Blue Heat - Hilf dir selbst oder stirb

Lisa Roberts has been raped, so she leaves New York for her aunt and uncle's trailer in the desert community of Oneida. She lives there alone with her relatives' birds, but helpful neighbor Walter is next door with his wife Emily.

Lisa is the illustrator for Iron Medusa comic books. While she is working on her art in a restaurant, she meets Randall, who likes her work (later we learn his daughter, who died in an accident, was a big fan of Iron Medusa). They become friends. Randall rides a motorcycle and enjoys the great outdoors, but he hates living in a small town where everyone knows everyone else's business. Though he explains he is living on disability and taking short-term work, he says his goal is to move to San Francisco and renovate houses.

Randall wants to move his relationship with Lisa to the next level, but she is not ready because of her recent traumatic experience. What happens next brings Deputy Steve Smith into the picture. He is very nice and suspicious of Randall.

Something strange is going on in this town. It may involve Joe and another man Lisa sees outside the trailer.

There's not anything really special about this movie, though Lisa is confident and determined while never completely overcoming her nervousness, and she has plenty of reasons to be scared. Lisa's art (according to the credits, Matthew Nelson's) is really good and probably has real therapeutic value because she can pretend to dispose of the villains in her life. In reality, it is not that easy. (By the way, I'm not interested in comic books or their art.)

Courtney Cox, D. B. Sweeney and Craig Sheffer all give good performances. The circumstances provide us with the occasional chilling moment, and the obligatory creepy music shows up from time to time. Most importantly, a number of plot twists keep us constantly guessing. There is more violence than I would have liked, and obviously some sexual content--not necessarily of a violent nature.

I was disappointed by the ending. I'm sure nothing significant was edited out, but it seemed to me the writers dug themselves a hole and then found a white rabbit with a pocket watch.

This was a pretty good thriller.

This movie should win an award for dumbest female protagonist. It's hard to have any sympathy for the Cortney Cox character, Lisa, because every time she is given an opportunity to avoid a threat, she decides to remain. She has a million opportunities to leave this town and the two nuts who are threatening her, but she remains. You have to wonder if Lisa has any shred of common sense because time after time she does the exact opposite of what common sense would dictate.

If being an empowered woman means staying in a mobile home in the desert in a town of strangers and continually letting strange men into your home even when you know they are dangerous and never asking your neighbors for help, then the life span of such a woman is going to be very short.

Comic book artists have very tight deadlines that they must meet each month.

It was amazing to see Lisa working calmly at her drawing board, pencilling, inking and lettering a complete comic while spending her days and nights being nearly raped, chased across the desert in her Chevette by a police cruiser and sticking a 5 inch knife in a police officer's thigh.

All in a days work for "EMPOWERED WOMAN" I guess.

I first saw 'Blue Desert' by chance on a late TV show and I liked so much I rented it twice on video, although I had missed the first scenes and didn't know its title.However, every time I've talked to friends about this movie, it looks like they haven't even heard about it. And it's a shame because in my opinion this is one of the best thrillers of the decade, much better than the overrated 'Silence of the lambs' and 'Wild things', but somehow it seems that it never attracted the attention it deserved.

The plot and direction are (almost) flawless, the suspense builds on from the first until the last minute and Courteney Cox makes a top-quality performance.

However, I would still advise everyone to give this movie a chance because it's definitely worth it.

(My Rating: 8/10)

This movie had lots of flaws but overall still watchable such as Saturday night entertainment for example. I liked the actors, the setting, and atmosphere and the base idea of the script was really good.

But the way the whole script was played out and directed was full of plot holes and that was the main flaw of he movie and why it was not as engaging as it could have been. It is very unfair to blame actors for it though as some other reviewers have done as the actors simply have to do what the script and director says.

So the way Lisas character was acting and reacting in certain situations was totally unrealistic. Like she had been threatened by the geeky guy before and when he turns up again instead of locking herself in trailer she goes out and offers him a sandwich. OK, suppose that was for diversion,for calming him down. But while the guy is eating sandwich, she had a good opportunity to run inside, lock the door, grab a hammer or something.But no, she instead joins him for a drink! On top of that, she lets him inside all the while she had all the time to slam the door in front of his nose, lets him to fix the sink and then volunteers to go near him!

Or, a after another attempt of sexual attack, she undresses herself with lights on and windows uncovered! Also, the couple who rented her the trailer were just 50 m away in the house! Yet it never occurred to her to ask their help or to sleep in the house together with couple after the attacks and threats! Also, in the life threatening situations Lisa remains surprisingly calm and mellow. That was not very realistic either. A normal reaction would have been absolute hysteric and panic.

In spite of all that, I still quite liked the movie but I wish i had thread and needle to sew up the plot holes!

There is an awful lot wrong with this picture, beginning with a script that is both obvious and redundant. Courtney Cox plays a comic book artist who escapes to a small desert town after being raped twice in the big city. She immediately is stalked by a local who appears quite unhinged (Craig Sheffer), and who seems to be attempting a third rate Mickey Rourke imitation. D.B. Sweeny is a local cop, who is supposedly there to protect and serve. Meanwhile, the script manipulates the audience as to who's really the good guy? Logic flies out the window after the first ten minutes and never returns, and there are more unanswered questions than there should be. If you think "Blue Desert" might be saved by the wonderful Philip Baker Hall, you will be disappointed. His part is insignificant, just like the entire movie. - MERK