IMDb-BEWERTUNG
6,1/10
815
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn American photographer in Rio de Janeiro becomes involved in the world of "knife culture" when he sets out to find the killer of one of his models.An American photographer in Rio de Janeiro becomes involved in the world of "knife culture" when he sets out to find the killer of one of his models.An American photographer in Rio de Janeiro becomes involved in the world of "knife culture" when he sets out to find the killer of one of his models.
- Auszeichnungen
- 4 wins total
Tchéky Karyo
- Hermes
- (as Tcheky Karyo)
José René Ruiz
- José Zakkai - Iron Nose
- (as Rene Ruiz)
Miguel Ángel Fuentes
- Camilo Fuentes
- (as Miguel Angel Fuentes)
Cássia Kis
- Mercedes
- (as Cassia Kiss)
Alvaro Freire
- Evilásio - Mitry's Butler
- (as Álvaro Freire)
Empfohlene Bewertungen
Tchéky Karyo is frankly OUTSTANDING in his role as Hermes. The disturbing, quiet, intense, dangerous man, superb! I feel this is Peter Coyote at his best, a vulnerable, intelligent, humane man who comes face to face with the reality of life that previously he had only viewed through the lens of his camera.
Again those remarkably talented Brazilian actors and actresses just continuously amaze me. As in another film I very much enjoyed that was shot in Brazil, BOCA, the Brazilian talent is immense. Previous comments have outlined the plot and so forth. I would only add that this film is tense and one comes away from it with a sense of discomfort, and that is something to be so affected by a film when all too often once the house lights come on there is no residual emotional connection.
I noted on the main details page that the Spanish version is several minutes longer than the USA video version and that REALLY irks me. This should be available, as should Zalman King's BOCA, on DVD and in full length, unedited, uncut, uncensored.
If one just wants to waste a couple of hours in amusement this is not the film to see, if one wants to have a visceral reaction and to be taken by one's collar and dragged into the frenetic and all too grim world of the invisible people of a great metropolis then by all means see EXPOSURE aka A GRANDE ARTE.
Again those remarkably talented Brazilian actors and actresses just continuously amaze me. As in another film I very much enjoyed that was shot in Brazil, BOCA, the Brazilian talent is immense. Previous comments have outlined the plot and so forth. I would only add that this film is tense and one comes away from it with a sense of discomfort, and that is something to be so affected by a film when all too often once the house lights come on there is no residual emotional connection.
I noted on the main details page that the Spanish version is several minutes longer than the USA video version and that REALLY irks me. This should be available, as should Zalman King's BOCA, on DVD and in full length, unedited, uncut, uncensored.
If one just wants to waste a couple of hours in amusement this is not the film to see, if one wants to have a visceral reaction and to be taken by one's collar and dragged into the frenetic and all too grim world of the invisible people of a great metropolis then by all means see EXPOSURE aka A GRANDE ARTE.
10scvanv
Fighting with edged weapons fell into obscurity after the advent of the gun. The old European blade skills almost died out, as did the Oriental arts of Arnis, Escrima, and Silat(which were derived in part from the fighting art of the Spanish Conquistadors).
The science of blade fighting smoldered weakly for five hundred years in remote outposts of Indonesia, the Philippines and Japan where the gun never quite captured the imagination of peoples who had truly understood steel.
Recently, for reasons which are still obscure, blade skills have enjoyed a renaissance as a legitimate martial art in the United States. A sub-culture of knife fighting students has emerged which will be the audience of this excellent movie.
This film stands almost alone as an artistic representation of training and fighting with edged weapons. Early in the movie Tcheky Karyo carries off a chilling and realistic knife-fighting sequence which makes the hair stand up on the neck. He then plays the instructor, showing the viewer the simple beauty of how an art thousands of years old can be transmitted.
Peter Coyote makes us see the mental and physical journey of the student. At the climax of the movie he manages to project truly the mind-set needed to face steel with steel as he goes toe-to-toe with the true master in a duel to the death.
The training sequences in this movie are clear expressions of real techniques used in the old arts of Arnis and Escrima, with elements of European blade practice thrown in. The film could actually be studied as a training aid.
A certain amount of "Hollywood" was included to extend the final fighting sequence for dramatic effect, but this will not be noticed by the novice and should not interfere with the enjoyment of any viewer interested in the arts involved.
This film is an example of the movie being better than the book. Rubim Fonseca's book "The High Art" contained only the germ of the grim plot which the movie fully exploits. For some reason, after having his character learn the high art, Fonseca has him put the knife away in a drawer and back away from the brutal reality of the science he has learned, contenting himself with amorous conquests rather than the quest for vengeance which was the real core of the book.
This movie will have a limited but loyal audience for many years. It is sad that there will probably never be a DVD version in which the frames could be stopped to better understand the science involved.
The science of blade fighting smoldered weakly for five hundred years in remote outposts of Indonesia, the Philippines and Japan where the gun never quite captured the imagination of peoples who had truly understood steel.
Recently, for reasons which are still obscure, blade skills have enjoyed a renaissance as a legitimate martial art in the United States. A sub-culture of knife fighting students has emerged which will be the audience of this excellent movie.
This film stands almost alone as an artistic representation of training and fighting with edged weapons. Early in the movie Tcheky Karyo carries off a chilling and realistic knife-fighting sequence which makes the hair stand up on the neck. He then plays the instructor, showing the viewer the simple beauty of how an art thousands of years old can be transmitted.
Peter Coyote makes us see the mental and physical journey of the student. At the climax of the movie he manages to project truly the mind-set needed to face steel with steel as he goes toe-to-toe with the true master in a duel to the death.
The training sequences in this movie are clear expressions of real techniques used in the old arts of Arnis and Escrima, with elements of European blade practice thrown in. The film could actually be studied as a training aid.
A certain amount of "Hollywood" was included to extend the final fighting sequence for dramatic effect, but this will not be noticed by the novice and should not interfere with the enjoyment of any viewer interested in the arts involved.
This film is an example of the movie being better than the book. Rubim Fonseca's book "The High Art" contained only the germ of the grim plot which the movie fully exploits. For some reason, after having his character learn the high art, Fonseca has him put the knife away in a drawer and back away from the brutal reality of the science he has learned, contenting himself with amorous conquests rather than the quest for vengeance which was the real core of the book.
This movie will have a limited but loyal audience for many years. It is sad that there will probably never be a DVD version in which the frames could be stopped to better understand the science involved.
10jazz2004
Whoever owns this movie please release on DVD. This is a cult type movie centered around knife fighting. The back story, cinematography, and allure of a dangerous earthly South America draws the viewer into what is probably Peter Coyote's most interesting work. Highly recommended! Very few movies transmit the feeling of a place as well as this movie does so visually. I have been searching for this movie for sometime and wonder why it hasn't been released on DVD. Early Walter Salles is much better than most of what is being shot today. Coyote plays a photographer living in Rio that avenges the death of a prostitute friend and goes on a journey through South America to do so. In the process of this his character learns to fight with knifes and becomes involved in an underworld whose rules he is forced to adapt to and survive.
I viewed this movie a few years ago and was impressed by the training scenes, however, I have always wondered where to get knives like the ones featured in the film, I cannot for the life of me remember their names even. Any help would be appreciated. I am a budding knife collector and follower of the art of knife fighting, I just wish there were more of it in the film. Anyone know of similar flicks out there I could check out? This is my first time ever submitting anything to this site and can't wait to start talking movies with people, they are after all, one of my greatest passions. Another reason for me to like this movie I guess is that I am in school to become a professional photographer!
The path of a pacifist photographer being seduced by the need for justice and the intrigue of a hitherto unknown world of professional assassins plying their trade via the intimate and all-too-personal death delivered by a knife is a very deep experience to watch unfold, and Peter Coyote does it to a tee.
His inner revulsion to the horror of embracing this culture is offset by its fascination as well as the necessity of descending into it to find out the truth behind the killing of model/prostitutes. Slowly but surely you observe the influence of his gaining knowledge and confidence as he is tutored (by a master of the art he just happens to see and captures on camera one day plying his craft), all dragging him down to dive in completely.
The plot thickens as characters are revealed and surprises are forthcoming, all leading to a fantastic final knife-fighting confrontation with the acknowledged master, someone he has known all along but not suspected.
I saw this movie about 10 years ago, but never noted the title until I was trying to order it on-line, and now I have it in my collection. I highly recommend it for its combination of intense drama, revealing close analysis of the process of a sworn pacifist turned to embrace violence as a way of life, amazing fighting scenes, and an uplifting ending. Unforgettable.
His inner revulsion to the horror of embracing this culture is offset by its fascination as well as the necessity of descending into it to find out the truth behind the killing of model/prostitutes. Slowly but surely you observe the influence of his gaining knowledge and confidence as he is tutored (by a master of the art he just happens to see and captures on camera one day plying his craft), all dragging him down to dive in completely.
The plot thickens as characters are revealed and surprises are forthcoming, all leading to a fantastic final knife-fighting confrontation with the acknowledged master, someone he has known all along but not suspected.
I saw this movie about 10 years ago, but never noted the title until I was trying to order it on-line, and now I have it in my collection. I highly recommend it for its combination of intense drama, revealing close analysis of the process of a sworn pacifist turned to embrace violence as a way of life, amazing fighting scenes, and an uplifting ending. Unforgettable.
Wusstest du schon
- WissenswertesFeature directorial debut for documentary filmmaker Walter Salles Jr.
- PatzerThe knife dealer says the Applegate-Fairbairn knife is used by British commandos. Actually the knife is a redesign of the Fairbairn-Sykes fighting knife that was widely used in WWII, the Applegate-Fairbairn wasn't issued to any armed forces to this day.
- Zitate
Peter Mandrake: All my life, I've been looking for something... different.
- Alternative VersionenUK versions are cut by 19 seconds for an '18' rating.
- SoundtracksThe Photographer (A Gentleman's Honor)
Written and Arranged by Philip Glass
Orchestra conducted by Michael Riesman
Courtesy of CBS Records
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Box Office
- Bruttoertrag in den USA und Kanada
- 356.825 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Spanish language plot outline for Exposure - Die hohe Kunst des Tötens (1991)?
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