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Kuck' mal wer da jetzt spricht!

Originaltitel: Look Who's Talking Now
  • 1993
  • 6
  • 1 Std. 36 Min.
IMDb-BEWERTUNG
4,4/10
31.872
IHRE BEWERTUNG
Kuck' mal wer da jetzt spricht! (1993)
Home Video Trailer from Columbia Tristar
trailer wiedergeben2:00
1 Video
99+ Fotos
Animal AdventureComedyFamilyRomance

Die Hunde können sich in einer 4-köpfigen Familie unterhalten, in der Mama am selben Tag ihren Job verliert, an dem Papa einen Job als Pilot für einen süßen, alleinstehenden Chef bekommt.Die Hunde können sich in einer 4-köpfigen Familie unterhalten, in der Mama am selben Tag ihren Job verliert, an dem Papa einen Job als Pilot für einen süßen, alleinstehenden Chef bekommt.Die Hunde können sich in einer 4-köpfigen Familie unterhalten, in der Mama am selben Tag ihren Job verliert, an dem Papa einen Job als Pilot für einen süßen, alleinstehenden Chef bekommt.

  • Regie
    • Tom Ropelewski
  • Drehbuch
    • Tom Ropelewski
    • Leslie Dixon
    • Amy Heckerling
  • Hauptbesetzung
    • John Travolta
    • Kirstie Alley
    • David Gallagher
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,4/10
    31.872
    IHRE BEWERTUNG
    • Regie
      • Tom Ropelewski
    • Drehbuch
      • Tom Ropelewski
      • Leslie Dixon
      • Amy Heckerling
    • Hauptbesetzung
      • John Travolta
      • Kirstie Alley
      • David Gallagher
    • 48Benutzerrezensionen
    • 18Kritische Rezensionen
    • 26Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 4 Nominierungen insgesamt

    Videos1

    Look Who's Talking Now
    Trailer 2:00
    Look Who's Talking Now

    Fotos115

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    Topbesetzung49

    Ändern
    John Travolta
    John Travolta
    • James Ubriacco
    Kirstie Alley
    Kirstie Alley
    • Mollie Ubriacco
    David Gallagher
    David Gallagher
    • Mikey Ubriacco
    Tabitha Lupien
    Tabitha Lupien
    • Julie Ubriacco
    Lysette Anthony
    Lysette Anthony
    • Samantha
    Olympia Dukakis
    Olympia Dukakis
    • Rosie
    Danny DeVito
    Danny DeVito
    • Rocks
    • (Synchronisation)
    Diane Keaton
    Diane Keaton
    • Daphne
    • (Synchronisation)
    George Segal
    George Segal
    • Albert
    Charles Barkley
    Charles Barkley
    • Charles Barkley
    John Stocker
    • Sol
    Elizabeth Leslie
    • Ruthie
    Caroline Elliott
    • Kid at Schoolyard
    Vanessa Morley
    Vanessa Morley
    • Kid at Schoolyard
    Sandra P. Grant
    • Accountant
    • (as Sandra Grant)
    Sheila Paterson
    • Old Waitress
    Amos Hertzman
    • Pimply Faced Kid
    Mark Acheson
    Mark Acheson
    • Burly Dad
    • Regie
      • Tom Ropelewski
    • Drehbuch
      • Tom Ropelewski
      • Leslie Dixon
      • Amy Heckerling
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen48

    4,431.8K
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    Empfohlene Bewertungen

    4leejjones-92486

    A guilty pleasure

    While this is a bad film and the low point of Travolta's career he would bounce back a year later with Pulp Fiction.I watched this film as a kid and is a guilty pleasure.
    GrantKanigan

    Deeply unsettling, hopelessly inept and really boring.

    At least the second film in this god-awful trilogy had the benefit of being so bad and inappropriate it was unintentionally hilarious. This scattershot, occasionally offensive, always unsettling and very dumb film is one of the most boring cinematic experiences in recent memory. The side plot of dogs, (how'd they score DeVito and Keaton, both of whom were doing much better that Alley or Travolta at this point in their carreers?), is useless; the 'dad is hard at work' subplot is just recycled from the second film, (they even use the same dream gag), and the plot doesn't really exist. And why does everyone keep ragging on Travolta's carreer? Being a pilot is no easy feat!

    Travolta and Alley, who seem to get along in real life, seem to repel each other onscreen; maybe because they're platonically inclined to each other in reality; onscreen they're like two positively charged magnets pushing each other apart. On top of all that, the casual misogyny throughout is grating and extremely distasteful. Dumb, dumb, dumb.
    millennia-2

    Enjoyable and fun... until the ending

    I couldn't resist the temptation, and I found myself liking 'Look Who's Talking Now', even though I knew it wasn't really a... what's the word I'm looking for here... good movie? I think it was because I had gone into it expecting absolutely nothing. It's not the kind of movie that'll change your life, and you'll probably forget you had even seen it the next morning, but it's fun and lightweight, just as films in this genre should be.

    The last week, I've gone a movie watching spree, watching at least eleven films in seven days, and this is probably the biggest treasure out of the bunch, if only because it was so much better than I had hoped. Angela's Ashes, The Running Man, Blow, Memento, Midnight in the Garden of Good and Evil, Empire of the Sun, Paper Moon, Jacob's Ladder, Leaving Las Vegas, Along Came a Spider, The Stand, the list goes on and on, and, of all those films, this is the one that stands out... if you can believe that. Of course it had it's share of flaws, probably more than the rest of those movies combined, but hey, it just added to the fun instead of detract from it.

    I did see Look Who's Talking. I hated it. I hated it with a passion. That was a year ago. Why I hated it, I don't know. I just know that I didn't like it at all. The only reason I rented this movie, it's SECOND sequel, was to see how the series had deteriorated since the first film. Well, if nothing else, it's really improved. I haven't seen the second in the series, but I doubt it could even begin to match the third.

    One can guess that Travolta didn't want to be here. You've gotta feel sorry for the guy. Once one of Hollywood's biggest stars, through the eighties he was reduced to parts in TV movies and bland films like The Experts. He struck box office gold in 1989 with the first Look Who's Talking, and then made a few wrong moves and was right back down at the bottom of Hollywood, even appearing in both of the sequels. Well, if he was bored here, he sure didn't show it. Though his performance seemed to wane a bit towards the end, he was engaging all the way through, and obviously didn't feel as though the material was below him like many actors would've had they been in his position.

    Kirstie Alley, however, is entirely a different story. Never a particulary good actress, you have to wonder how she rose so high into Hollywood's elite, before plunging again after the first Look Who's Talking. Her screen presence here is non existent, and she is about as much fun to watch as this review probably is to read. Though she doesn't bring the whole film down with her, she comes pretty close at times, and for me at least, didn't garner a single laugh.

    As the voices of the two dogs, Rocks and Daphne, Danny DeVito and Diane Keaton fare a lot better than Alley. Given some of the best lines in the film, they add a certain flare to their characters, making us believe that dogs actually can communicate with each other as illustrated here, even if it is clearly not possible. It takes real talent to make the audience believe that. Even if it is just through voice work, chemistry between the two is clearly evident, and you wish they had been given more scenes together, or even seperately. The writers seemed to forget about the dogs for long periods of time and focusing instead of the family, even though the movie was supposed to revolve around the dogs, at least according to the advertising.

    Though she is third billed, Olympia Dukakis has little more than a cameo, given five or six lines at the absolute most. Rounding out the main cast was the two actors who played Travolta and Alley's kids, David Gallagher as Mikey and Tabitha Lupien as Julie. Lupien is funny at times, especially with her obsession with basketball star Charles Barkley, but it's clear that was too young to really know what was going on, and just following the orders of the director. She did have some good lines, and that wide eyed gaze she had is priceless. Gallagher, who was later cast as one of the leads on the television series 7th Heaven, is impressive here, turning in a surprisingly good performance for someone so young. Though his character was shallow and obviously wasn't drawn out much (strange considering he's on screen for most of the movie), he makes good use of the weak material given to him.

    Spread out through the movie were five or six dream sequences. There's only one word to describe them, downright hilarious. Wait, that's two words. Oh well, they were really funny though. I'm not going to go through describing them, you'll have to see them for yourselves, but take my word on it, it doesn't get much funnier than that folks.

    Well, I've spent long enough praising the movie, now to the flaws I mentioned earlier. For one, I don't know if this was the fault of the boom operator or if it was my particular cassette, but the on location audio was dreadful. The voices were muffled and hard to understand, and it weakened the impact of many of the dialogue based jokes. Any chemistry between Travolta and Alley that may have existed in the first Look Who's Talking has vanished. Though many may not agree with me, I put the majority of the blame on Alley, who probably took this role only because of the paycheck.

    The last third of the movie, especially the sappy happy ending, is contrived beyond belief and not the least bit funny. It's as if the producers hired a seperate writer for the ending, the style is that much different from the rest of the movie. The songs are unimaginably bad. Well, it's not so much the songs, but the obtrusive way they were edited in, with the audio levels at least 50% higher than the rest of the movie. I'm not going to drone on and on, like I already have, so I'll end this quick.

    Look Who's Talking Now is a surprisingly entertaining little movie, easily better than the lackluster first entry, just don't go in expecting too much (which shouldn't be too hard given the horrible reviews and low IMDb rating), because you're bound to be disappointed.

    7.5/10
    3TBJCSKCNRRQTreviews

    The series hits rock bottom, but hey, it wasn't that far a drop

    Well, at least this was the last they made(*no*, Hollywood, that was *not* a dare). In that they had run out of different genders of children to give celebrity voices to, they turned to the pets. This time, they give the family two dogs, one of each gender, give them each a voice and lets the kids rest their inner voices. Why is it that infants, right from the womb(which we, again, see, because there apparently can not be an entry in this franchise without that), have the voice of people who are about middle-aged, give or take a handful of years or so? Apparently, even dogs. Oh well, at least these two actors, DeVito and Keaton, aren't too bad(not that I had a problem with Willis, at least as an actor), and the former's voice fits rather well for a canine. Take that any way you want. At least Roseanne is gone... but they make efforts to make Julie as annoying without her, having her tell knock-knock jokes so lame that even the parents would ask her to stop... she also apparently fantasizes about beating Charles Barkley, who must have liked the part, as he did the same thing again three years later, in Space Jam. Dukakis shows up again, in what can only be loyalty(in a film with dogs as main characters, how fitting). Heckerling neither wrote nor directed this... when the very *creator* of a franchise steps down, you ought to know there's something wrong. There is no trace left of any charm the series ever had(which was all found in the first). I would say that the franchise by this point just has overstayed its welcome, but it could be argued that it achieved that before the end credits of the original film. More nightmare sequences, this time being ridiculous(a first for the series; usually, they were just misplaced and more unsettling than anything a young child should watch). The main conflict is essentially rehashed from the first two, only dumbed down. Lysette Anthony shows up, her acting performance being at the same level that it was in Trilogy of Terror II(that would be poor). This film will insult the intelligence of anyone beyond the age of seven, but some of the humor remains above what they will(or should) understand, or ought to watch. The very ending was almost too much. I recommend this to people who like dogs, and men attracted to Lysette. 3/10
    5nicommoreno

    good movie for family

    good family movie to watch on a Sunday evening full of goodness with talking dogs and this time the kids can talk for them selves also the wife is very paranoid about her husband so it ends up like bit of fights in her dreams Gangtok dogs bogs photogenic none flapping Sedgwick fisticuff this movie is great superb amazing fantastic outstanding dog fun for many people i would recommend this movie for a family of 3 or more so you can sit on your couch while the fire is on to enjoying a good comedy plus the mum(British term) and dad are the same actors so there cannot be any confusions an if any parents think this is bad for there child's life about finding out that Santa is a fake it shows you at the end that there is a Santa clause

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    Handlung

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    • Wissenswertes
      When Mollie (Kirstie Alley) is working as a mall elf, she says to a girl waiting in line "No, I'm a Vulcan." This is an obvious reference to Alley's memorable movie debut in Star Trek II - Der Zorn des Khan (1982) where she played Vulcan Lieutenant JG Saavik.
    • Patzer
      At the beginning of the movie when the parents are putting the children to bed, the window at the end of the hallway shows that it is still daytime.
    • Zitate

      [Daphne and Rocks are starting at each other]

      Julie Ubriacco: Look! They like each other!

      James: [to Mollie] See honey, they like each other.

      Daphne: Mongrel.

      Rocks: Bitch.

    • Alternative Versionen
      The music video "It's Christmas, C'est Noel" starring by Jordy Lemoine and the movie main stars during the end credits, was deleted on DVD editions, being replaced for a classic end credits roll with "Sleigh Ride" as musical score.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Flesh and Bone/RoboCop 3/Look Who's Talking Now/A Home of Our Own/The War Room (1993)
    • Soundtracks
      Hound Dog
      Written by Jerry Leiber & Mike Stoller

      Performed by Elvis Presley

      Courtesy of The RCA Records Label of BMG Music

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 17. März 1994 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Mira quién habla ¡ahora!
    • Drehorte
      • Vancouver, British Columbia, Kanada
    • Produktionsfirma
      • TriStar Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 22.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 10.340.263 $
    • Eröffnungswochenende in den USA und in Kanada
      • 4.022.570 $
      • 7. Nov. 1993
    • Weltweiter Bruttoertrag
      • 10.340.263 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 36 Minuten
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.85 : 1

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