Ein Tag im Leben zweier Convenience-Spezialisten namens Dante und Randal, die Kunden verärgern, Filme besprechen und Hockey auf dem Dach des Ladens spielen.Ein Tag im Leben zweier Convenience-Spezialisten namens Dante und Randal, die Kunden verärgern, Filme besprechen und Hockey auf dem Dach des Ladens spielen.Ein Tag im Leben zweier Convenience-Spezialisten namens Dante und Randal, die Kunden verärgern, Filme besprechen und Hockey auf dem Dach des Ladens spielen.
- Auszeichnungen
- 7 Gewinne & 10 Nominierungen insgesamt
Walter Flanagan
- Woolen Cap Smoker
- (as Walt Flanagan)
- …
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Clerks is one of those movies everyone knows everything about even before they've seen it. The most fascinating aspect is probably the back-story: Kevin Smith sold his comic-book collection to finance it, shot it in the convenience store where he was working at the time, and cast his school friends in the various roles (two of them wound up playing three or four characters each). The film became a huge hit at Sundance, and is now widely (and justly) considered one of the best independent movies of all time.
The plot is quite easy to sum up: nothing happens. It's just a "regular" day in the lives of a few people working in or outside a Quick Stop convenience store. The fun starts immediately, as Dante Hicks (Brian O'Halloran) is asked to replace a sick colleague. This upsets him a lot, since it's supposed to be his day off ("You know what the worst part is? I'm not even supposed to BE here today!"). So now he has to serve a bunch of rather annoying or excessively weird people, with occasional help from his friend Randal Graves (Jeff Anderson), who "works" in the video store next to Quick Stop. Together, they discuss things like hermaphroditic porn or, Tarantino-style, which Star Wars sequel is better (Jedi or Empire?), and also try to find ways of not working, or at least make the day less boring (as Randal puts it:"This job would be great if it wasn't for the f**king customers"). Between these discussions, they also interact with Dante's present girlfriend Veronica (whose sex life causes heated debates) and ex Caitlin, who's apparently engaged to some Asian design major. And let's not forget Jay (Jason Mewes) and Silent Bob (Smith himself), two drug dealers consistently located outside the store.
Smith uses these characters to reference his favorite movies (the previously mentioned Star Wars, as well as Jaws and Indiana Jones) and talk about any subject in the filthiest way imaginable. Some incredibly outrageous stuff is mentioned ("jizz moppers", necrophilia, "snowballing"), but unlike John Waters, he never shows the events discussed by Dante, Randal et al. Everything occurs, or has occurred, off-screen, so all we get to do is have a good laugh, because no matter how crude it gets (the film is rated R for "Extensive Use Of Extremely Explicit Sex-Related Dialogue"), Smith's writing remains genuinely funny. Randal, in particular, steals every scene with his existential musings ("I'm a firm believer in the philosophy of a ruling class. Especially since I rule.") or very politically incorrect antics (the top? Reading a list of pornographic flicks in front of a mother and her baby).
If you haven't seen it yet, do it, and fast: Clerks fully deserves its cult status. It has priceless dialogue, wisecracking characters and loads of swearing. What else can you ask for?
The plot is quite easy to sum up: nothing happens. It's just a "regular" day in the lives of a few people working in or outside a Quick Stop convenience store. The fun starts immediately, as Dante Hicks (Brian O'Halloran) is asked to replace a sick colleague. This upsets him a lot, since it's supposed to be his day off ("You know what the worst part is? I'm not even supposed to BE here today!"). So now he has to serve a bunch of rather annoying or excessively weird people, with occasional help from his friend Randal Graves (Jeff Anderson), who "works" in the video store next to Quick Stop. Together, they discuss things like hermaphroditic porn or, Tarantino-style, which Star Wars sequel is better (Jedi or Empire?), and also try to find ways of not working, or at least make the day less boring (as Randal puts it:"This job would be great if it wasn't for the f**king customers"). Between these discussions, they also interact with Dante's present girlfriend Veronica (whose sex life causes heated debates) and ex Caitlin, who's apparently engaged to some Asian design major. And let's not forget Jay (Jason Mewes) and Silent Bob (Smith himself), two drug dealers consistently located outside the store.
Smith uses these characters to reference his favorite movies (the previously mentioned Star Wars, as well as Jaws and Indiana Jones) and talk about any subject in the filthiest way imaginable. Some incredibly outrageous stuff is mentioned ("jizz moppers", necrophilia, "snowballing"), but unlike John Waters, he never shows the events discussed by Dante, Randal et al. Everything occurs, or has occurred, off-screen, so all we get to do is have a good laugh, because no matter how crude it gets (the film is rated R for "Extensive Use Of Extremely Explicit Sex-Related Dialogue"), Smith's writing remains genuinely funny. Randal, in particular, steals every scene with his existential musings ("I'm a firm believer in the philosophy of a ruling class. Especially since I rule.") or very politically incorrect antics (the top? Reading a list of pornographic flicks in front of a mother and her baby).
If you haven't seen it yet, do it, and fast: Clerks fully deserves its cult status. It has priceless dialogue, wisecracking characters and loads of swearing. What else can you ask for?
This has to be my all time favorite comedy and one of my all time favorites overall. About three years ago a friend of mine came to school one day raving about the funniest movie he had seen on late night. He talked about this black and white low budget movie about two blue collar losers who talked endlessly about sex. From that description I wasn't anticipating a masterpiece but I decided to rent it anyway. It was probably the best surprise I have ever had. I was laughing the entire time, so much so that I nearly woke up everyone in my house. For months afterwards my friend and I would endlessly talk about and quote this incredible film. Everyone I have recommended it to has loved it and I can easily see why. I know that some people attack the movie as being vulgar and excessive. The way I see it it is being true to life (I'm sure that when you have 10 hours to kill you'll talk about the average pay of a gizz mopper). In short I absolutely love this film and it gets better and better with every viewing. Rent this film as soon as possible if you haven't already.
Everyone has to start somewhere. Kevin Smith started his popular Jay and Silent Bob series with Clerks., a $50,000 film whose soundtrack cost more than the actual movie cost to make. It's poorly done, it's monochromatic (which actually works to its advantage), it's cheap, but it's funny, and that's all that really counts. The story is more than I thought it would be, and it's continuously funny throughout the whole short runtime. Many of the crude adventures of Dante and Randal are now legendary.
Dante (Brian O'Halloran) works at the Quick Stop convenience store. He's called in on a day off. His friend Randal (Jeff Anderson) works next door at a video store, but sporadically closes it to hang out at the Quick Stop. Throughout the day, various things occur, such as a gum representative trying to get people to stop smoking and chew his gum, a rabbi using the employee's bathroom (with an unexpected twist at the end), disrupting a wake, and the now-classic scene at the video store with "Happy Scrappy Hero Pup".
This movie has non-stop humor going for it. Whether it's Dante's or Randal's confrontations with the unruly customers (who seem over-the-top yet regular), their conversations about nothing (especially Star Wars), or their departures from their respective stores to play hockey or whatnot. I can see that Clerks. is to minimum wage earners as Office Space is to office workers. Dante's always a little timid when it comes to dealing with the unruly customers, but when Randal takes the stage, it's a lot funnier.
Although the parts about Veronica (Marilyn Ghigliotti) and Cairlin (Lisa Spoonhauer) weren't that interesting (except for the 36...make that 37 people), they were necessary, and seemed to create a plot out of this, basically, sketch comedy. It succeeded, and turned it into a great all around film. Most of these people had never acted before, and although it does seem like they're just reciting their lines (there's almost no break in between the dialogue), they do a good job at it. Sometimes it seems a little too scripted (for voice and diction, etc.), but for a bunch of first-timers, it's not bad at all.
Considering the rest of the series (besides Mallrats, which I haven't seen), I'd say Clerks. is close with Jay and Silent Bob Strike Back for the funniest Kevin Smith movie. They're also the two crudest, and the first and last in the series, respectively. But Clerks. will always stay as it was when it was released 10 years ago-revolutionary. It showed that money and action aren't important to make a movie funny.
My rating: 8/10
Rated R for extensive use of extremely explicit sex-related dialogue.
Dante (Brian O'Halloran) works at the Quick Stop convenience store. He's called in on a day off. His friend Randal (Jeff Anderson) works next door at a video store, but sporadically closes it to hang out at the Quick Stop. Throughout the day, various things occur, such as a gum representative trying to get people to stop smoking and chew his gum, a rabbi using the employee's bathroom (with an unexpected twist at the end), disrupting a wake, and the now-classic scene at the video store with "Happy Scrappy Hero Pup".
This movie has non-stop humor going for it. Whether it's Dante's or Randal's confrontations with the unruly customers (who seem over-the-top yet regular), their conversations about nothing (especially Star Wars), or their departures from their respective stores to play hockey or whatnot. I can see that Clerks. is to minimum wage earners as Office Space is to office workers. Dante's always a little timid when it comes to dealing with the unruly customers, but when Randal takes the stage, it's a lot funnier.
Although the parts about Veronica (Marilyn Ghigliotti) and Cairlin (Lisa Spoonhauer) weren't that interesting (except for the 36...make that 37 people), they were necessary, and seemed to create a plot out of this, basically, sketch comedy. It succeeded, and turned it into a great all around film. Most of these people had never acted before, and although it does seem like they're just reciting their lines (there's almost no break in between the dialogue), they do a good job at it. Sometimes it seems a little too scripted (for voice and diction, etc.), but for a bunch of first-timers, it's not bad at all.
Considering the rest of the series (besides Mallrats, which I haven't seen), I'd say Clerks. is close with Jay and Silent Bob Strike Back for the funniest Kevin Smith movie. They're also the two crudest, and the first and last in the series, respectively. But Clerks. will always stay as it was when it was released 10 years ago-revolutionary. It showed that money and action aren't important to make a movie funny.
My rating: 8/10
Rated R for extensive use of extremely explicit sex-related dialogue.
Kevin Smith has delved into action ("Mallrats"), drama ("Chasing Amy") and philosophy ("Dogma") in his Askewniverse, but Clerks, the first film of the series, is still the best.
Shot on a ridiculously low budget, using mostly friends and relatives as the cast and crew (see the line in the credits where "Boom" is credited as "whoever happened to be holding the pole"), "Clerks" is such a great film just because it doesn't try to be more than it is. You get the sense that this movie is in black and white not to be pretentious, but just because it's a prosaic look at prosaic lives.
Kevin Smith's real gift is writing funny, witty dialogue, and that's what carries this film. From Star Wars debates (did the destruction of the second Death Star in "Jedi" cost innocent contractors their lives?) to perfectly serious debates about sex ("Thirty-seven???"), this is the ultimate movie for anyone who's ever been going nowhere and doing nothing. It's a day in the life of the guy working at the corner store, no more, no less. But it's absolutely brilliant.
People either love or hate Kevin Smith movies. Chances are, if you can appreciate the humour of low-brow jokes about pornography as high art, then you'll enjoy "Clerks". His brand of humour isn't for everyone. This is his first film and it's flawed, to be sure. But in my humble opinion, it's still Smith's best.
Shot on a ridiculously low budget, using mostly friends and relatives as the cast and crew (see the line in the credits where "Boom" is credited as "whoever happened to be holding the pole"), "Clerks" is such a great film just because it doesn't try to be more than it is. You get the sense that this movie is in black and white not to be pretentious, but just because it's a prosaic look at prosaic lives.
Kevin Smith's real gift is writing funny, witty dialogue, and that's what carries this film. From Star Wars debates (did the destruction of the second Death Star in "Jedi" cost innocent contractors their lives?) to perfectly serious debates about sex ("Thirty-seven???"), this is the ultimate movie for anyone who's ever been going nowhere and doing nothing. It's a day in the life of the guy working at the corner store, no more, no less. But it's absolutely brilliant.
People either love or hate Kevin Smith movies. Chances are, if you can appreciate the humour of low-brow jokes about pornography as high art, then you'll enjoy "Clerks". His brand of humour isn't for everyone. This is his first film and it's flawed, to be sure. But in my humble opinion, it's still Smith's best.
10dee.reid
In 1994, an ambitious filmmaker named Kevin Smith was left nearly dead-broke by his commitment to his low-budget debut feature, "Clerks." Shot in black & white and filmed in and around a New Jersey convenience store, "Clerks." is genius on celluloid despite little change of scenery, wooden acting (none of the actors are professionals), and a shoe-string budget; it's also pretty damn funny. "Just because they serve you, doesn't me they like you" became an immortal tagline for one of the best independent comedies of all time, which also launched the career of its director. There's nothing PC about this debut feature, and the relentlessly explicit sex-related dialogue got the film its original certificate, the dreaded "NC-17" rating, which was later dropped down to an "R" rating on a successful appeal by the filmmakers; the characters harass their customers, leave the store during the day to tend to personal matters, and hang-out with girlfriends - not the stuff of responsible employees - and definitely NOT something you would see in any Hollywood production today. In an era rife with censorship and political-correctness, "Clerks." would undoubtedly receive the scorn and protests of the fundamental religious Right and Left. The film features Dante (Brian O'Halloran) and Randal (Jeff Anderson), two bored New Jersey convenience store employees who are both called in on a Saturday (Dante is especially upset because it's his day off) and the two break every rule in the book as they meander through the day and encounter all sorts of colorful characters. Throughout the day, Dante complains about about his girlfriend Veronica's (Marilyn Ghigliotti) sex life, Randal shirks his convenience store duties by shooting the breeze with Dante, philosophize about their daily predicaments, play hockey on the roof of the store, and observe unruly and bizarre shoppers. There's little plot but it's pure fun all the way to the ending with plenty of laughs too. But if you're the sensitive type, you should stay as far away from "Clerks." as possible, as the dialogue will certainly make you squirm in your seat. "Clerks." also contains many Smith trademarks including "Star Wars" talk, references to Spielberg movies, comic books and hockey, all qualities of which would do Smith good in his so-called "New Jersey Trilogy." P.S.: Watch out for Smith in his iconic role as Silent Bob with sidekick Jay (Jason Mewes) as they loiter outside the store and hassle customers.
10/10
10/10
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- WissenswertesKevin Smith originally cast himself as Randal, which is why Randal gets some of the best lines.
- PatzerJay's costume is different in nearly every scene in the movie because the jacket he wore on the first day of shooting was his girlfriend's and he had a hard time borrowing it for the entire length of the shooting.
- Zitate
Silent Bob: [His only line] You know, there's a million fine looking women in the world, dude. But they don't all bring you lasagna at work. Most of 'em just cheat on you.
- Crazy CreditsJay (Jason Mewes) is heard at the end of the credits, chanting "Noinch, noinch, noinch, shmokin' weed, shmokin' weed, doin' coke, drinkin' beers...".
- Alternative VersionenIn the original theatrical and early home video versions, the scene where the mom comes in with her kid to rent "Happy Scrappy Hero Pups" had a different child voice dubbed in saying "happy scrappy". However, starting with the 10th anniversary Clerks X DVD, the audio for the girl's line of dialogue was replaced with the girl's actual voice, rather than the dubbed version in the earlier releases.
- VerbindungenEdited into Clerks: Deleted Scenes (1999)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Clerks, detrás del mostrador
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 27.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.151.130 $
- Eröffnungswochenende in den USA und in Kanada
- 31.665 $
- 23. Okt. 1994
- Weltweiter Bruttoertrag
- 3.152.360 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
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