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Das Wunder von Macon

Originaltitel: The Baby of Mâcon
  • 1993
  • 16
  • 2 Std. 2 Min.
IMDb-BEWERTUNG
6,9/10
5235
IHRE BEWERTUNG
Das Wunder von Macon (1993)
Dark ComedyPeriod DramaDramaHistory

Füge eine Handlung in deiner Sprache hinzuPlagued with infertility, the inhabitants of Mâcon are naturally involved in the spectacle that is a masque about the miracle child born to a virgin mother.Plagued with infertility, the inhabitants of Mâcon are naturally involved in the spectacle that is a masque about the miracle child born to a virgin mother.Plagued with infertility, the inhabitants of Mâcon are naturally involved in the spectacle that is a masque about the miracle child born to a virgin mother.

  • Regie
    • Peter Greenaway
  • Drehbuch
    • Peter Greenaway
  • Hauptbesetzung
    • Julia Ormond
    • Ralph Fiennes
    • Philip Stone
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    5235
    IHRE BEWERTUNG
    • Regie
      • Peter Greenaway
    • Drehbuch
      • Peter Greenaway
    • Hauptbesetzung
      • Julia Ormond
      • Ralph Fiennes
      • Philip Stone
    • 44Benutzerrezensionen
    • 24Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 2 Nominierungen insgesamt

    Fotos28

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    Topbesetzung33

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    Julia Ormond
    Julia Ormond
    • The Daughter
    Ralph Fiennes
    Ralph Fiennes
    • The Bishop's Son
    Philip Stone
    Philip Stone
    • The Bishop
    Jonathan Lacey
    • Cosimo Medici
    Don Henderson
    Don Henderson
    • The Father Confessor
    Celia Gregory
    • The Mother Superior
    Jeff Nuttall
    • The Major Domo
    Jessica Hynes
    Jessica Hynes
    • The First Midwife
    • (as Jessica Stevenson)
    Kathryn Hunter
    Kathryn Hunter
    • The Second Midwife
    Gabrielle Reidy
    • The Third Midwife
    Frank Egerton
    • The Prompter
    Phelim McDermott
    • The First Tutor
    Tony Vogel
    Tony Vogel
    • The Father
    Tatiana Strauss
    • The First Nun
    Louisa Milwood-Haigh
    • The Second Nun
    Anna Nieland
    • The Wetnurse
    Graham Valentine
    • Famine
    Diana Van Kolck
    • The Mother
    • Regie
      • Peter Greenaway
    • Drehbuch
      • Peter Greenaway
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen44

    6,95.2K
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    Empfohlene Bewertungen

    acejase

    Poetic Cinema in its purist form

    This film is simply a masterpiece, the ultimate experience in visual poetry. If I didn't think Greenaway was a master film maker before, I certainly did after viewing The Baby of Macon.

    His use of the Camera is stunning, I believe it is the closest thing to perfection in reference to the Camera, Actor and Stage. There were so many moments of genius throughout the Film that I was overwhelmed and had to see it a second time to soak it all in.

    He has captured the era, the aura, the atmosphere of the subject better than anything I have seen before. The script was a work of Art, the blending of Vulgarity and Beauty, from the spoken word to the lavish colours and movement captured on Film, a true masterpiece in every sense of the word.

    Yes, I highly recommend this Film, it has volumes to say, if you desire a deeper, fulfilling feast of mind and heart. Everything a Greenaway fan could want, and more.
    shierfilm

    Theatre of Life

    Oh, the humanity! I have deep admiration for the man that is Greenaway. The Baby of Macon is a masterwork that is really above criticism. The imdb reviews are pretty much what I would expect from people who live by the credo "ignorance is bliss". They are shocked. They are apalled. They are horrified. How can this film be viewed as anything less than indulgent maniacal trash, they say.

    Well, of course, they must be correct. After all, with all the nudity and curt cursed characters who exist in a red world of servants and oblivious royalty embroiled in seemingly pointless situations.....

    Huh?

    To sum up, come to Greenaway when you're ready for him. He is so far ahead of modern cinema that he'll be dead 60 years before people start to call him the greatest filmmaker of all-time.

    And the nudity? All you "appalled" juveniles are just upset that it is unerotic. You sick perverts.
    bob-502

    Best movie of 1993

    Easily eclipsing The Cook, the Thief, His Wife, and Her Lover as Greenaway's masterpiece. Ormond and Fiennes have never been better. Makes the other films released that year (The Firm, Sleepless in Seattle) look like lukewarm consomme at a spinsterish teaparty. Most powerful and horrifying rape scene since Bergman's The Virgin Spring. Surprised the Christian Coalition hasn't tried to get it banned: full frontal male nudity, infanticide, gang rape. What blood-and-thunder Elizabethan melodrama is all about.
    10magstarted

    What is ultimately a Stage Epic....

    I'm surprised at the common interpretations of this film, and I agree it is incredibly gratuitous in it's manner, but it also reflects that of a modern crisis. Greenaway based this film on his witnessing of the virtual exploitation of youth in mass commercialism, from television to that of city billboards.

    The story revolves around an infant who is exploited by a young woman, ultimately for attention, by claiming the child as being holy and that God speaks through him (the voice being that of a man plainly seen, hidden up near the rafters. Quite brilliant production settings I think). What begins as a sudden rise to fame for her soon starts to unravel leading to an eventual murder, and her quick descent into hell (as explained by the other reviewers).

    The production values are simply superb in it's theatre settings with either minimalist action and wonderful dialogue, or a stage filled with constant movement and flair, (and wonderful dialogue). The subdued, yet bright colour's throughout, and morbid setting's reflect perfectly that of an intoxicating period of history, and really makes one glad that they dont exist in this corrupted, horrific environment. As said elsewhere, you can almost smell the stench.

    The acting is absolutely brilliant, from Ormond as the child's disturbed mentor to her eventual lover "The Bishop's Son" Fiennes. I truly can't understand how one of the reviewers would consider this to be a low point for Fiennes, as, if I were in his position, I would be truly proud of the performance given and the content of this wonderful film. It's morbid, but gives much at the same time to the imagination.

    It's a shocking film nearly all the way through but I think that's just one of the factors that contributes to it's success and it's portrayal of a truly bloody and socially immoral period of time and context (especially for the classic theatre settings) Any other way would have detracted from the subject. The ending has never left my mind. I love this film.

    10/10.
    7HumanoidOfFlesh

    Great arthouse drama.

    Peter Greenaway is one of the most unique directors at work in cinematic arthouse today.He made several truly original movies like "The Falls"(1980),"A Zed and Two Noughts"(1985),"The Pillow Book"(1997) etc."The Baby of Macon" is pretty demented with the scenes of cannibalism,incest,rape and gore.The film is difficult,challenging,brutal and darkly beautiful.A baby is born from a supposed virgin woman,so a chain of hysteria about divine intervention in the birth takes place.The scene when stunningly beautiful Julia Ormond is gang-raped is really hard to watch-it is not graphic,but her agonizing screams are quite convincing.Highly recommended if you want to see totally challenging piece of art.

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    • Wissenswertes
      Director Peter Greenaway has said that one of the sources of inspiration for the film was the banning of the Benetton advertising poster campaign in the UK that featured pictures of a newborn baby, covered in blood and still attached to its umbilical cord. An outcry caused the posters to be removed. "What is so horrible about a newborn baby?" Greenaway wanted to know. "Why is that image (one that is seen many times a day in hospitals all over the country) so unacceptable, when much more horrific images are presented on television and the cinema, featuring murder and rape, but glamorized and made safe?" Thus Greenaway set out to make a film featuring murder and rape in which "nothing was glamorized and nothing was safe".
    • Alternative Versionen
      Finnish video version is cut by 1 minute 14 seconds.
    • Verbindungen
      Featured in The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004)
    • Soundtracks
      L'Orfeo
      Composed by Claudio Monteverdi

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    Details

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    • Erscheinungsdatum
      • 11. November 1993 (Deutschland)
    • Herkunftsländer
      • Niederlande
      • Frankreich
      • Vereinigtes Königreich
      • Deutschland
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Baby of Mâcon
    • Drehorte
      • Köln, Nordrhein-Westfalen, Deutschland(Studio)
    • Produktionsfirmen
      • Allarts
      • Union Générale Cinématographique (UGC)
      • La Sept
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      2 Stunden 2 Minuten
    • Seitenverhältnis
      • 1.66 : 1

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