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Am Fluß der Irokesen

Originaltitel: Black Robe
  • 1991
  • 12
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
7,1/10
7990
IHRE BEWERTUNG
Sandrine Holt, Lothaire Bluteau, and August Schellenberg in Am Fluß der Irokesen (1991)
In the 17th century, a Jesuit missionary nicknamed Black Robe by the natives and his small party of companions try reaching the Huron tribe in Canada all while facing mistrust, Iroquois warring parties and harsh winter conditions.
trailer wiedergeben1:47
1 Video
33 Fotos
Period DramaAdventureDramaWar

Ein Jesuitenmissionar, der von den Eingeborenen den Spitznamen Schwarze Robe trägt, und seine kleine Gruppe von Gefährten versuchen, den Huronen-Stamm in Kanada zu erreichen.Ein Jesuitenmissionar, der von den Eingeborenen den Spitznamen Schwarze Robe trägt, und seine kleine Gruppe von Gefährten versuchen, den Huronen-Stamm in Kanada zu erreichen.Ein Jesuitenmissionar, der von den Eingeborenen den Spitznamen Schwarze Robe trägt, und seine kleine Gruppe von Gefährten versuchen, den Huronen-Stamm in Kanada zu erreichen.

  • Regie
    • Bruce Beresford
  • Drehbuch
    • Brian Moore
  • Hauptbesetzung
    • Lothaire Bluteau
    • Aden Young
    • Sandrine Holt
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    7990
    IHRE BEWERTUNG
    • Regie
      • Bruce Beresford
    • Drehbuch
      • Brian Moore
    • Hauptbesetzung
      • Lothaire Bluteau
      • Aden Young
      • Sandrine Holt
    • 95Benutzerrezensionen
    • 26Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 10 Gewinne & 13 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 1:47
    Official Trailer

    Fotos33

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    Topbesetzung59

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    Lothaire Bluteau
    Lothaire Bluteau
    • Laforgue
    Aden Young
    Aden Young
    • Daniel
    Sandrine Holt
    Sandrine Holt
    • Annuka
    August Schellenberg
    August Schellenberg
    • Chomina
    Tantoo Cardinal
    Tantoo Cardinal
    • Chomina's Wife
    Billy Two Rivers
    • Ougebmat
    Lawrence Bayne
    Lawrence Bayne
    • Neehatin
    Linian Liu
    • Awondoie
    • (as Harrison Liu)
    Wesley Côté
    • Oujita
    Frank Wilson
    Frank Wilson
    • Father Jerome
    François Tassé
    François Tassé
    • Father Bourque
    Jean Brousseau
    Jean Brousseau
    • Champlain
    Yvan Labelle
    • Mestigoit
    Raoul Max Trujillo
    Raoul Max Trujillo
    • Kiotseaton
    • (as Raoul Trujillo)
    James Bobbish
    • Ondesson
    Denis Lacroix
    • Taratande
    Gilles Plante
    • Older Workman
    Gordon Tootoosis
    Gordon Tootoosis
    • Old Aenons
    • Regie
      • Bruce Beresford
    • Drehbuch
      • Brian Moore
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen95

    7,17.9K
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    Empfohlene Bewertungen

    escoles

    Brutal but beautiful

    _Black Robe_ is an under-appreciated gem. With fine acting, a strong, literate screenplay, beautiful visuals from the spare, cold Canadian wilderness, and a lyrical, dialogue-light storytelling style, this film is an absorbing experience. Viewers with less patience for visual storytelling, or who don't like having to pay attention to details, will probably find it slow-going.

    Be forewarned: _Black Robe_ is a brutal film, by modern western standards. Gruesome torture is openly referred to; native americans, particularly the northern Mohawk and Huron peoples, are _not_ substantially idealized.

    Nice ethnographic touches are preserved -- for example, the Alqonkian-speaking group who agree to guide the Black Robe are permitted to clearly express their perplexity at the Jesuit's rudeness for not sharing his tobacco. Similarly, a Mohawk war-leader keenly sees opportunity in permitting the French to live: they can be traded for muskets, and forced to teach the Mohawk how to use the powerful new weapons. No "simple savages", after all: The Iroquois did not come to control much of the northeast through stupidity.

    While widely excoriated by some native american advocates for its depiction of Mohawk and Huron brutality, the film actually soft-pedals the reality (as noted by other reviewers). The southern, Five-Nations Mohawk may have abandoned ritual cannibalism by this time, but it's certain that ritual torture and cannibalism were practiced throughout the Iroquois sphere of influence up to the early contact period. It was an aspect of their culture, and really no stranger than similar practices as recorded among christianized Scandinavians circa 1060 AD.
    9michael_the_nermal

    One of the Finest Portrayals of American Indians in the Movies

    This film is brilliant, because it defies conventional stereotypes of European settlers and American Indians. This movie strives and succeeds in its portrayal of Indians and whites as human beings, rather than as villains or saints. Those who feel this movie would show the Indians as noble savages will be gravelly disappointed. The Indians in "Black Robe" can be cruel, and have sexual mores that would disgust the more prudish viewers. The affect of the Jesuit missionaries among the Indians of Quebec is not romanticized or glossed over, nor are the Jesuits shown as evil white devils. All humans in this movie have their flaws and weaknesses and all act "morally" according to their own cultures' expectations. Beresford has crafted a marvelous film that ought to be required viewing in college history courses across the country.

    The cinematography is beautiful, whether we are watching the gilded altars of the cathedrals of Renaissance France, the iridescent glow of a fire at an Indian village, the cramped quarters of an Indian longhouse, or the awesome and heavenly magnificence of the Canadian woodlands and what appears to be the St. Lawrance River. This movie does feature explicit sexual acts and gruesome violence, so I would not recommend this movie at all for very young children. I think most teenagers can handle this film. I suppose this film is very hard to find at your local video rental store, but do yourselves a favor and find it. Your efforts will be amply rewarded.
    9MarioB

    Amazing

    I'm a history student of second grade of a french canadian university. So, in a history point of view, I can assure you that this movie is simply amazing. The story is about a jesuite priest who wants to bring catholic faith to the Indians of the french colony Nouvelle-France (New France, the future Quebec of Canada) in the seventeen century. In fact, there was a lot of jesuite doing that by that time. The priest and his young translator ask the Algonquins natives to guide them to the Hurons natives. That is also exactly correct! But in their quest,they had some problems with the Iroquois natives. And that is exactly right! At the end, the priest reach the Hurons. The chief of the tribe tells that if they accept the god of the priest, they will become weak and their ennemies will kill them. And that's what's gonna happen! In fact, the Hurons were the first Indians of New France to accept catholic religion. I saw the movie with the french dubbing. The Indians of that time didn't knew how to prononce R. So, in the movie, they say : obe noie, instead of Robe Noire (Black Robe). I don't know if they said black obe in the English version. In one scence, the priest tells the Indian sorcerer that he is reading a breviaire (book of prayers). And the sorcerer said: beviaire, witout the R. The way the natives are dressed and wears their hairs is also very exact in an historical view. This is not only a great movie, but an amazing reconstitution. Natives actors are great, with August Schlleberg, the always good Tantoo Cardinal and the charming young Sandrine Holt. Lothaire Blutheau is one of the best french canadian actor (see him in Jesus of Montreal). This is absolutely a superb piece of work ! And some kind of perfect history book.
    Sylvestr

    Great piece of anthology

    For having worked on this movie and lived with it for a period of over 3 years I can tell you that it is a work of passion and will remain in my heart a real epic of reliving the struggle of discovering and living the north American wilderness in the 17th century. The characters expose the clash between the European culture and and indigenous survival in a wild rugged country.
    eunicem

    Magnificent!

    I don't know why it took me so long to see this film, as I had heard of it many times. I think that I was put off by films like "The Last of the Mohicans", which I found dreary. There is no comparison with the oft-mentioned "Dances With Wolves". This film is an outstanding and riveting piece of work. Why others seem to have found it slow or heavy going is beyond me. When I reached the end (far too quickly) I just wanted to sit through it over again.

    Having lived in Canada for some years, I could only marvel at the early colonizers who explored and settled Canada, a vast wilderness with a long, hard, bitterly cold winter - and I never went further north than Toronto! Whether or not one agrees with their reasons for going, whether it be trading, grabbing land or the salvation of the native population, the thought of being completely alone in the bitterly cold wilderness does command respect for their courage.

    The film is set in 1634, a time when France was a cesspool of venality, corruption, intrigue and religious fanaticism, and when the pilgrims had been in Massachusetts for less than 10 years. The French Revolution was 150 years away. Life was hard for the settlers, who were on their own, without the survival kills evolved over thousands of years by the native population, whose life seemed brutally harsh but was a necessary adaptation to the land in which they lived. Early in the film the Algonquin chief tells his daughter than she cannot marry the Frenchman who she had fallen for, as he was a fool and did not know how to provide for her. That was the key. If a man could not provide for his family he could not take a wife. Anyone who became sick or injured must be left behind to take their chances, otherwise they would endanger the survival of the group. I think that this film makes that very clear. As the little group makes their way through Iriquois territory they are attacked by the Iriquois who plan to torture and sacrifice them, not apparently out of malice or wanton cruelty, but to please their God. (We had already seen the Jesuit priest flagellating himself for having impure thoughts).

    The films deals at length with the misunderstanding of each other's religion and way of life, which causes us to question our own - just why do we do that? Why do the Iriquois fight the Algonquin, and the Huron when there is land to spare for all of them? Why did the French and English use the native people to fight their wars? The Indians cannot understand the Jesuit concept of paradise, sitting on a cloud all day with no tobacco, and no sex, but if accepting baptism helps them recover from a sickness , they will compromise. One gets the feeling that if the Jesuits moved out and another sect moved in, the Indians would convert to the new faith if it suited their purpose.

    The scenery, as the party begins its long trek to the Huron mission is breathtaking. What they find when they reach the mission is not surprising, but once again, one has a feeling of admiration for the stoicism and faith of the Jesuit priests who knew that they were going to the ends of the earth and would likely never see their families again. To someone who buys all their food at the supermarket, or from the take out window, the thought of the self sufficiency of these people who live entirely on what they can catch or forage is quite mind boggling. Already the Indians are becoming dependent on the white man's goods. The trading post will not be long in coming. The Husdons Bay Company was set up by Royal charter about 30 years later.

    I would recommend this film to anyone who likes a beautiful, thought provoking film.

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    Handlung

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    • Wissenswertes
      The ferocity of the torture scenes prompted accusations of racism from Native Americans. Prominent among the critics was Ward Churchill, who wrote an article that was heavily critical of the film. However, Brian Moore, who had done extensive research on the subject, had actually toned down the documented violence for both his book and his screenplay.
    • Patzer
      In one of the flashbacks to France, Father Laforgue's mother says she is praying to St. Joan. However, Joan of Arc was not canonized until 1920.
    • Zitate

      Daniel: They have an afterworld of their own.

      Father Laforgue: They have no concept of one.

      Daniel: Annuka told me they believe that in the forest at night the dead can see. The souls of men hunt the souls of animals.

      Father Laforgue: Is that what she told you? It is childish, Daniel.

      Daniel: Is it harder to believe in than Paradise where we all sit on clouds and look at God?

    • Verbindungen
      Edited into Red Fever (2024)
    • Soundtracks
      Libera Me
      Music by Georges Delerue

      Performed by Christopher Taplin

    Top-Auswahl

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    FAQ20

    • How long is Black Robe?Powered by Alexa
    • What's the type of rifle Daniel uses?

    Details

    Ändern
    • Erscheinungsdatum
      • 28. Mai 1992 (Deutschland)
    • Herkunftsländer
      • Kanada
      • Australien
    • Sprachen
      • Englisch
      • Algonkin
      • Mohawk
      • Cree
      • Latein
      • Französisch
    • Auch bekannt als
      • Black Robe - Am Fluss der Irokesen
    • Drehorte
      • Lac Saint-Jean, Québec, Kanada
    • Produktionsfirmen
      • Alliance Communications Corporation
      • Samson Productions Pty. Ltd.
      • Téléfilm Canada
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 11.000.000 AU$ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 8.211.952 $
    • Weltweiter Bruttoertrag
      • 8.212.122 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 37 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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