Body Puzzle - Mit blutigen Grüßen

"Body Puzzle" is a genuine example that the gialli were still brought to life with style in the 90's. Features a high end cast, a nice plot twist and better score than most other 90's (and late 80's) gialli. I would say that this one and Argento's "Stendhal syndrome" are the two best giallo thrillers from the 90's. Well done, Bava Jr.

I actually enjoyed this more than i thought i would, this being 90's Lamberto Bava- whom i was never a huge fan of (Delirium aside). Despite an incoherent plot it manages to stay engaging, doubtless aided by the wonderful cinematography of Luigi Kuveiller (A Woman in a Lizard's Skin, Profondo Rosso). The ending is quite charming as well. All around fun , especially for a giallo made in the 90s. Better than most of Argento's output during that decade.

A cop is investigating a weird series of murders that don't add up. Parts are being removed like trophies but not the same part. He races against the clock to save the next possible victim and solve the body puzzle.

'Body Puzzle' isn't a great movie by any stretch of the imagination but I didn't find it as bad as many reviewers suggest. It's not all that flashy as a Giallo or as well thought out but the acting isn't too horrid and the direction kept me zoned in. The plot is a bit far fetched but hey it's a slasher! What can you do? I give it a 3 of 5 for keeping me entertained and an interesting character or two.

An absorbing giallo , with an above -average screenplay; sometimes one thinks of the golden hour of Dario Argento (roughly 1967-1980) Gore is kept to the minimum and this story of body parts is not a remake of "les mains d'Orlac" or the poor adaptation of Boileau -Narcejac 's "body parts" .

The story is labyrinthine and definitely off the beaten track ; it deals with split personality ,homosexuality and mistaken identities ; the trick of the photograph is so simple (and so effective) that one wonders why it had not been used before .Lamberto Bava never equalled his father Mario's best horror films such as " I tre volti della paura" ,but here,he delivers the goods .

There once was an era, approximately from the late 60's up until the early 80's, during which nearly every Italian director delivered his own personal giallo-movie and they featured the craziest plots and the most far-fetched red herrings. What great times they were! After this, however, the magnificent sub genre almost got extinct and there were only TWO directors that regularly attempted to breathe new life into the formula of mad black-gloved killers and sleaze-laden twists. Dario Argento is the king even to this day and the other one is Lamberto Bava, who was responsible for some truly underrated giallo-efforts like "Delirium: Photos of Gioia" and "You'll Die at Midnight". "Body Puzzle" is yet another criminally neglected film that features all the giallo's extraordinary trademarks, although that sadly also includes the major holes in the plot. "Body Puzzle" serves the absolute most implausible story I've ever beheld, but there are plenty of sadistic & gore-soaked murders on display and the absurd screenplay hints at some controversial topics like hidden homosexuality and schizophrenia. Lamberto Bava doesn't really bother to keep the killer's identity secret, as we immediately witness how a handsome young man brutally stabs an anonymous candy store owner to death. Several more grisly murders are committed before police inspector Michael discovers that the victims have one thing in common. They all received donor organs from a pianist who died in a motorcycle accident and the mysterious killer tries to puzzle him back together. The inspect is much quicker when it comes to falling in love with the deceased pianist's wife, played by Joanna Pacula. "Body Puzzle" completely stops to make sense halfway, but you've got to love Bava's enthusiast direction and his desperate efforts to maintain the suspense. The music and camera-work are more than adequate while the cast features some familiar faces. Giovanni Lombardo Radice briefly appears as the exaggeratedly gay acquaintance of both the killer and the dead pianist. Italian horror fans will certainly recognize him as the poor sucker who always dies sensationally ("Cannibal Ferox", "City of the Living Dead", "Cannibal Apocalypse"…).