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Once again, I am amazed that Thomas Gibson did not come to the head of the pack earlier in his career. In this film, Gibson once again demonstrates his ability to grasp a character regardless of sexuality, social status or nationality. Gibson plays a very convincing gay male of the late 20th Century. Tender yet not effeminate, afraid of the basic tenets of love, Gibson's character touches a variety of emotions. Also worthy of praise is Cameron Bancroft's performance. His need to be the heterosexual conqueror as opposed to his best friend's "homosexual conquests" provides dynamics for the relationship that are in many ways unexpected. Bancroft and Gibson's chemistry is apparent from the first scene they appear in together. There are many "panels" in this quilt. From gay relationships to straight relationships; from heterosexual relationships to the exploration of lesbian love; this film travels across the broad spectrum of sexuality while having the story of a serial killer at its core. My only regret is that it took 6 years since its release before I discovered this movie! I look forward to seeing it again and highly recommend it to any fan of Bancroft, Gibson or Director Denys Arcand.

Quirky, brilliant, twisted, dark, inventive, unnerving. This is a wonderful film, extremely well acted and smoothly directed. Moody and atmospheric, death stalks this mixed assortment of oddball lovers, both inside and out. Yet it is not a bleak tale of destruction, but a story of redemption, survival, and finally love. A great job by everybody involved. Top marks!

I first watched this movie in a hotel room with my then boyfriend. I looked all over to own a copy of it, and only found it at 1 BB video store in the early 2000s. So I rented it and told them I lost it. I love this movie. I'd really seen nothing like it before. Most of the gay cinema I'd seen was very trite, pretty boys, lots of nudity, bad acting and little plot. The plot of this movie happens while a serial killer is killing off random women. Usually the serial killer would walk into frame and I would say "that's him" or "that's her" but it didn't even occur to me. It isn't that the mystery is so intricate it's that the plot is going off in so many directions that are interesting while also being slightly distracting. It follows a main character but also his friends, who I actually cared about. They aren't 2 dimensional. There is even a young love interest, a 16 y/o boy who's the main characters biggest fan ever, I won't tell you if they get together or not but the thing is, you really don't care. That's how good the movie is. Usually when watching gay cinema everyone who watches including me wants the main character to find love. I didn't care if he did. He had an interesting journey and took me with him and that was satisfying enough.

There is a serial killer loose in the city killing young women. Various young urbanites exist in this world looking for connections. David McMillan (Thomas Gibson) is a gay waiter tired of acting. His roommate Candy (Ruth Marshall) is a book reviewer who had a fling with him while he was still a 'trainee fag'. David has several friends. Benita (Mia Kirshner) is a dominatrix with psychic powers. Bernie is a creepy civil servant. Kane is a childlike busboy who drives a Porsche. Candy wonders if she should try lesbianism, and she gets hit on by an eager school teacher Jerri (Joanne Vannicola) at the gym. Then again she get hit on by bartender Robert (Rick Roberts).

Based on a play, this Denys Arcand movie has an interesting cast of characters each looking for love. There are explicit sexual subject matters, drugs, and the dark ugliness of the urban life. And always in the background, there is the mystery of the serial killer. It's a great mix of mundane, obscene, desperation, the ugly, and the dark. There are good performances from good actors.

This is a lovely film. I always tell my friends that this is a gentle sex farce. It's not. I keep on forgetting that Love and Human Remains is a brooding, dark movie, full of smart lines, a great looking cast and a lot of intriguing ideas. There's also one of the more spurious serial killer plots of all time. Frankly, there's really only one suspect, and the whole serial-killing as metaphor for moral despair/AIDS is both trite and already dated. So frankly, forget the serial killer aspect of the plot. Watch this film instead for the great way it develops characters - the endearingly heartless gay waiter who's so bored he prefers waiting tables to acting. and the book reviewer who doesn't like leaving her room. There are some lovely scenes, and some cracking lines of quotable dialogue ("Hi Honey, I'm homo!") that make the film a lot more memorable and endearing than it appears. It does Canada no favours though.