Der Kuß vor dem Tode

The large part of the fun of watching A Kiss Before Dying is looking out for the number of Hitchcock movie moments the film is paying tribute to: from Psycho's shower shots and the lonesome mother's house our Norman Bates has escaped from, to the bleaching of the heroine and taking the Kim Novak role a la Vertigo with possibly lethal consequences. I was hugely amused and never mind the creaking plot. On a technical level, I loved the Technicolor hue of the film, very Hitchcock period too. I'm not sure why the lead actress, Sean Young, got a double Razzie award for her dual role. It seems undeserved. I'm sure there must have been far worse performances in 1991 to choose from.

For this type of thriller, this movie is entirely average. The plot and overall theme is decent enough, but the film loses any potential it might have by featuring such lousy acting. Even Max von Sydow, who is a veteran and is normally an excellent actor was disappointing in this. The only actor who did even a decent job was Matt Dillon. The film also has a bad pace, it's far too slow; in fact, it's incredibly slow and boring, for such a short film; it's just over 90 minutes, yet I can't bring myself to sit through the entire thing again(I did once, but ever since then I haven't been able to do so). The climax in the film is also below average, and flat-out boring. The supposed twist-in-the-end was lame, and not to mention far too easy to figure out. Also, the film introduces the villain far too early, in my opinion. Five minutes into the film, you knew who you were gonna root against. That's just too early. The film lacks any real surprises, as well as any great qualities. The few scenes detailing the psychopath's gruesome murders are decent, but lacks any real intensity or excitement, simply because you know exactly what will happen. As far as thrillers go, this is average and entirely forgettable. I recommend it only to the biggest of thriller fans. 5/10

Usually when a person is so motivated to go to any lengths to achieve his dream it's depicted as a good thing. But when that person is Jonathan Corliss (Dillon), it's a nightmare for those who care about him and bloody executions for those who stand in his way.

Matt Dillon's performance as a charming psychopath is what works very well in "A Kiss Before Dying". Corliss, a blue collar Philadelphia lad with huge ambitions, sets his sights on a Copper Baron's (Max Von Sydow) empire and plans to become a member of the family. When it becomes necessary to dispose of the Baron's daughter (Sean Young), Corliss (under an alias) moves on to her twin sister (Young again) and enters the family. But hiding his tracks and his former life proves quite the hassle and Corliss has no reservations with killing every one who stands in his way of greatness in the Copper business.

A double doze of Sean Young is a bit too much to take; she's simply an astonishingly bad actress but Dillon more than makes up for that. His Jonathan Corliss is a very memorable psychopath. It's never made crystal clear as to why he set his sights solely on Von Sydow's empire but his journey on the way is suspenseful. It's not a very graphic film but it does have some very nasty moments and disturbing death scenes.

Director Dearden makes no attempts in admitting his affection for Alfred Hitchcock and some moments here are obviously a tribute to the old master of suspense. The ending does feel a bit rushed but overall "A Kiss Before Dying" is an above average thriller with some striking and memorable set pieces.

Sean Young gets a double Razzie nod for sleepwalking through her dual role in this journeyman thriller which sticks Matt Dillon out front as an upwardly mobile man who prefers to murder his way to the top of the corporate ladder. Full of contrivances and asking many questions while providing few answers, this mediocre rehash of a 1956 thriller makes for little more than a nominal couch potato no-brainer. Okay to zone to. (C+)

Inferior remake of the 1956 classic. Matt Dillion was still very handsome when this was made and the real reason to watch. He is effective as the sociopat, and would have been better with a talented and attractive leading lady. Sean Young is just really, really bad. If you dislike her, this plays as an unintentional comedy. A nice touch is Matt lighting a cigarette after he pushes her off the roof.

Now if Matt was teamed with Diane Lane again, this could have been an effective and sexy thriller. BTW, well to do women do not buy box hair color at the drugstore they have professionals color it. Hair as dark as Young's would have to be bleached first anyway. It is a two step process.