Codename Black Angel

Ludicrous plot, bad acting, glaring factual errors. Stylistically, it's a bit of a Top Gun rip-off. And seriously, who ever heard of anyone landing a fighter on a road and then taking off again later? If you like to make up funny lines for the dialogue or you like to pick out errors, etc., then this is the movie for you. And Peter Strauss, next time you play a military man, get a haircut.

This is an excellent story of United States Air Force Pilots that could possibly happen. All parts in film are well acted and believable. The only bad feature of film is parts of the film that were shown that were supposed to be in Western part of the United States looked like they were filmed in Israel. The movie keeps you in suspense because when you see it you have no idea what is going to happen next. I give the movie a 7 out of a 10 because of the non-authentic scenery. If it wasn't for that, I would have given it a 9. Peter Straus plays his part well but William O'Leary plays a very complicated part and should have received some kind of film award for his part!

FLIGHT OF BLACK ANGEL is another movie about a renegade fighter pilot taking the fight to the skies above America. There were a few of these films made throughout the 1990s, John Woo's BROKEN ARROW being the one I know the best. Although this one's a TV movie, it doesn't suffer from the trappings of that genre because it actually has some violent scenes of murder and destruction in it, so it's not one that plays it safe throughout.

I watched this film out of interest because it was an early effort from director Jonathan Mostow, later to make crowd-pleasers like BREAKDOWN and TERMINATOR 3. Mostow is hampered by a low budget in this one, but the story's interesting and I enjoyed the way that most of the material ends up taking place on the ground rather than in the skies. Peter Strauss is a dull hero character but William O'Leary is rather convincing as the out-of-his-mind pilot. The special effects again are limited in nature but there's enough meat in the surrounding scenes to make the whole thing frighteningly convincing in places.

A movie about a dedicated pilot who is driven mad to extreme depression, and ends up trying to blow up Las Vegas in the process in order to fulfil his sick purpose. Good acting, plenty of action, and an unexpected twist in the end makes this one worth watching.

My review was written in February 1991 after watching the movie on Showtime.

"Flight of Black Angel" is an unsettling, extremely taut thriller about a craze American fighter pilot with a tactical nuclear weapon board. This timely, cautionary tale is one of the better features presented as a direct-to-cable offering.

Billed as a "Showtime Original", film was made as an indie theatrical feature y Hess-Kallberg Associated, but was acquired by the pay-cable company and premieres via Showtime rather than in theaters.

A proper subtitle could be "He Came to Bomb Las Vegas", as young U. S. Air Force Academy pilot William O'Leary goes nuts kills his family and arms his plane to turn routine training exercises of young pilots into a game of death.

He also fakes the serial numbers on a computer requisition form and successfully thwarts other fail-safe systems to get a 50-megaton tactical nuclear weapon loaded onto his F-21 Mirage jet. He then arms it for a kamikaze run on the nation's gambling capital.

Helmer Jonathan Mostow, making a quantum leap here to quality from his debut Hess-Kallberg feature "Beverly Hills Bodysnatchers", directs with ruthless skill that makes this film the most disturbing of its type since "Henry: Portrait of a Serial Killer".

Clues gradually inform the viewer of the anti-hero's despair with the world and his religious fanaticism, believing himself to be a messianic angel of God out to destroy earthly corruption . O'Leary's subtle, understated acting does a terrific job of avoiding the maniac cliches of the genre (that persist right through the current feature "Silence of the Lambs") and creates the horror beneath a classical all-American boy facade.

As his commander and ultimate nemesis, top-billed Peter Strauss offers solid support. An affecting performance is turned in by Michelle Pawk as a young mother kidnapped by O'Leary along with her husband and baby.

The power of this film can be measured in its avoidance of the happy ending syndrome that afflicts modern screenplays. Though there are survivors to pick up the pieces, "Black Angel" packs a morbid wallop and genuine suspense as to the fate of the protagonists.

Good model work for explosions and effective use of aerial dogfight photography deserve high marks for this low-budgeter.