ashley Judd makes you want to kill her. There are so many gems in this movie you would think it came from a South African diamond mine. This is NOT to be missed. It's sort of a non-linear Quentin Tarantino format without the violence. Several great stories spun by a master. Two words: SEE IT.