IMDb-BEWERTUNG
5,1/10
18.357
IHRE BEWERTUNG
Eine junge schwarze Frau entdeckt, dass ihr Vater ein Samenspender war, und wenn das nicht schon schlimm genug war, ist er weiß.Eine junge schwarze Frau entdeckt, dass ihr Vater ein Samenspender war, und wenn das nicht schon schlimm genug war, ist er weiß.Eine junge schwarze Frau entdeckt, dass ihr Vater ein Samenspender war, und wenn das nicht schon schlimm genug war, ist er weiß.
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- 1 Gewinn & 1 Nominierung insgesamt
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Ted Danson's run on "Cheers" was about over and it looked like he might go exclusively to the big-screen, but "Made in America" ended those hopes pretty quick. African-American high school senior Nia Long learns that she was conceived through artificial means and tries to find out who her real father is. Of course it turns out to be obnoxious car salesman Danson and this is when the comedy starts. Long's mother (Whoopi Goldberg) is really upset with the data, but actually begins to fall for Danson to Long's dismay as she wants Danson to be the father she has never had. The movie goes for comedy for the most part, but then turns dramatically in the final act and this makes the film uneven in many important respects. Everyone is adequate, but the screenplay struggles to succeed and never does really accomplish its goal. Will Smith is particularly good as Long's best friend. 2.5 out of 5 stars.
The movie seems to work better than the premise might suggest. The three leads - Goldberg, Danson and Nia Long, have a nice chemistry between them. Nia Long being particularly lovable as 'their' daughter. There are some good gags in it, although the movie is not overstuffed with them. The decent, heartwarming plot (just the right amount of twists) handles the race aspects with an exemplary ease.
Jennifer Tilly's bit-part was funnier and more successful than Will Smith's.
Made in America is hardly a classic but is worth watching if you like a little maturity in your comedy.
Jennifer Tilly's bit-part was funnier and more successful than Will Smith's.
Made in America is hardly a classic but is worth watching if you like a little maturity in your comedy.
I don't see why so many people are trashing this one. I admit that there's plenty about it that doesn't make any sense, but there's plenty of good humor in it. The best part is the filming of the commercials. Who would have thought that a shoot that goes horribly wrong would produce footage much better than what was intended? Also, Nia Long is BEAUTIFUL. Out of all the films I've seen, I think this one is a hair above average.
I really like this film. It's been on British T.V. almost as many times as Mary Poppins and I'm always glad to see it. There is a chaotic comic chemistry between Goldberg and Danson, but they don't egotistically dominate the film, allowing the charming and funny performances by Nora Long, Jennifer Tilly, Will Smith, Peggy Rea and others to shine. I particularly like Tilly's character, a new age airhead, and her new boyfriend, played by Fred Mancuso, who between them, make stupidity lovable. Everyone gets a fair chance, and they all make the best of it.
Formulaic as it is, Made in America is about racial identity, which is a difficult subject to address in such a frivolous form as romantic comedy, but it manages to more or less avoid cringes and concentrates on the laughs, only giving as much time to story as is necessary to keep everything moving on. Against the odds and thanks to the superb cast this is a good natured film. It harks back to the optimism of the early nineties, and seems strangely innocent, eleven years on.
Formulaic as it is, Made in America is about racial identity, which is a difficult subject to address in such a frivolous form as romantic comedy, but it manages to more or less avoid cringes and concentrates on the laughs, only giving as much time to story as is necessary to keep everything moving on. Against the odds and thanks to the superb cast this is a good natured film. It harks back to the optimism of the early nineties, and seems strangely innocent, eleven years on.
Made in America is directed by Richard Benjamin and collectively written by Marcia Brandwynne, Nadine Schiff and Holly Goldberg Sloan. It stars Whoopi Goldberg, Ted Danson, Nia Long, Will Smith and Jennifer Tilly.
When doing a biology project at school, Zora (Long) notices that her blood group is different from her mothers, Sarah (Goldberg). Having never known her father, Zora learns that she was the product of artificial insemination. Quickly setting off to find out who her father is, it comes as a big shock when it turns out he's tall white car salesman Hal Jackson (Danson), a surprise since Zora and Sarah are black!
Not the most powerful of set ups it has to be said, but in spite of the lowly rating afforded it by many critics and film lovers, it's a sweet and honest affair. Film pins its hopes on the central comedy premise of a white man somehow fathering a black daughter from a black mother. From there it follows a familiar course from the shock and horror born out by the reveal, to opposites at war and on to maybe opposites attracting? This of course only works if the viewer has a soft spot for Danson and Goldberg in the first place, but with them giving it complete gusto, and being a real off screen couple as well, their play off of each other is very easy to warm too. Sure it's contrived, and very treacle based once we land in the final quarter, but the mixing of races aspect has been well handled by the makers and there's some decent comedy moments. It may not be laugh out loud funny, unless you be the type of person who finds Danson astride a runaway elephant funny? But it has its moments and director Richard Benjamin is also enough of a pro to not let the pace sag. Good support comes from Long and Smith, while Tilly is wonderfully memorable as the fitness freak bimbo girlfriend of Danson.
Slight but never less than charming, it's safely recommended to fans of the two principal stars. 6/10
When doing a biology project at school, Zora (Long) notices that her blood group is different from her mothers, Sarah (Goldberg). Having never known her father, Zora learns that she was the product of artificial insemination. Quickly setting off to find out who her father is, it comes as a big shock when it turns out he's tall white car salesman Hal Jackson (Danson), a surprise since Zora and Sarah are black!
Not the most powerful of set ups it has to be said, but in spite of the lowly rating afforded it by many critics and film lovers, it's a sweet and honest affair. Film pins its hopes on the central comedy premise of a white man somehow fathering a black daughter from a black mother. From there it follows a familiar course from the shock and horror born out by the reveal, to opposites at war and on to maybe opposites attracting? This of course only works if the viewer has a soft spot for Danson and Goldberg in the first place, but with them giving it complete gusto, and being a real off screen couple as well, their play off of each other is very easy to warm too. Sure it's contrived, and very treacle based once we land in the final quarter, but the mixing of races aspect has been well handled by the makers and there's some decent comedy moments. It may not be laugh out loud funny, unless you be the type of person who finds Danson astride a runaway elephant funny? But it has its moments and director Richard Benjamin is also enough of a pro to not let the pace sag. Good support comes from Long and Smith, while Tilly is wonderfully memorable as the fitness freak bimbo girlfriend of Danson.
Slight but never less than charming, it's safely recommended to fans of the two principal stars. 6/10
Wusstest du schon
- WissenswertesThe character Hal Jackson was based on Cal Worthington, owner of the Worthington Dealership Group, who often appeared in car dealership commercials with exotic animals.
- PatzerPlacement of fruit in bowl during the love scene. The fruit is kicked out by Sarah's foot, then is neatly back in place moments later.
- Zitate
Hal Jackson: Yeah, I read black literature. Wilt Chamberlain book. Changed my life.
- Crazy CreditsOriginally without extras, the end credits were restarted after Tea Cake tells viewers to stay in their seats before introducing a special performance from Y.T. Style that also saw Sarah, Hal, Zora and Tea Cake join in the fun on stage.
- SoundtracksGo Away
Written by Gloria Estefan (as Gloria M. Estifan) and Lawrence Dermer
Performed by Gloria Estefan
Produced by Emilio Estefan Jr., Jorge Casas, Clay Ostwald
Courtesy of Epic Records
By arrangement with Sony Music Licensing
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Details
Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 44.942.695 $
- Eröffnungswochenende in den USA und in Kanada
- 11.821.326 $
- 31. Mai 1993
- Weltweiter Bruttoertrag
- 104.942.695 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Made in America (1993) officially released in India in English?
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