Füge eine Handlung in deiner Sprache hinzuSeveral players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others t... Alles lesenSeveral players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.Several players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently, some turn to drinking, others to drugs, and some to studying.
- Bobby Collins
- (as Jon Maynard Pennell)
- Louanne
- (as Joey Adams)
- Ray Griffen
- (as J. Leon Pridgen II)
- Coach Humes
- (as Mike Flippo)
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During the Nineties another classic film about professional football was done, Any Given Sunday. The main theme about Any Given Sunday was that sports was now more business than anything else. But pro football has always been a business. What The Program shows is just how much a business college football is, yet it maintains the fiction that this is amateur athletics.
As is so eloquently put, no one is going to pay for a ticket to see a chemistry exam. Football with its ticket revenue, its alumni contributions, it's TV and radio rights, it's memorabilia rights is a very big business. It brings in money for the colleges, hence the colleges have a vested interest in a winning team. And some will do quite a bit more than others.
James Caan does a fine job as the coach of mythical ESU who is a decent man caught up in the system. He operates his program straining the bounds of ethics. He knows full well that some of his kids are being greased right through college without an education, but football is his life and living and Caan operates the best he can.
His players are a cross section of young America. Craig Sheffer is the very talented quarterback from a white trash background trying hard to rise above it. Omar Epps is the inner city ghetto kid who sees football as his ticket out. Andrew Bryniarski is the defensive player that steroids gave us, something Caan pretends not to notice until it really smacks him in the face. By the way Bryniarski was also in Any Given Sunday.
My favorite in the entire film is Duane Davis who is another kid from the ghetto who both really loves the game, can barely read and write, and who also sees it as a way of rising from poverty. He's a nice kid, but a bad influence on Epps who he constantly tells that The Program will grease him through. Davis just lives for that National Football League contract.
I do love the way Davis psyches himself before a scrimmage. You have to see the film to appreciate. Sad to say his is the saddest of all the stories here. You have to be made of stone to not be moved by seeing him at home, leg in a cast, listening to the final championship game with his mother, knowing the future he foresaw for himself is blasted to smithereens.
Halle Berry and Kristy Swanson are there as love interests to both Epps and Sheffer respectively. There characters are quite a bit more than the usual air-headed cheerleaders cast in these parts.
Another good performance is John Maynard Pennell as Sheffer's second string backup. He romances and talks Caan's daughter into taking an exam for him. When she's caught both are expelled. Caan personally kicks him out of the university and then has to swallow his pride and a good deal more to bring Pennell back when Sheffer has to go into rehab. That's also a classic scene.
The Program is one of the finest, if not the finest film on college football ever done. I think more than sports fans will appreciate this finely crafted piece of cinema.
I was well into the second half of the film when it dawned on me that I was into the characters' stories and had forgotten I was watching a movie, which is always a good sign. The characters include the quarterback (Craig Sheffer) who has to deal with the incredible pressure of his position and the fact that his Dad's an aloof drunkard who's given up on life; the linebacker who takes steroids to compete and starts to become a rage-oholic; the black dude from the ghetto who memorizes big words to appear smart; and more. For most of them, their lives and futures hinge on the game and so getting seriously injured can wipe out their very reason for existence. James Caan is notable as the coach.
As for women, there's Halle Berry in her prime and Kristy Swanson, but their roles are too limited and there are essentially no other women to be found, except cheerleaders & students in the background.
People who have played university football have pointed out that "The Program" is realistic in its depiction. It's a really good sports film for sure, but 1999's "Varsity Blues," which focuses on Texas high school football, edges it out. In fact, "Varsity Blues" ranks with my all-time favorite movies; it's got a more compelling story & characters, a funner vibe and better women. But both of them are must-see sports flicks.
The film runs 112 minutes and was shot at Duke University, Durham, North Carolina, and the University of South Carolina, Columbia, SC.
GRADE: B+
Maybe it doesn't have the attitude of The Last Boy Scout or North Dallas Forty; it lacks the comic appeal of Necessary Roughness. But you know what it does have that all of those above-mentioned films lack, a connection to any person that has ever stepped out on that field and experienced the pressures and bliss that comes with the nitty gritty game of football. I remember seeing this movie in the sixth grade and having never been into football that much, I didn't expect a lot. Yet,I walked away in awe at the sheer excitement experienced from this movie. This was an instant classic and even years later in my high school football days, the players were still talking about it. It is one of the best and most realistic football movies made. It puts you in the mindset of a big play maker like Jefferson or a back-breaking linebacker like Alvin Mack. It also has its human side displaying the pressures of trying to live up to expectations and coping anyway you know how. In Joe's case it's through a bottle. Lattimer sees enhancement drugs as the only way out...the film just takes you down to their level. Better yet, it's a college experience that you haven't experienced yet, or are trying to remember (it goes so fast!). After viewing this movie so many times every year when the college ball season starts, or even back in the day before two-a-days began; I can't help but to get excited and giddy from viewing it. My tape has worn out and I now own the DVD, I just wish they would add the deleted scenes. The Program will always be on my top ten list and that's why I give it a great rating.
It has been so many years since it came out that many viewers will have forgotten the fuss that made this film better known than it really deserved to be at the time. I won't go into it but I really fail to see (aside from the one impersonation) why a scene involving chicken with cars was cut yet a scene involving chicken with trains was left in surely if one was unsuitable then the other should be so too? Now, over 10 years later the film remains more famous that it deserves on the back of some fortunate casting it was the cast list that attracted to this film. The actual story is a fairly ho-hum sports movie with all the usual clichés about college sports as well as the usual semi-drama stories around the characters overcoming bad backgrounds, party excesses, girl troubles and so on. As a basic sports movie it is enjoyable enough but it doesn't really do anything that makes it stand out from the genre.
The cast is the ongoing selling point of the film and the performances are OK considering that the material doesn't give them a great deal to do other than go through the genre motions. Caan plays a grizzly old coach who has to cover the player's indiscretions and he does it well enough. Berry looks OK but has little to do in a very male dominated film. Sheffer is supposed to be the lead role but he doesn't really have the ability and he is easily swallowed up by his support cast. Epps is good and minor female roles are also given to Swanson and Adams. Bryniarski overplays his steroid addict but still works and I thought Davis showed a gentle touch when he was given the chance to in minor scenes during the final game.
Overall, aside from the controversy that helped it getting a bigger audience at the time of release and the good list of names in the cast, this is actually just a competent film rather than a really good one. It has all the usual clichés that you expect from college sports films and it doesn't do anything special with them but it doesn't do them badly either. Entertaining as along as you know what to expect.
Wusstest du schon
- WissenswertesThe original release of the film contained a scene where several ESU players lay on the yellow dividing line of a busy local road as a test of their courage. When two young men were killed, and several others injured, by imitating the stunt, Buena Vista cut the scene from the film. The scene is included on the Hong Kong Laserdisc and the Australia Region 4 DVD.
- PatzerThe endzone design frequently changes colors from Maroon and Yellow to Red and Black. At one point "Carolina" appears visible (during the Michigan game) in the end zone.
- Zitate
Alvin Mack: Let's open up a can of kick ass and kill 'em all, let the paramedics sort 'em out.
- Alternative VersionenA scene showing college students lying in a street in the middle of car traffic as a way to prove their courage. A few weeks after the film's release, the studio recalled all copies and deleted this sequence from the film in response to public outrage, A teen boy, Michael Shingledecker, was killed attempting this. The only known versions containing this scene is the Hong Kong Laserdisc and the Australia Region 4 DVD.
- SoundtracksGood Things
Written by Kurt Neumann and Sammy Llanas (as Sam Llanas)
Performed by BoDeans
Courtesy of Slash/Reprise Records
By Arrangement with Warner Special Products
Top-Auswahl
- How long is The Program?Powered by Alexa
Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 23.032.565 $
- Eröffnungswochenende in den USA und in Kanada
- 6.821.931 $
- 26. Sept. 1993
- Weltweiter Bruttoertrag
- 23.032.565 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1