IMDb-BEWERTUNG
7,1/10
19.830
IHRE BEWERTUNG
Nachdem der Mann, den sie bewundert, ihre Schwester geheiratet hat, entwickelt eine junge Mexikanerin eine Leidenschaft fürs Kochen und entdeckt, dass sie ihre Gefühle durch das Essen, das s... Alles lesenNachdem der Mann, den sie bewundert, ihre Schwester geheiratet hat, entwickelt eine junge Mexikanerin eine Leidenschaft fürs Kochen und entdeckt, dass sie ihre Gefühle durch das Essen, das sie zubereitet, übertragen kann.Nachdem der Mann, den sie bewundert, ihre Schwester geheiratet hat, entwickelt eine junge Mexikanerin eine Leidenschaft fürs Kochen und entdeckt, dass sie ihre Gefühle durch das Essen, das sie zubereitet, übertragen kann.
- Nominiert für 1 BAFTA Award
- 27 Gewinne & 14 Nominierungen insgesamt
Empfohlene Bewertungen
This film had all the ingredients to be a great movie, however, it never materialized on screen. With so many interesting characters, it was disappointing that none of them except Tita connected in a meaningful way and evoked much emotion from from me. Pedro was a prime example of this. Instead of rooting for him, i found myself not only disinterested in his wimpy character but actually disliking him altogether.
Again, i thought this film had a great premise, but failed to deliver on screen. i truly loved the magical realism, and thought the director should have focused more on Titas ability to connect to people through food.
Again, i thought this film had a great premise, but failed to deliver on screen. i truly loved the magical realism, and thought the director should have focused more on Titas ability to connect to people through food.
Like Water for Chocolate is a masterpiece in that it conveys the essence of our ancestors' knowledge forgotten in the fast pace of modern living.
It centers around the wonder of cooking: a sacred ritual, not a boring chore; and when done right, with love, it creates magic. Raised and taught to cook by her old Mayan nanny, Tita (exquisitely performed by Lumi Cavazos) masters the near-magical ability of transferring her love and other feelings into her creations passed into one who eats them.
The characters senses are so refined, they enable everyone involved in this family drama to be tuned to the finest nuances of their world, opening the door to non-material pleasures. Rich with metaphors, their language reflects the skills of keen and sometimes humorous observation. The story brings our perception to a different level - as its characters' empathy borders on miracles and magic, and things we only sense and feel become real. Tita's virgin breasts, feeling `like dough kneaded' by strong hands, turn into mature breasts under Pedro's burning eyes (to later start lactating) - their glances, just like her food, becoming the means of communicating their forbidden love.
Yet all magic becomes wasted in the face of a man's choice. The Universe may scream into Pedro's ears about the path he is to take, but if he doesn't follow it, no magic can save him. We witness the story of a fatal attraction between two soulmates, whose passion, confined by an enslaving family tradition, lights up everyone around them... But for themselves, it's so intense, it literally engulfs the lovers in flames. Did they have an alternative? It is for the viewer to figure out.
You may ponder, however, over the young doctor's Indian grandmother saying that `each of us is born with a box of matches inside but we can't strike them all by ourselves; we need oxygen and a candle to help. The oxygen would come from a lover's breath; the candle could be a food, a melody, a word, a caress, or a sound...' He remembers her warning, though, that `it is important to light the matches one at a time' because otherwise the heat generated would produce too dazzling a brilliance.
Thus the wisdom of the ages, just like the power, is passed here through women and the men who are in tune with them. And the intense interactions between the colorful characters of five generations extend to dead family members who continue to counsel or despise the living.
When coming into her room with Pedro after 22 years of their waiting for each other, Tita is greeted by her long deceased nanny lighting her bed and the room with multiple candles. And the consequences of one's actions carries on beyond time - as each person continues her path notwithstanding death.
Hot yellow-red colors intermixed with dense lighting rekindle one's passion for living and appreciation for the gifts and mysteries of the Mexican land. The magic realism becomes a way of living in a culture connected with its heritage.
I recommend Like Water for Chocolate to anyone who feels like he/she is lacking color and passion in life - if watched with an open mind and heart, this beautiful and enigmatic film will stir your senses and imagination and light up your box of matches!
It centers around the wonder of cooking: a sacred ritual, not a boring chore; and when done right, with love, it creates magic. Raised and taught to cook by her old Mayan nanny, Tita (exquisitely performed by Lumi Cavazos) masters the near-magical ability of transferring her love and other feelings into her creations passed into one who eats them.
The characters senses are so refined, they enable everyone involved in this family drama to be tuned to the finest nuances of their world, opening the door to non-material pleasures. Rich with metaphors, their language reflects the skills of keen and sometimes humorous observation. The story brings our perception to a different level - as its characters' empathy borders on miracles and magic, and things we only sense and feel become real. Tita's virgin breasts, feeling `like dough kneaded' by strong hands, turn into mature breasts under Pedro's burning eyes (to later start lactating) - their glances, just like her food, becoming the means of communicating their forbidden love.
Yet all magic becomes wasted in the face of a man's choice. The Universe may scream into Pedro's ears about the path he is to take, but if he doesn't follow it, no magic can save him. We witness the story of a fatal attraction between two soulmates, whose passion, confined by an enslaving family tradition, lights up everyone around them... But for themselves, it's so intense, it literally engulfs the lovers in flames. Did they have an alternative? It is for the viewer to figure out.
You may ponder, however, over the young doctor's Indian grandmother saying that `each of us is born with a box of matches inside but we can't strike them all by ourselves; we need oxygen and a candle to help. The oxygen would come from a lover's breath; the candle could be a food, a melody, a word, a caress, or a sound...' He remembers her warning, though, that `it is important to light the matches one at a time' because otherwise the heat generated would produce too dazzling a brilliance.
Thus the wisdom of the ages, just like the power, is passed here through women and the men who are in tune with them. And the intense interactions between the colorful characters of five generations extend to dead family members who continue to counsel or despise the living.
When coming into her room with Pedro after 22 years of their waiting for each other, Tita is greeted by her long deceased nanny lighting her bed and the room with multiple candles. And the consequences of one's actions carries on beyond time - as each person continues her path notwithstanding death.
Hot yellow-red colors intermixed with dense lighting rekindle one's passion for living and appreciation for the gifts and mysteries of the Mexican land. The magic realism becomes a way of living in a culture connected with its heritage.
I recommend Like Water for Chocolate to anyone who feels like he/she is lacking color and passion in life - if watched with an open mind and heart, this beautiful and enigmatic film will stir your senses and imagination and light up your box of matches!
Tita (Lumi Cavazos) was born in the kitchen in 1895 Rio Grande, Mexico. After the death of her father, her mother vows to force her youngest Tita to care for her entire life. Tita grows up in the kitchen with servant Nacha. She falls in love with Pedro Muzquiz but her mother refuses to permit her to marry. Her mother offers older sister Rosaura and Pedro accepts hoping to stay close to Tita. Tita's tears infuse the wedding cake with her sadness.
This has a great magically realism. It's a fable of food, family, and passion. The story is fun and fanciful. Lumi Cavazos is a sweet endearing lead. The only drawback is the limited chemistry in the epic romance. It's probably asking too much. They don't have much time together before they have to be Romeo and Juliet. Then they have to be apart. It's submerged passion and Pedro doesn't always come across well.
This has a great magically realism. It's a fable of food, family, and passion. The story is fun and fanciful. Lumi Cavazos is a sweet endearing lead. The only drawback is the limited chemistry in the epic romance. It's probably asking too much. They don't have much time together before they have to be Romeo and Juliet. Then they have to be apart. It's submerged passion and Pedro doesn't always come across well.
Usually when I read a book, I am disappointed by the movie; there is so much more in the written word than can be put on screen. And when I see a movie I never want to read the book afterwards. This was the first movie that I read the book after seeing the movie; Como Agua Para Chocolate is THAT good a movie! And the book is WONDERFUL! The fairy tale aspect of this movie is told subtly, but with a strong Hispanic sense of mysticism-- you have the evil (step)mother, the heroine as Virgin Mary, who has magical powers, unrequited love, the unobtainable prince, and other classic fairy tale elements. This combines with the real elements of the Mexican Revolution and old world family practices revolving around family relations, martimony, and most of all cooking. Food plays a major role in this movie, but even more so in the book. I recommend both the book and the movie.
I'm greatly surprised at some of the negative comments for "Like Water for Chocolate", many of which state how it utterly failed to capture the passion or the mystical tone of Laura Esquivel's book.
I suppose it's only a matter of opinion(like pretty much everything, I guess), but I thought the movie represented the book's magical realism in a great way. The filmmakers knew not to exaggerate or take everything over the top(which could've been very easy), and this gives the fantastical moments-- such as all the guests becoming ill at the wedding or the shower bursting into flame as Gertrudis bathed-- an essential grounding in reality. This fact is also buttressed by the erotic musical score and the whole cast, who fit the characters from the novel perfectly IMO.
I would recommend giving the film of "Like Water for Chocolate" a go; and trying out the book as well.
I suppose it's only a matter of opinion(like pretty much everything, I guess), but I thought the movie represented the book's magical realism in a great way. The filmmakers knew not to exaggerate or take everything over the top(which could've been very easy), and this gives the fantastical moments-- such as all the guests becoming ill at the wedding or the shower bursting into flame as Gertrudis bathed-- an essential grounding in reality. This fact is also buttressed by the erotic musical score and the whole cast, who fit the characters from the novel perfectly IMO.
I would recommend giving the film of "Like Water for Chocolate" a go; and trying out the book as well.
Wusstest du schon
- WissenswertesThe original literal title means very little outside Mexico (it refers to the exact boiling temperature water needs to reach in order to make hot chocolate). Therefore, in France the title has been changed into "Bitter Chocolate", in Poland into "Quails in Rose Petals" and in Japan into "The Legend of the Rose Petal Sauce".
- PatzerWhen Dr. Brown holds up a piece of white phosphorus, nothing happens. White phosphorus ignites in air at room temperature, however, so it should have been shown burning.
- Alternative VersionenThe International version is color-corrected, and some voices were re-dubbed in the English spoken language scenes. Includes sex & nudity scenes.
- VerbindungenFeatured in The 50th Annual Golden Globe Awards (1993)
- SoundtracksMi Querida Capitan
Written by José Alfonso Palacios
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Como agua para chocolate
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.665.468 $
- Eröffnungswochenende in den USA und in Kanada
- 23.600 $
- 21. Feb. 1993
- Weltweiter Bruttoertrag
- 21.744.201 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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