Liebling, hältst Du mal die Axt?

To most of us, Mike Myers is either Wayne Campbell or Austin Powers. So, it may come to some surprise that he played a somewhat different role in "So I Married an Axe Murderer". As San Francisco poet Charlie Mackenzie, who suspects that his girlfriend (Nancy Travis) may be a killer, he makes the most of his role. As it is, he not only plays Charlie, but also Charlie's Scottish immigrant father (he was probably priming himself to play multiple roles in the Austin Powers movies). Watching the movie, one may feel like writing some poetry.

There are some scenes in the movie that might tense you up. But, they know how to play these scenes so that everything comes out funny. After all, this is Mike Myers here. Anyway, it's not the funniest movie ever, but still worth seeing, if only once. Also starring Anthony LaPaglia, Amanda Plummer, Brenda Fricker, Matt Doherty, Charles Grodin, Phil Hartman, Debi Mazar, Steven Wright, and Michael Richards in a brief appearance.

SO I MARRIED AN AXE MURDERER (1993) *** Mike Myers, Nancy Travis, Anthony La Paglia, Amanda Plummer, Brenda Fricker, Alan Arkin, Michael Richards. Hilarious comedy about a marriage phobia plagued neo-Beat poet (Myers) who finds the girl of his dreams (Travis) may in fact be a psychopathic serial killer.

Impressive supporting cast with absurdly hilarious situations and performances. Myers also plays his ribald Scottish dad and Charles Grodin has a hysterical cameo.

I saw this film on cable not long after its release and remember enjoying it. But like most films, it didn't leave a lasting impression. For some reason I have had a DVD copy of the film in my collection for some time now, probably a b-day gift or some such, and I never watch it…Last night, sixteen years after it first appeared, I watched it again.

Sometimes, a piece of art takes time and multiple exposures for its audience to fully appreciate its quality. This is definitely the case with this film. For me, a film should show me new characters or new settings or give me a new way of looking at a recognizable situation. So often films just give their audience the same tired stereotypical content; Characters that differ in name only from other films and plot lines that so closely follow previous successful productions that I'm surprised there aren't more lawsuits between artists. Such is not the case with "So I Married an Axe Murderer". With the tiny exception of the girlfriend of the chief supporting character, every role can accurately be described as unique. A butcher shop owner/operator (Nancy Travis) for a leading lady that may be wielding her cleaver in the off hours plus her curiously flighty sister (Amanda Plummer). A suburban San Francisco family of intensely Scottish decent that includes the youngest son with an enormous head and a Mother (Brenda Fricker) who has no qualms about French kissing her eldest son's best friend just to assure herself he's good at it. There's a light aircraft charter pilot (Steven Wright) that probably shouldn't have been awarded a license and a slightly embittered, slightly maniacal former Alcatraz guard/now tour guide (Phil Hartman) who makes me laugh just to look at him on screen. There's an undercover cop best friend (Anthony LaPaglia) that wanted to be Starsky or Hutch but instead learns the job really entails filling out a lot of forms and his boss (Alan Arkin) who, if it wasn't for Mike Myer's performance, would have stolen the movie with his portrayal of a Police Chief that can only be described as the antithesis of that character that we've seen so many times in films and TV.

About Mike Myers: Intensely likable. Free and easy on film at a young age he creates two wonderful characters that make us laugh hard throughout. As the lead Charlie McKenzie and as his father Stuart, Myers keeps the film moving with his paranoid yet irresistible charm from Charlie and his Robin Williamsesque quips that flow from his two characters accomplishing the most difficult task for such a performance; namely, entertain without distracting from the story.

I've added this film to my "Favorites" list and recommend it highly. If you liked "You Can't Take it With You" you'll love this more contemporary yet equally quirky film of love and family.

In this greatly under-rated film, Mike Myers plays a man scared of commitment, until that is he meets Harriet and they fall in love, but does she have a rather macabre secret?

This film flows wonderfully, carrying you along before you realise it, right until the end.

Some of the better comedic moments, though, come from the cameos, especially by Steven Wright and Charles Grodin, who is always wonderful, whatever film he is in, although the poetry scenes are quite funny too.

For some reason this film was not as successful as other Mike Myers' efforts such as the Wayne's Worlds, and it does appear that audiences prefer Myers in character than as himself, and indeed you will come out liking Myers better as his father than as his main role, but nevertheless a great movie!

The sad thing is that this is Mike Myers' lowest grossing film, which shows just what most people know. It's absolutely his best one though, with more likeable wit than the 2 Austin Powers pics and better characters and plot than the Waynes World movies.

Myers can only really do about 4 voices (Himself, Wayne, Austin and a Scotsman, which he's doing AGAIN in Shrek now) and he gets to show them all off here, which is actually great. He's great as his miserable dad, and the whole thing is just great fun, a really good film. Nancy Travis and Anthony LaPaglia as his insecure cop buddy support Myers well all the way through. Mike Myers and this movie just rule.