Ein entführter Junge schließt eine Freundschaft mit seinem Entführer: Ein entflohener Sträfling auf der Flucht vor dem Gesetz, während die Suche von einem ehrbaren Texas Ranger geleitet wird... Alles lesenEin entführter Junge schließt eine Freundschaft mit seinem Entführer: Ein entflohener Sträfling auf der Flucht vor dem Gesetz, während die Suche von einem ehrbaren Texas Ranger geleitet wird.Ein entführter Junge schließt eine Freundschaft mit seinem Entführer: Ein entflohener Sträfling auf der Flucht vor dem Gesetz, während die Suche von einem ehrbaren Texas Ranger geleitet wird.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
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Where the film doesn't work quite is when Eastwood himself is in front of the camera, playing a minor role - Chief Red Garnett - a Texas Ranger who's in charge of Haynes' capture. The primary function of his character, and Laura Dern's (who plays Sally Gerber - a criminologist the Governor forces upon the Chief) in the script is to supply further information about Haynes' past. Unfortunately, Eastwood tries to flesh out the relationship between these characters through antagonistic chauvinist attitudes towards Gerber and creating a power struggle between the two which (big surprise!) over the course of the film, gradually leads to a mutual respect between them! Granted Eastwood and Dern have marquee value - especially Eastwood, are fine in their roles, and, of course, chauvinism was alive and well in 1960's Texas, but I mostly found these minor subplots annoying and unnecessary. It's the scenes and issues focusing on Costner's character that are the life blood of this picture. This criticism aside, Eastwood does a solid job directing, weaving action, suspense and thought provoking human drama into a well knit weave and Costner delivers one of the best acting performances of his career.
7 1/2 out of 10
T.J. Lowther is fantastic as the boy kidnapped by Butch (Kevin Costner), and it is great to see an unlikely friendship develop between the two despite their huge difference in background and age. Costner becomes almost like a father figure for Buzz, and the ending is slightly overdrawn and predictable, but is nonetheless deeply saddening.
Costner gives a great performance as the escaped convict, and despite his homicidal tendencies, we actually feel empathy towards him at some points of the film and feel that he is actually a casualty of bad circumstances rather than a blood thirsty killer.
Eastwood himself plays a reliable part as Chief Red Garnett, but he is very much in the background and he plays a bit-part character as he tries to track down Costner.
I am a big fan of Clint Eastwood both as a Director and actor. If you want to watch a film that really engages you in watching character development and does not focus on action, then this is a must-see.
Maybe it's the movie a little bit slow at start, but soon we get too see a strong character development, what leads us to the grand finale, where we cheer for the outlaw and his little "partner" (also very good performance by T.J. Lowther). The ending is undoubtedly one of the most touching in the history of cinema.
All in all, Costner did great both as director and actor and he had a winning hand picking up co-actors and screen & music writers. Plus, he made this movie in the nineties era, one of the best, if not the best for Hollywood movies.
That's for it's just pure classic. Just like the Texas landscape where it was taken.
9 out of 10.
Wusstest du schon
- WissenswertesClint Eastwood was not originally going to act in the movie. Kevin Costner talked him into it, by stating that he would only commit to act in the film if Eastwood did too, as he wanted a movie poster with both of them on it. Eastwood accepted the condition.
- PatzerThe child in the film, the son of a devout Jehovah's Witness, says "I'm going to go to hell for this," after stealing a Halloween costume. Jehovah's Witnesses do not believe in the concept of hell.
- Zitate
Terry Pugh: [after tearing up phone book upon failing to find his cousin] Must've moved. Probably couldn't have heard him anyway; this goddamn ear's still bleedin'. You ever try that shit again...
Butch Haynes: [sternly] What?
Terry Pugh: [puzzled] ... What?
Butch Haynes: You were in the middle of threatenin' me.
Terry Pugh: [holds up a revolver] Ain't a threat - it's a fact.
Butch Haynes: Here, kid - take the wheel.
[Phillip holds the wheel to steer as Butch turns to face Pugh in the back seat]
Butch Haynes: In two seconds, I'm gonna break your nose. That's a threat.
[Butch punches Pugh in the nose, then picks up the gun as Terry moans]
Butch Haynes: ...And that's a fact.
Terry Pugh: I'm gonna kill you for that.
Butch Haynes: And that's a threat. Begin to understand the difference?
- SoundtracksIda Red
Traditional
Arranged by Bob Wills
Performed by Bob Wills and His Texas Playboys
Courtesy of Bill Mack Productions
Top-Auswahl
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Details
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.130.999 $
- Eröffnungswochenende in den USA und in Kanada
- 8.075.582 $
- 28. Nov. 1993
- Weltweiter Bruttoertrag
- 135.130.999 $
- Laufzeit2 Stunden 18 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1