IMDb-BEWERTUNG
7,0/10
5096
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe story of construction-worker Stevie and his unemployed pop-singer girlfriend shows the living conditions of the British poor class.The story of construction-worker Stevie and his unemployed pop-singer girlfriend shows the living conditions of the British poor class.The story of construction-worker Stevie and his unemployed pop-singer girlfriend shows the living conditions of the British poor class.
- Auszeichnungen
- 5 Gewinne & 6 Nominierungen insgesamt
Jim R. Coleman
- Shem
- (as Jimmy Coleman)
Gary Lammin
- Mick
- (as Garrie J. Lammin)
Empfohlene Bewertungen
I've always been astonished by Ken Loach's ability to make me forget that these are actors that I'm watching, or that this is a movie on a set, etc. The characters in this film are so real, so lifelike, that it was almost like watching a documentary. The film very wisely employs subtitles for the English dialogue, much or most of which would be unintelligible to an American audience.
Several of the reviews I have read of this film call it a comedy. Well, although there are one or two comic scenes, to me this is far from a comedy. This is a bitter and biting howl of rage against the plight of the working class in the UK. These men are used and exploited by their employers. There is no doubt that these construction sites would be cited for safety violations, or even closed down, if they were in the USA. and the owner-managers might well be prosecuted, since their willful negligence ultimately results in a death. What is lacking in the British working class, if this film is any guide, is any sense of upward mobility, any hope, any sense that I can make it out of this and find a better life. The one exception to this is the protagonist's girl friend, who is a monumentally untalented aspiring singer, and in her case we don't feel that there is much hope either.
Several of the reviews I have read of this film call it a comedy. Well, although there are one or two comic scenes, to me this is far from a comedy. This is a bitter and biting howl of rage against the plight of the working class in the UK. These men are used and exploited by their employers. There is no doubt that these construction sites would be cited for safety violations, or even closed down, if they were in the USA. and the owner-managers might well be prosecuted, since their willful negligence ultimately results in a death. What is lacking in the British working class, if this film is any guide, is any sense of upward mobility, any hope, any sense that I can make it out of this and find a better life. The one exception to this is the protagonist's girl friend, who is a monumentally untalented aspiring singer, and in her case we don't feel that there is much hope either.
(1990) Riff- Raff
DRAMA
The film, the Queen of England does not want people to see!! Like some of Mike Leigh's films with it's subtle messages about the low class, this is a no holds barred social commentary film about society with a nice story in the middle. And is also one of the most important British films in movie history about unsafe practices amongst it's citizens. I have no idea how this kind of society is like right now in 2010 but at the time of when this film was made about it's citizens rises a lot of questions about not what should be done BUT what has to be done along time ago!!! This is also one of Robert Carlyle's early film gems before hitting it big with "Trainspotting".
The film, the Queen of England does not want people to see!! Like some of Mike Leigh's films with it's subtle messages about the low class, this is a no holds barred social commentary film about society with a nice story in the middle. And is also one of the most important British films in movie history about unsafe practices amongst it's citizens. I have no idea how this kind of society is like right now in 2010 but at the time of when this film was made about it's citizens rises a lot of questions about not what should be done BUT what has to be done along time ago!!! This is also one of Robert Carlyle's early film gems before hitting it big with "Trainspotting".
This is a good film but what is great about it truly is the acting. I agree with the other poster here that the acting is phenomenal and the main actors in this movie truly shine as though they really are the characters they are playing in this film, 100% believable in their roles. Big congrats to the cast of this one for their great work. I only saw this by happenstance because my friend taped it on a cable channel years ago by mistake and we were looking for a tape to record a show while we were out and I said not to tape over this because it looked interesting, how about that? It's about the working class in England and seems to be very realistic about these hard working people who sometimes have very dangerous jobs they simply don't have any other choice of making a living. I am surprised never to have heard of this movie before but if you get a chance to watch it I would say check it out for sure if you are a fan of good acting :)
In some ways I felt as though I'd died and gone to heaven the first time I saw Riff Raff, an out and out honest look at working class men of varied, and sometimes dubious, backgrounds connected through their work on a construction sight in London.
The cast of characters defines the term 'mixed bag'. I couldn't help but think of a half dozen or so Archie Bunkers on the job site, each one with their own set of priorities, talking about the most important thing in the world, to no one but himself. It all brings a smile to my face.
Our closest look is at Stevie (Robert Carlyle of "The Full Monty"), a former petty thief, who works with a crew converting condos for the nouveau riche, while he's forced to break into an abandoned building just to find a place to squat.
Director Ken Loach expertly focuses on the lower class in Britain (witness his brilliant 1999 feature-"My Name is Joe") where the honesty laced with humor of his viewpoint tends to provide humanity to an otherwise ignored sect. To shine a bit of light on an otherwise dismal existence as it may.
Loach's characters are never overly redemptive: they don't hit the lottery; aren't left millions by a dead aunt; or marry a rich suitor. And the ending here is a bit short, trite. But they usually come through the film a little stronger having weathered their travails, feeling a little better about themselves. I dare say we come through feeling a little better about ourselves as well.
The cast of characters defines the term 'mixed bag'. I couldn't help but think of a half dozen or so Archie Bunkers on the job site, each one with their own set of priorities, talking about the most important thing in the world, to no one but himself. It all brings a smile to my face.
Our closest look is at Stevie (Robert Carlyle of "The Full Monty"), a former petty thief, who works with a crew converting condos for the nouveau riche, while he's forced to break into an abandoned building just to find a place to squat.
Director Ken Loach expertly focuses on the lower class in Britain (witness his brilliant 1999 feature-"My Name is Joe") where the honesty laced with humor of his viewpoint tends to provide humanity to an otherwise ignored sect. To shine a bit of light on an otherwise dismal existence as it may.
Loach's characters are never overly redemptive: they don't hit the lottery; aren't left millions by a dead aunt; or marry a rich suitor. And the ending here is a bit short, trite. But they usually come through the film a little stronger having weathered their travails, feeling a little better about themselves. I dare say we come through feeling a little better about ourselves as well.
Riff-Raff is a film that didn't particularly knock my socks off in any technical way, but still somehow achieved its own sort of excellence. It doesn't seem like your conventional movie, but rather, like a vignette of the life of its main characters. It feels more real than almost any other film I've seen, possibly a byproduct of its screenwriter being an actual construction worker. The film it pulls you in and makes the characters feel like old friends, without a particularly exciting or thrilling plot, in a way it's reminiscent of Chekhov. And though the characters have their ups and downs, the movie presents quite a few chuckles. A thoroughly intelligent and genuine film, brimming with social commentary without bashing you over the head with it.
Wusstest du schon
- WissenswertesThe characters' local regional and Cockney accents were so heavy that the film provided subtitles, even for British audiences.
- PatzerBetween 7:56 and 8:00 minutes in, as Robert Carlyle enters his squat for the first time, the boom is clearly visible under the ceiling and the boom operator on the left as Robert walks by.
- SoundtracksAlways On My Mind
Composed by Johnny Christopher (as J. Christopher), Francis Zambon (as M. Jones) and Wayne Carson Thompson (as W. Thompson)
Performed by Emer McCourt
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 295.444 $
- Weltweiter Bruttoertrag
- 295.444 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1
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