Ein Mountie in Chicago

Why is it all the good shows get canceled early?

Due South was no exception.

I didn't even watch the show's first season. I had never paid any attention to it being on. Only after catching an episode of the second season on tape at a friend's house was I drawn into this quirky show.

Who would have thought that a TV show starring a Dudley Do Right cloned member of the Royal Canadian Mounted Police (a mountie) who lives by the rules and a sharp tounged Chicago Detective who lives to bend the rules could be such a fantastic show? This is a prime example of a fantastic show that was canceled way too early.

But we had it for 4 years and that is better than nothing.

The appeal of this show is very difficult to put into a few paragraphs. Its an extended modernizing of Shakespeare's Hamlet, only the Prince in this case is a Canadian Mountie, sent to Chicago to pursue his fathers killers, haunted by his father's ghost. It's more light hearted than it sounds, Benton Fraser(the Mountie) begins to get more acquainted with his father in death than he ever had been in life, courtesy of journals and interacting with Fraser Senior's ghost. The characters are both exaggerated but ultimately very believeable and Benton Fraser is by far one of the most intriguing fictional characters I have seen on television. The first season especially really does ask probing questions and deal with issues, notably the last 3 episodes featuring Fraser's warped love affair with a woman he had to imprison!

Many episodes are modernized derivatives from notable literature, one case is an episode entitled "Gift of the Wheelman", a reference to "Gift of the Magi" featuring the wheelman in a bankrobbery throwing his life away in exchange for the loot to give his son (played by Ryan Phillipe in his first major appearance) whom only wants his father's company and compassion. If you have the means you should really check into this show, if you are an avid reader it's incredible. Next to the Simpsons this is my favorite television series to date.

The spirit of the pristine countryside out of which Paul Haggis' contemporary vision of the stalwart Mountie emerges was summoned to an unlikely place--downtown Chicago--and from it, "Due South" was born. My cynical side gave in to the sense of snow and suggestion of rarefied air, and the crisp figure of Paul Gross against them, as the character he plays--Constable Benton Fraser--greets the squalor and disorder of the big city with uncommon graciousness. Haggis must have intuited this gallantry would soon trigger the gag reflex of people like me, and mercifully introduced a comic turn, so his conception wouldn't turn insufferably "noble." Enter David Marciano as Chicago detective Ray Vecchio, and this vehicle burns rubber. You don't mind Haggis turning your disbelief on its head with Ray around. He's the lever that balances our doubts against the heroics that ensue. That is to say, if Ray doesn't mind being the butt of Haggis' jokes, why should we? And the laughs make the unwelcome moral at the end of each episode stick in a way it wouldn't with a graver approach.

I'm a sucker for themes where fathers try to redeem themselves in the eyes of their children, but if it's mawkish, I head for the remote control. There are at least two episodes like these that I can remember, both handled well. The one with the ex-con (and his partners-in-crime) soaked in gasoline contemplating suicide with a lit match in his hand, so his son can be set for life with the booty he's collected made my heart stop. The way Fraser talks him out of it had me swallowing hard. It was spellbinding.

I regret this series leaving the air. Gross and Marciano make for smashing buddy-buddy interplay--and I usually hate this kind of stuff. But Haggis turned me around, and had me feeling that good things were at stake, that with every day lay an opportunity to save it, that there was something to this zeal for justice and pursuit of love and self-respect, that when Haggis headed south, he was really aiming for Heaven. "Due South" was my favorite TV series from the 90's.

"Less is more" is the concept that makes this series so compelling and fun to watch. The cast displays rare talent, with Paul Gross portraying a unique leading man, a refreshing change from other carbon-copy cop shows. Gordon Pinsent, as his ghost-of-a-father, is delightful and completely at ease as he appears to Gross to guide, advise and torment. He is, indeed, one of the most underused and underrated actors of our time. This series is a perfect example of what good quality television the United States is missing.

Due South was a breakthrough in many ways. It proved that a U.S./Canadian weekly co-production which satisfied to both cultures was indeed possible and that it could be done with a lot of class and taste.

Every upcoming episode possessed some form of anticipation. It was never known what tone the next episode may possess, for some were comedic, some were dramatic, some were a decent mix of both. Most of all, its viewers were left feeling good in the end despite the fact that not every issue had been resolved. Most of all, any farfetched twists were minimal, leading one to believe that people like Fraser do indeed exist. Throughout the first two seasons, Fraser and Ray involved themselves in the lives of characters in trouble who needed to turn their lives around. The retooled version of the show which appeared in 1997 loses that quality, choosing to set its leads in precarious situations and mainly helping themselves rather than the people living in the city of Chicago.

Paul Haggis should be proud of his creation. It was a terrific show while he remained a part of the production. Unfortunately, it never again regained its peak once he and Kathy Slevin departed.

The fans are hoping we may perhaps see a sequel to "Victoria's Secret" within the next while? Only once Providence is cancelled (if ever), may it be a reality! Melina Kanakaredes' newfound popularity may entice potential new viewers to respond as well.