Die Schöne und das Biest

Indeed, it's a tale as old as time, with a complex message that is as ageless as it is universal; but beneath all the layers it can be summed up very simply: love one another, and refrain from judging others who `seem' to be `different.' And leave it to Disney to present it in such a way that it can be embraced and understood by young and old alike as they have here, in one of their best animated features ever, `Beauty and the Beast,' directed by Gary Trousdale. When a young Prince fails the test of an enchantress disguised as an old hag, she transforms him into a hideous beast, as he is destined to remain until he opens his heart and learns how to love and be loved in return. And so that he'll know where he stands as time goes by, she gives him an enchanted rose, which will bloom until his twenty-first birthday, and he has only until the last petal falls from the flower to effect the change within himself that will be his salvation.

The beast, however, seems doomed, as he shuts himself away, alone in his castle, taking up a reclusive existence far from everyone and everything. Until, one day, a beautiful young woman named Belle shows up at his doorstep. Belle is searching for her inventor father, Maurice, who disappeared while taking one of his latest inventions to the fair; and his trail leads Belle to the castle of the Beast, where she discovers he is being held prisoner, having run afoul of the Beast by trespassing while lost during the night of his journey. Repulsed by the appearance of the Beast, Belle nevertheless strikes a bargain with him: If he will release her father, she will stay in his place. The Beast agrees, with the stipulation that she must remain with him forever. And as the Beast casts Belle's father from the castle and sends him on his way, Belle's fate seems sealed. The only hope now for either Belle or the Beast lies in the remote possibility that true love may somehow prevail before the last petal of the enchanted rose falls.

With the help of a richly textured screenplay (by Linda Woolverton) that invests the characters with a depth of humanity that is often lacking even in `non' animated films, and an Oscar winning score by Alan Menken, director Trousdale provides some real insights into human nature in this retelling of the familiar story of how true love can change even the darkest and coldest of hearts. There's magic in this film, which holds an enchantment of it's own, and the message is presented ever so subtly and with a sensitivity that draws you in gradually until you are so caught up in the story that you become immersed and totally involved without being consciously aware of it. It's a film that enfolds you and takes you where it will, and you go willingly. A beautifully rendered and realized film that successfully transcends it's genre, it is the first animated feature ever to be recognized and rewarded with an Oscar nomination for Best Movie (quite a feat in itself, as it received the nod over such films as `The Fisher King,' `Fried Green Tomatoes,' `Thelma and Louise' and John Singleton's `Boyz N the Hood' that year).

The talented cast supplying the voices of the characters includes Paige O'Hara (Belle), Robby Benson (The Beast), Richard White (Gaston), Jerry Orbach (Lumiere), David Ogden Stiers (Cogsworth), Angela Lansbury (Mrs. Potts), Bradley Pierce (Chip), Rex Everhart (Maurice), Jesse Corti (LeFou), Hal Smith (Phillipe), Jo Ann Worley (Wardrobe), Brian Cummings (Stove), Alvin Epstein (Bookseller) and Kimmy Robertson (Featherduster). There's a scene in this film that is so entrancing and so emotionally involving that it stands up against the best from any drama ever made: As Angela Lansbury (as Mrs. Potts) sings the Oscar winning title song, Belle begins to perceive the true nature of the man within the Beast; and it's no longer the cold-hearted Prince upon whom the enchantress cast her spell, because he has changed. And as they come together and the Beast takes Belle in his arms, sweeping her in dance across the elegant ballroom floor, it becomes one of those rare cinematic `moments' that are entirely transporting, and it does, indeed, take you away. It's a memorable scene that exemplifies the quality and craftsmanship of this film, as does the scene in which the Beast is at last transformed; that such emotion can be captured and expressed in an animated film is an exemplary accomplishment, and it's all a part of why `Beauty and the Beast' is one of Disney's all time greatest films.

One final note: Stay for the credits to hear Alan Menken and Howard Ashman's title song once again, this time performed by Celine Dion and Peabo Bryson. Hypnotically beautiful, this version has a magic all it's own and makes the perfect ending to an enchanting experience. It's all a part of the magic of the movies. I rate this one 9/10.

The only animated movie to receive a Best Picture Oscar nomination, and it deserved it.

Magic from the opening prologue to the final credit, "Beauty and the Beast" is the last real classic to come from the Disney crew before John Lasseter came along. This was one of the few movies I happily paid to see twice in the cinema, and sitting in a sparsely-populated Friday night audience (I was living in Barbados at the time, and it was hardly the most artistic place on Earth... it was a crying shame that there was hardly anyone there while "Home Alone 2" went through the roof) the second time, the magic remained.

You all know the story, so apart from pointing out the movie's one flaw (the prince's spell had to be broken before he turned 21 or he would remain a beast forever; so if it was cast ten years before the events of the movie, wouldn't that mean he was 11 when the spell was cast...?), let's look at how well the movie works. You have a monster who's more human than the movie's medallion-man villain; you have a heroine who's PC but engaging with it; you have a supporting cast of magic utensils who wisely never upstage the couple at the centre of this love story (and despite the Disney animated trappings, it IS a love story); and you have a captivating story, beautifully told.

The movie's also got wonderful design of its French setting and characters, with the ballroom scene a standout (the tiny but appreciative audience were impressed by the sight of the Beast and Belle in their evening wear - the only time I've ever seen cartoon characters get wolf-whistled in a cinema); and Alan Menken's score is his finest work for the Mouse, with matchless lyrics from the late and much lamented Howard Ashman - how many musicals can you name where ALL the songs are brilliant? But ultimately it's the movie's very real heart that makes it a keeper; the cliche "You'll laugh, you'll cry" is all too true in this case. A lot of movies called 'classic' don't deserve that appellation, but this one does.

I'll be slaughtered by anime fans, but what the hell... one "Beauty and the Beast" is worth a thousand "Akira"s. And "Shrek"s. And, I'm willing to bet, "Treasure Planet"s. This is a truly adult animated feature that's also one for the entire family. Forget "The Silence of the Lambs" - this is the real best picture of 1991.

... and be entertained with 90 minutes of mesmerising fairy tale telling at its very best. Feel as enchanted as the castle and its occupants as your spirits and emotions rise and fall then rise again. Rejoice in the spectacular finale, while relishing the craft of these incredible animators, musicians, writers, their genius and imagination but, above all, let the meaning and the message distil within you - avoid the shallowness of appearance, don't judge a book by its cover, we're all so much more than what we present.

This is a classic movie. We have breakthrough films like Snow White and Fantasia, and we have other greats like Aladdin and The Lion King, but this definitely tops them all. There is so much here that is missing in other Disney classics. This film has emotion, incredible music and animation, characters that you admire, laugh at, and despise. This movie is a fun ride from beginning to end. We can all relate with the suffering of the Beast (being an outsider), and we all know a Gaston in our lives. The way we can identify with the characters sucks us into the story. Don't miss this classic...the only animated film to be nominated for a Best Picture Oscar.

I've not seen the newly added song sequence (Human Again) featured in the latest IMAX version so my comments are based entirely on the original theatrical and VHS release.

BEAUTY AND THE BEAST is Disney at its peak. From the stained glass window at the opening and the beautiful narration, the viewer is drawn into the story by the appealing music and clever lyrics ("Belle's Song") which gets the picture off to a bouncy start. The opening sequence showing Belle and the townspeople in song is masterfully handled and choreographed for maximum effect, setting the tone for the entire story.

The plot becomes thicker once Belle's father enters the castle grounds where the Beast resides. The castle interiors are brilliantly Baroque and the odd characters inhabiting the grounds are delightfully rendered by a perfect blending of art and voice talent. Cogsworth, Lumiere and Mrs. Potts are delightful creations, each with strong, consistent personalities. David Ogden Stiers, Jerry Orbach and Angela Lansbury cannot be praised enough for their contributions.

Two of the musical highlights are Orbach's dazzling job on "Be My Guest" (with French accent) and Angela's tender rendering of the title song, "Beauty and the Beast". Unforgettable movie moments. As Gaston, Richard White's robust baritone voice adds greatly to the effectiveness of his villainy.

It's no wonder the film was the first to receive recognition by the Academy with a Best Picture nomination. Outstanding in every department, including the end title song sung by Celine Dion and Peabo Bryson in a more "modern" style.

Along with SNOW WHITE and SLEEPING BEAUTY, a top-notch fairy tale with its appeal evenly divided between adults and children--as well as the child in all of us.