IMDb-BEWERTUNG
7,1/10
19.935
IHRE BEWERTUNG
Nachdem Königin Elisabeth I. ihm befohlen hat, nicht alt zu werden, kämpft ein junger Adliger mit der Liebe und seinem Platz in der Welt.Nachdem Königin Elisabeth I. ihm befohlen hat, nicht alt zu werden, kämpft ein junger Adliger mit der Liebe und seinem Platz in der Welt.Nachdem Königin Elisabeth I. ihm befohlen hat, nicht alt zu werden, kämpft ein junger Adliger mit der Liebe und seinem Platz in der Welt.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 15 Gewinne & 11 Nominierungen insgesamt
Viktor Stepanov
- Russian Ambassador
- (as Victor Stepanov)
Aleksandr Medvedev
- Russian Sailor
- (as Alexander Medvedev)
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8=G=
"Orlando" is a curiously ravishing series of essays built around an the title character's travel through four centuries and two genders. The film's critical acclaim and awards in contrast with the luke warm IMDB user rating is testimony to the esoterics and queer plot of the film. "Orlando's" artful and elegant presentation features a wonderful performance by Swinton, sumptuous costuming, lush locations, and a screenplay rich in comedic overtones and serious undercurrents. Not for everyone but a wonderful film for the jaded.
What in the world do we gather from this film. Tilda Swinton plays the never aging male/female lord/lady Orlando. Queen Elizabeth I is also played by the "wrong" sex.
When the young lord Orlando inherits the queens estate it's on the promise that he will always stay young and he does. What follows is a biography covering about 400 years and a sex change.
This is indeed a fun look at the roles held by the two sexes during the course of these centuries. Though it does play more or less as a drama it has large shades of comedy as well. For one we have Orlando often throwing a few comments to the viewers about the plot + the ridiculousness of the whole set-up.
Swinton is most certainly up for the challenge here. Portraying the ever changing lord/lady through this most strange journey. With wits and elegance this film comes off as one of the kind and something which should be experienced.
When the young lord Orlando inherits the queens estate it's on the promise that he will always stay young and he does. What follows is a biography covering about 400 years and a sex change.
This is indeed a fun look at the roles held by the two sexes during the course of these centuries. Though it does play more or less as a drama it has large shades of comedy as well. For one we have Orlando often throwing a few comments to the viewers about the plot + the ridiculousness of the whole set-up.
Swinton is most certainly up for the challenge here. Portraying the ever changing lord/lady through this most strange journey. With wits and elegance this film comes off as one of the kind and something which should be experienced.
Stunning picture based on the Virginia Woolf novel about an immortal youth who sees the world from both sexes through the course of four centuries of change. Elegant in all areas especially in the costume design, which is handled by Academy Award winner Sandy Powell (Shakespeare in Love) and decadent design of the whole production. In the title role, Tilda Swinton is strikingly beautiful and brings energy and passion to the character in every scene. Although in a small role, this is Zane's best screen work as Sheimeidine, the "pursuer of liberty." Other stand out performances include Valandrey as a luminous woman whom Orlando adores and Crisp, exceptional early on in the film as Queen Elizabeth I.
Tilda Swinton was born for this role. She IS Orlando. But that preoccupation aside, the first striking aspect of this film is the costumes! It opens on a scene with Orlando in Elizabethan finery, and moves through several historical periods, not least of them 18th Century literary England. That's something to see. The film is, as you would expect, very literary. You don't need to have read the book, but a working knowledge of typical euro-centric history and literature is helpful, I guess. Quentin Crisp plays a perfect Queen Elizabeth, the grotesque Institution herself, opposite Swinton's birdish Orlando. The photography is clear and even luminous at times, and the story moves along quite well--I consistently wondered what would happen. The exploration of gender, while it was obviously "the point", was not overdone, in the last analysis. Our freakish Orlando turns out to be quite human, which is a relief. The film is very well done; Swinton is a rare bird, never boring, and not to be missed.
Being a huge fan of Virginia Woolf, I was apprehensive about the film adaptation of the novel, especially one which lends itself so easily to the printed word (it seems natural to accept Orlando's change in gender within the constructs of Woolf's pastiche of the historical novel, mostly due to her presentation of Orlando's personality as outside of social gender constructions).
I was pleasantly surprised! The central performance from Tilda Swinton, seemed tinged with the awkwardness the male form of Orlando has, which, when Orlando becomes a woman, seem resolved.
Structually the film is strong, making the transitions over the four hundred years more solid than the novel's more subtle approach. The film is also stunning visually. Despite a few moments which seem to ground the film very firmly within the early nineties (Jimmy Somerville as an angel...?!) overall the film is an interesting and fulfilling adaptation of an interesting novel.
I was pleasantly surprised! The central performance from Tilda Swinton, seemed tinged with the awkwardness the male form of Orlando has, which, when Orlando becomes a woman, seem resolved.
Structually the film is strong, making the transitions over the four hundred years more solid than the novel's more subtle approach. The film is also stunning visually. Despite a few moments which seem to ground the film very firmly within the early nineties (Jimmy Somerville as an angel...?!) overall the film is an interesting and fulfilling adaptation of an interesting novel.
Wusstest du schon
- WissenswertesAs Orlando progresses throughout the years, during each new incarnation actress Tilda Swinton's eye color changes.
- Zitate
[speaking in French]
Princess Sasha: You speak French?
Orlando: A bit. But most of the English can't... don't want to speak other languages.
Princess Sasha: But how do they communicate with foreigners?
Orlando: They speak English louder.
- SoundtracksEliza Is the Fairest Queen
Composed by Edward Johnson
Performed by Jimmy Somerville
Courtesy of London Records
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Nhà Quý Tộc Orlando
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.377.643 $
- Eröffnungswochenende in den USA und in Kanada
- 107.030 $
- 13. Juni 1993
- Weltweiter Bruttoertrag
- 5.410.588 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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