IMDb-BEWERTUNG
6,1/10
2090
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring... Alles lesenNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.New Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 wins total
Anna Thomson
- Faith Hope
- (as Anna Levine Thomson)
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A sometimes uneven romp is overtaken by a simply brilliant performance by Peter Falk. Don't miss this overlooked jewel. Falk stars as a writer of radio serials who has been both a success, and ridden out of town, from every decent station in the country. Now in New Orleans, we discover his secret for success, and his hysterical passion to pull everything together.
Nothing is more exciting to Pedro Carmichael than "reality impacting." It happens when the radio serial he writes offends Albanians who picket the station and attack the diminutive scenarist in the street, and it happens when a young news writer falls in love with his sexy aunt, a situation bearing similarities to the latest storyline from Carmichael's prolific pen. Reality impacts a little too much for the couple, however, when their words and actions turn up on the radio exactly as they were played out in their lives.
The premise of "Tune in Tomorrow..." is one that could certainly be the springboard for some first-rate comedy and if it had been written by someone as imaginative as the writer portrayed in the film by Peter Falk, it might have been just that. Instead, the movie sputters along, never quite catching fire, except literally at the conclusion when those fed up Albanians bomb the station.
The cast is almost perfect. Almost, you say? Two words: Keanu Reeves. Affecting a less than convincing Southern accent, Reeves is as dull here as he's been in most of his films. Barbara Hershey is fine as his sexy aunt,
and in the strictly imaginary visual reenactments of the radio soap operas, John Larroquete, Buck Henry, Dan Hadeya, Henry Gibson, Peter Gallagher, and Elizabeth McGovern are terrific. The star of this show, however, is Peter Falk who saves "Tune in Tomorrow..." from being a total misfire with a wonderfully eccentric performance. As Carmichael, Falk dresses up as a maid, surgeon, rabbi, fireman, and cardinal, all in an effort to create new characters from a base of reality. Falk rates a solid four stars. The movie only rates two and a half.
The premise of "Tune in Tomorrow..." is one that could certainly be the springboard for some first-rate comedy and if it had been written by someone as imaginative as the writer portrayed in the film by Peter Falk, it might have been just that. Instead, the movie sputters along, never quite catching fire, except literally at the conclusion when those fed up Albanians bomb the station.
The cast is almost perfect. Almost, you say? Two words: Keanu Reeves. Affecting a less than convincing Southern accent, Reeves is as dull here as he's been in most of his films. Barbara Hershey is fine as his sexy aunt,
and in the strictly imaginary visual reenactments of the radio soap operas, John Larroquete, Buck Henry, Dan Hadeya, Henry Gibson, Peter Gallagher, and Elizabeth McGovern are terrific. The star of this show, however, is Peter Falk who saves "Tune in Tomorrow..." from being a total misfire with a wonderfully eccentric performance. As Carmichael, Falk dresses up as a maid, surgeon, rabbi, fireman, and cardinal, all in an effort to create new characters from a base of reality. Falk rates a solid four stars. The movie only rates two and a half.
I love this movie. I love everything about it.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.
The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?
Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.
As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
"Tune In Tomorrow" is a near miss. It's a movie that is funny in moments but unfortunately these moments are few and far between. Peter Falk is enjoyable as is the story of the effects of a radio serial on those involved with its' creation. The movie just never clicks. Much of the blame has to go to Keanu Reeves. It is almost worth watching the movie to see how bad an actor can be. I don't know if he's just horribly miscast or maybe it was just a bad day at the office for him but he is awful. The funniest portions of the film have to do with the fictional radio serial Peter Falk's character has created. The insults against the Albanians are laugh-out-loud funny. With a little more work this could have been a very funny movie.
i have never seen such a romantic movie ever. this movie has it all. laughs, love, keanu reeves and sorrow. i love this movie~~its so lovely, enchanting and dreamy. in a few sentences of summery about this movie: martin falls in love; but this love is wrong. trying to keep their relationship-he will do anything~~perhaps even kill??>>but one thing is for sure>they live happily ever after~~. i really enjoyed this movie because it shows us the ones who have fallen out of love> someone else is out their waiting for them-no matter how old you are love will come but you just got to be patient!i would also like to recommend the movie: a walk in the clouds also stars keanu reeves.
Wusstest du schon
- Zitate
Pedro Carmichael: Life is a shitstorm, and when it's raining shit the best umbrella is art.
- Crazy CreditsThe opening credits are read over the radio instead of being shown.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Silent Classics (1990)
- SoundtracksChewin' Fat
Written by Wynton Marsalis
Performed by Wynton Marsalis and His Band
Featuring Johnny Adams
Top-Auswahl
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Details
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.794.001 $
- Eröffnungswochenende in den USA und in Kanada
- 62.747 $
- 28. Okt. 1990
- Weltweiter Bruttoertrag
- 1.794.001 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Julia und ihre Liebhaber (1990) officially released in India in English?
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