Mediterraneo

An outstanding movie. The film flows like water, masterfully directed.Watching this film was enjoyable and it seems like an escape from reality.In them we can identify our desires and our feelings. Escape from the world of war. Shows how little is enough to be happy. Luzers in the war are actually winners and lucky people. People who would kill other peoples yesterday, show us real face, ordinary people with same wishes like ours. This movie proof that is not necessary to spend millions of $ to make great movie. For me personally it is a pleasure to watch this movie any time, sometime I feel that I would like to find similar place today to escape from our modern, hectic life. All in all, great movie, I wouldn't change anything.

Honestly I don't know how this movie could have been translated into English or other languages, since I'm referring to the original, Italian, version of it. I never expected any American so-called critic to full understand what European, and specifically southern-European movies can be about, since we never based the quality of a movie on the amount of car chases, shooting, explosions, well polished (but fake) dialogues and so on. Our cinema is far less shiny but more down-to-Earth. The director, through the words of the character of Lt. Farina, in the very beginning of the movie starts telling a story, which could have been truly happened that way. Why? Because in Italian movies actors act like normal everyday people is. So it appears pretty credible what happened in the movie, between acts of humanity, friendship, inner struggles. Of Course there are typical elements of Italian culture throughout the plot, as the soccer matches, the highly informal language, the warm friendship, and of course to whom is totally unaware of Italian culture, these can appear as childish and pretty silly. But if you look deeply into that, if you leave all prejudices aside, you will discover a beautiful postcard which paints a wonderful small Greek island, in which Italian and Greek people (re)discover their common cultural origins. With the WW2 as background (but there are no fights at all). All in all, reading about American reviews about this movie, in which the writers looked at this movie with a smile of superiority, it reminded me about the part in which the two British sailors came to rescue the marooned soldiers, point at them with a sort of disgust and justify their feelings with: "Italians".

The outline of this film appears in other postings, so I will just add my two drachma by way of critical appraisal. In case you are in any doubt, Mediterraneo ranks in my best three ever - a magnificent film. If you never see it, part of your life will have been unlived.

Mediterraneo epitomises the difference between Hollywood and the demands of a largely US audience and the subtler approach of the European director/writer who seeks simply to express him/herself through the medium. I read two reviews in the Washington Post both of which managed to misunderstand the film completely, one going so far as to characterise the cast as "Marx Brothers". In fact, they are probably the finest ensemble of characters I have ever seen in film - a completely disparate group of individuals who nearly all manage to find spiritual (and sexual) fulfulment in the sensuality of Aegean island life.

The film is multi-layered and, the more obvious ones, such as the powerful anti-war message and the venality of post-Fascist Italy are often mentioned. But no-one has ever picked up on the phrase "una face, una race" which is repeated throughout the film. This is the nostrum that Italians and Greeks have a common Mediterranean heritage (come on Washington Post hacks - didn't the title give you a clue?) and that there is an enormous irony in the Italians - who rightly pride themselves on the antiquity of their civilisation - seeking to subdue another culture whose origins are 2000 years older.

This is underlined by the easy participation of the soldiers in both high and low Greek culture, .....the painting of the frescoes in the church (n.b. the Orthodox Church predating the Holy Roman Empire by centuries - clever eh!) and the wonderful unifying theme of football, which only a European or South American viewer could truly appreciate.

The group's ambivalent attitude to sexual mores adds to the sense of the place as essentially a home for Greco-Roman sensuality - a fact which is gloriously exposed with the later juxtaposition of our band of heroes with the starched British Royal Navy officers who arrive to remove them from the island.

I have not seen any mention in other reviews of the beautiful cadence of the Italian dialogue - as lilting as the bazouki music which accompanies much of the film.

The sense of disillusionment that takes over the film at the end is very powerful and it is no accident that Salvatore shows us the Lieutenant returning to the island on a ferry full of burnt-pink tourists.

This is a film that can only truly be appreciated if you have a feeling for, and understanding, of European culture. This is a film for grown-ups.

Mediterraneo demonstrates that though box-office grosses for European films are small (unless it is something produced explicity for a US audience, like the truly dreadful Four Weddings) our directors have managed to stay true to their craft.

If there are not enough car chases or shoot outs for you, look out for the five-star ratings in the Washington Post.

Fact 1: Only 10% of Americans possess a passport: Fact 2: None of them review for the Washington Post.

It was a very good Italian film I've seen along with Cinema paradiso and Barnabo delle Mongtagne. On the island they forget everything, just enjoy peace and simple jolly life. 30years later,a few people left the island come back, because they couldn't adjust themselves in the world. Only place to return to was the island. On watching the film, I was quite saddened, because our life is like a dessert where Utopia is nothing but a mirage. Director's words "I'd like to dedicate this film to people who want to run away" says all. Very memorable film!!!

I think IMDb explains the plot best: An Italian ship leaves a handful of soldiers in a little island; their mission is to spot enemy ships and to hold the island in case of attack. The village of the island seems abandoned and there isn't a single enemy in sight, so the soldiers begin to relax a little. Actually, the island isn't deserted and when the Greeks understand that those Italians are harmless, they came out of their hiding places in the mountains and continue their peaceful lives. Soon the soldiers discover that being left behind in a God-forgotten Greek island isn't such a bad thing, after all...

The film won the Oscar for Best Foreign film in 1991 and I'm pretty sure this wasn't the best foreign film of that year, but I can understand why it won. The film captures something I think many people can relate to or understand...escape. These soldiers find an escape from the war. Which is something anybody who has been in a war can relate to. And, the film also captures the freedom these men have. For the moment they're at the island they can also escape from their everyday responsibilities and do what they like best. That's something most people want. For instance, the lieutenant enjoys painting and at the island he gets the opportunity to paint the church. Instead of fighting a war or worrying about how to pay the bills he is doing what he enjoys best, painting. The film may not be the best foreign film of 1991, but it is a very warm-hearted film that you will enjoy.

3 (***) out of (****)