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Feßle mich!

Originaltitel: Átame!
  • 1989
  • 16
  • 1 Std. 41 Min.
IMDb-BEWERTUNG
7,0/10
33.502
IHRE BEWERTUNG
BELIEBTHEIT
4.278
489
Feßle mich! (1989)
Tráiler [OV] ansehen
trailer wiedergeben2:25
1 Video
99+ Fotos
Dark ComedyComedyCrimeDramaRomance

Ein instabiler, aber charmanter ehemaliger Psychiatriepatient nimmt eine Pornodarstellerin in der Hoffnung gefangen, dass sie ihn heiraten wird.Ein instabiler, aber charmanter ehemaliger Psychiatriepatient nimmt eine Pornodarstellerin in der Hoffnung gefangen, dass sie ihn heiraten wird.Ein instabiler, aber charmanter ehemaliger Psychiatriepatient nimmt eine Pornodarstellerin in der Hoffnung gefangen, dass sie ihn heiraten wird.

  • Regie
    • Pedro Almodóvar
  • Drehbuch
    • Pedro Almodóvar
  • Hauptbesetzung
    • Victoria Abril
    • Antonio Banderas
    • Loles León
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    33.502
    IHRE BEWERTUNG
    BELIEBTHEIT
    4.278
    489
    • Regie
      • Pedro Almodóvar
    • Drehbuch
      • Pedro Almodóvar
    • Hauptbesetzung
      • Victoria Abril
      • Antonio Banderas
      • Loles León
    • 84Benutzerrezensionen
    • 60Kritische Rezensionen
    • 55Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 8 Gewinne & 19 Nominierungen insgesamt

    Videos1

    Tráiler [OV]
    Trailer 2:25
    Tráiler [OV]

    Fotos125

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    + 117
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    Topbesetzung29

    Ändern
    Victoria Abril
    Victoria Abril
    • Marina Osorio
    Antonio Banderas
    Antonio Banderas
    • Ricky
    Loles León
    Loles León
    • Lola
    • (as Loles Leon)
    Julieta Serrano
    Julieta Serrano
    • Alma
    María Barranco
    María Barranco
    • Berta
    • (as Maria Barranco)
    Rossy de Palma
    Rossy de Palma
    • Traficante de drogas en Vespa
    Francisco Rabal
    Francisco Rabal
    • Máximo Espejo
    Lola Cardona
    Lola Cardona
    • Directora Psiquiátrico
    Montse García Romeu
    • Montse
    • (as Montse G. Romeu)
    Emiliano Redondo
    Emiliano Redondo
    • Decorador
    Oswaldo Delgado
    • Fantasma
    Concha Rabal
    • Farmacéutica
    Alberto Fernández
    • Productor
    • (as Alberto Fernandez)
    José María Tasso
    José María Tasso
    • Anciano Psiquiátrico
    • (as Jose Maria Tasso)
    Angelina Llongueras
    Angelina Llongueras
    • Montadora
    Manuel Bandera
    Manuel Bandera
    • Bailarín Tango
    Virginia Díez
    • Bailarín Tango
    • (as Virginia Diez)
    Juana Cordero
    • Dependiente Bombonería
    • Regie
      • Pedro Almodóvar
    • Drehbuch
      • Pedro Almodóvar
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen84

    7,033.5K
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    Empfohlene Bewertungen

    Vernaye

    people don't get the irony

    I'm amazed that people don't get the irony underlying this film. If you've seen other, earlier Almodovar films, you'll know that he explores sexual situations that come emanate from all sorts of crazy situations (think of Law of Desire (1987), for example, in which Banderas plays a man exploring his homosexuality). But what makes this film so great is that, unlike Almodovar's other films, it attempts to explore the nature of the "conventional," heterosexual matrix which, through Almodovar's eyes, becomes completely nonsensical. Indeed, the relationship between Marina and Ricky is meant, ultimately, to be a parody of how such relationships work, as if heterosexuality (and its consequence, marriage) are almost inevitably equivalent in character to the infamous Stockholm syndrome. The final twist of the film, mistakenly hated for its apparently patriarchal overtones, is in fact a humorous subversion of conventional sexual politics. `You're crazy! Love a man who kidnaps you and ties you up? Is that normal?' exclaims Marina's sister. Well, actually, yes, according to Almodovar, it's completely normal. When viewed with irony (most viewers seem to have a bad case of literal disease when it comes to this film), this movie is a devastating critique of modern heterosexuality. Note that the trio sing the Spanish version of "I will survive" at the very end, when everything has supposedly worked out, in Candide fashion, for the best...
    7blanche-2

    Crazy for you

    Pedro Almodovar's "Tie Me Up! Tie Me Down!" from 1989 is an earlier film from this quirky director. Almodovar's characters are inevitably off the wall and in bizarre situations. This film and its characters are no exception.

    "Tie Me Up!" was given an X rating (later NC-17) for a couple of scenes and in the United States at least, it was quite controversial.

    The story concerns a recently-released mental hospital patient, Ricky (Antonio Banderas) who kidnaps an ex-porn star, Marina (Victoria Abril) currently making a low-budget horror film. Though the title suggests S&M, there isn't any. Ricky ties her up when he needs to leave the apartment.

    An expert in carpentry, locksmithing, and other usable occupations, Ricky had actually been leaving the mental hospital when he felt like it and then returning. During one of those times, he had a one-night stand with Marina.

    Deeply in love with her, he stalks her on the film set and, when she doesn't speak to him, confronts her in her apartment, declaring his love and his intention of marrying her and fathering her children. Marina, of course, would like to escape him, but Ricky makes that difficult. A former heroin addict, Marina has a toothache and explains that nothing will help except strong medicine from her doctor up the street. So Ricky handcuffs her to him and they walk to the doctor's apartment, where Marina receives an injection and a prescription.

    Later, when she needs more drugs, Ricky goes to the town square to score some and ends up beaten to a pulp. When he returns, Marina is horrified and begins to have real feelings for him.

    Meanwhile, her sister Lola (Loles Leon) is worried, believing Marina to have disappeared.

    There is a very long sex scene in this film that took 9 hours to film, with Almodovar using the last take.

    "Tie Me Up!" launched Banderas in the United States, and this is his last film with Almodovar. He plays Ricky beautifully - as an innocent from a troubled background who will do anything to convince this woman to love him. Abril is a sexy and feisty Marina, and, like Ricky, she is a lost soul trying to find her way. Ricky is an orphan; Abril has a mother, sister, and nephew, but both of them are alone in their worlds.

    Despite the title and the sex, this is actually a sweet tale with likable characters. Almodovar often has a bizarre way of telling a story and making a point, but the results, with few exceptions, are well worth it.
    bargross

    A gripping movie, and often misunderstood

    After all I heard and read about this movie, I think this one of the most commonly misunderstood movies ever. It is not a comedy (although sometimes bizarre). It is NOT a glorification of violence. It is not about S/M or Bondage (which occurs between consenting parties). It's message is NOT that if you tie up and beat a woman, she will love you in return.

    This is a movie about two people who are unable to master life on their own. This has led Ricky to the mental ward and Marina to being a drug-addicted porn star, who just happens to have a streak of luck because a movie director is completely obsessed with her. In the end, the two have found each other and it looks as if together, they can find the happiness and home they always were looking for. Beautiful...

    Yes, Ricky's method of convincing Marina to love him is horrible and unacceptable. His attitude toward women and life in general is seriously twisted, and he just cannot think of any other way to get what he needs to fulfill his desire of living what he considers an ordinary life. Why does Marina fall for it? Probably because he's the first person who ever seemed to care about her. He fights to get her, he fights to help her. Even if his interest in her is ruthless and possessive, it is a genuine, deep interest and that is what she has been missing all her life.

    I found Atame to be a fascinating and remarkable movie. Watch it open-minded and try to look beneath the pure surface of the plot, and you will be moved and captivated by its beauty.
    tnlamonica

    A delightful movie

    Antonio Banderas was truly in his form and height of career when he was cast in Almovodar's Spanish movies. Banderas portrayed innocence and simplicity of character in these early movies that Hollywood always seems to make large and gloss over any sort of character development. There is something that Hollywood seems to drain away and leave behind in the character of people, yet Banderas/Almovodar capture so perfectly the average man/woman and portray them in interesting ways. Atame (Tie Me Up, Tie Me Down) is a delicious little movie about a crook who falls in love with an actress. To get her attention, he kidnaps her and the fun begins. Almovodar's movies are always filled with quirky characters, funny dialogue and plot twists. To see Antonio Banderas at his finest playing a simple man who falls in love but has some issues..Atame is a cute, touching movie to rent.
    9Tweekums

    Tie Me Up! Tie Me Down!

    As this film opens Ricky learns that he is to be released from the mental institution that he has been confined to for the last few years. Upon release he immediately sets about finding Marina, a woman he spent the night with after escaping a year previously. Marina is now a 'proper' actress but at the time she met Ricky she was a porn star with a drug problem. Ricky goes to the film set then follows her home; once inside her apartment he knocks her out and ties her up. When she awakens he tells her that it is his intention that she will fall in love with him.

    I found this film to be a lot of fun; it is frequently very funny, occasionally very sexy and more than a little bit morally twisted! Victoria Abril and Antonia Banderas are really solid as Marina and Ricky making it is easy to believe their characters' rather different relationship. Early on there is a sense of menace as Ricky kidnaps and threatens Marina, this however is tempered by various more humorous elements such as them needing to get medication for her toothache and Ricky's disguises in a couple of scenes. The way the story is filmed is more in the way of a romantic comedy then anything menacing; lots of bright colours and an airy apartment rather than subdued tones and some stark grey cellar. Some may find the ending rather offensive but if you don't take the film too seriously it is easy to accept and enjoy. Overall I'd certainly recommend this to anybody looking for a 'rom-com' with a twist; it won't be for everybody though thanks to the way our two leads get together.

    These comments are based on watching the film in Spanish with English subtitles.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      One of the films (along with Henry: Portrait of a Serial Killer (1986) and Der Koch, der Dieb, seine Frau und ihr Liebhaber (1989)) that was instrumental in bringing about the introduction of the NC-17 rating in the U.S., as the film's distributor, Miramax, took the MPAA to court over the X certification it had initially been designated. According to Pedro Almodóvar, the MPAA did not believe an R rating was appropriate, even after cuts, because they were afraid that the film would inspire young men to kidnap young women out of lust. Miramax argued that an X rating implicated pornography and would diminish the film's audience, but they lost the lawsuit and it was released unrated. In September 1990, the MPAA replaced the X rating with the then-newly created NC-17 rating in response to numerous appeals by other filmmakers who had released their films under similar circumstances in the past. Eventually, the film was re-rated NC-17 for its first two (of three) U.S. home video releases (it was re-released unrated the third time; see below), the reason being the explicit scene of a naked Marina taking a bath in her apartment and masturbating in the bathtub under the water with an activated swimming scuba diver wind-up toy.
    • Patzer
      When Ricky accepts the offer to take Marina out to search for painkillers for her toothache, she puts on a tiny white dress that only goes down to the tops of her thighs and only just barely conceals her crotch and buttocks in order to cover her completely naked body underneath it. When they both return to Marina's apartment, she takes off the dress, but now she is naked except for a pair of white panties that were not there before.
    • Zitate

      Marina Osorio: I'm taking my panties off. They show.

      Lola: What's worse, showing your panties or your pussy?

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Short Time/Tie Me Up! Tie Me Down!/Wild Orchid/Without You I'm Nothing/Santa Sangre (1990)
    • Soundtracks
      Canción del alma
      Written by Rafael Hernández

      Performed by Loles León

    Top-Auswahl

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    FAQ21

    • How long is Tie Me Up! Tie Me Down!?Powered by Alexa
    • Is "¡Átame!" based on a book?
    • Why does Marina seem upset at the end?

    Details

    Ändern
    • Erscheinungsdatum
      • 16. August 1990 (Westdeutschland)
    • Herkunftsland
      • Spanien
    • Sprache
      • Spanisch
    • Auch bekannt als
      • ¡Átame!
    • Drehorte
      • Zarza de Granadilla, Cáceres, Extremadura, Spanien
    • Produktionsfirma
      • El Deseo
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 4.087.361 $
    • Eröffnungswochenende in den USA und in Kanada
      • 65.299 $
      • 6. Mai 1990
    • Weltweiter Bruttoertrag
      • 4.089.145 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 41 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
    • Seitenverhältnis
      • 1.85 : 1

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