Mutant City

This movie just goes to prove that most anime or manga "A" titles do not translate well to live action. Taken from the Anime of the same title (or AKA Supernatural Beast City) by Kawajiri Yohiataki, it lacks the visceral punch of the original. I was sorely disappointed with the "soft-core" shots and "soft-core" action. It coulda been a contenda...

I just watched the anime and live-action versions of "Wicked City" back-to-back, and find it almost impossible to believe that they were based upon the same source material.

The original, Japanese animated version of "Wicked City" was a wildly original blend of supernatural horror, film noir, and secret agent adventure. It's tale of humans and demons battling on earth was really compelling, thanks to some interesting characters (the MIB-like Black Guard) and visuals (a spider-woman assassin, demons whose severed body parts continue to do battle).

The Tsui Hark-produced live action version virtually jettisons everything plot-wise that the anime version built up. The setting is Hong Kong instead of Tokyo, instead of supernatural demons, the villains are alien "Reptoids" (whose origins remain murky). Whereas the anime version drew energy from the conflict/romance between the partnering of the male human agent and the female demon one, plus an impending showdown between the two worlds, the Hong Kong version is more like a modern mafia drama with its multi-leveled relations and betrayals, only that the mobsters are shape-shifting reptillian monsters.

The film begins promisingly enough with what initially promises to be a scene-by-scene recreation of the prostitute/spider woman attack that opens the animated version. Before the segment ends, you already get the sense that something is amiss.

A couple of other visuals are swiped from the animated version: the lead agent's big gun, the female reptoid has laser-like claws that pop out of her hand like the demon-world female agent in the anime.

After that, everything is different - the plotting, character dynamics, everything.

Judged on its own merits, "Wicked City" has some impressive (though low-budget) special effects, an interesting visual style and decent fight choreography. However, I would take the animated version over this film any day.

The Reptoids, an alien species from beyond rule the future. They live amongst the human populace. Intelligent, urbane, charming, aggressive...and malevolent by nature... They control most of the international economy, and unknowingly to the people, the Reptoids manipulate most of the human race...

Throughout the city streets in Tokyo and Hong Kong, a lethal new drug is being distributed under the incognito known as the "Happiness." This drug promises the ultimate pleasure, the ultimate high...but it will lead to the ultimate demise...

Detective Taki (Jacky Cheung) has his hands full dealing with a series of drug related deaths. The police department also happens to be breathing down his neck. Taki is assigned to keep a surveillance over a enigmatic entrepreneur (Tatsuya Nakadai) who may hold the key to unlocking this entire riddle. This opulent entrepreneur though may in fact, be one of the Reptoids...and the "Happiness" drug is the Reptoids' method of preempting the human race, bringing them down to their knees... Only Taki, and his new partner, Ken (Leon Lai) can thwart the Reptoids' sinister plans for world domination...

Double-crossing, deception, and malediction are the name of the game as the stakes are rising.. Taki may very well realize that his partner is not who he claims to be. As well, a gorgeous woman (Michelle Reis) whom Taki has encountered before enters his life one more time...but why now?

I am a huge fan of Hong Kong cinema, and this film is no exception. WICKED CITY (The Cantonese title is YAO SHOU DU SHI) is one of East Asia's proudest pieces of work. This movie has an amazing exhibition of imaginative and mind-blowing special effects ever witnessed, especially for a film that was not made in Hollywood. The film makers throw in everything for this movie from martial arts, car chases and flying acrobats to lasers, metamorphosing creatures, liquid fiends, reptilian demons, and a humanoid pinball machine! There is even an incredible climactic confrontation aboard a moving passenger jet. Also, the dazzling and sparkling Michelle Reis adds a provocative edge to this emotionally pervasive film. Her beauty and grace are powerful enough to hypnotize the entire audience, thereby stealing the show from the two leads. Strong special effects, fine set designs, and a sexy leading lady highlight this formidable sleeper hit.

WICKED CITY was created to capture the visceral nightmarish flair of a fast moving anime. The intensity and sheer momentum in this film packs a wallop! The action sequences moves at a razor sharp pace and the surrealism of this film is omnipotent. This movie features some of the most startling (and definitely grotesque) creatures as well. The array of bestial monsters will paint an indelible picture in your mind after finishing the movie.

A stylish, science-fiction future noir for the next millennium! WICKED CITY contains the components of a future noir including a hard edged detective full of asperity, a beautiful mystery woman with a past, a bleak atmosphere, deviant camera angles, and flashbacks. Excellent characterization, magnificent cinematography, and a surprisingly abundance of plot twists make WICKED CITY a worthwhile pearl to collect. The brilliant imagery and predatory mutants propel this film several notches above the typical Hong Kong action film.

As a future noir, WICKED CITY is a heart-stopping ride descending into a apocalyptic world where time has no meaning...and life may hold no value... Certainly a fiendish, brutal vision of a future where humankind is in crisis. Director Tai Kit Mak did a great job adapting the famous Japanese manga as a big screen show where the objectives of good and evil are not always clearly defined...

For a precaution, DO NOT even bother trying to decipher a plot. Just sit back and prepare to be blown away by the most dizzying collection of special effects ever seen! While this movie is energetic and lively...just do not bother to have credibility and logic as top priorities... WICKED CITY is thoroughly wicked indeed, deserving all types of encomium with a wildly original concept.

RATING: *** out of ****.

WICKED CITY is a crazy Hong Kong slice of sci-fi action based on a Japanese manga and anime. It takes the wackiness of the 1990s craze of wuxia epics and transfers it to a contemporary or futuristic setting where monsters in human disguise roam the city and integrate with society. The film hits the ground running and throws you in at the deep end, trying to keep up with a fast-moving plot involving a war between cops and monsters that never makes entire sense.

It's bizarre stuff indeed and completely schlocky from beginning to end. Old dependables Leon Lai and Jacky Cheung play two cops hoping to avert an all-out war between humankind and monsters but the main emphasis of the film is on insane action sequences which have been inspired by TERMINATOR 2: JUDGMENT DAY. Thus we get scenes of characters being chased around by 'liquid monsters' and even a laughable attempt to copy the motorbike-out-of-the-window shot in the Cameron film.

Of course, the Cameron movie didn't have any scenes of long-limbed monsters wreaking havoc in hotel rooms or the absolutely bizarre, random interludes seen here. It's pretty poor stuff, it has to be said, and the direction and editing is very choppy, but I enjoyed it regardless, although perhaps on a so-bad-it's-good level. Given it's a 1990s Hong Kong film, the main guys entangle with a sexy femme fatale, here played by Macau-born actress Michelle Reis. The familiar-looking sergeant is none other than Yuen Woo-ping. Bad guy Roy Cheung starred in the PRISON ON FIRE movies. Best of all is Kurosawa veteran Tatsuya Nakadai who bags a great support role and is effortlessly cool as always.

This movie rarely pauses to let you catch your breath (or figure out the plot) before another onslaught of stylish action wierdness happens. Like Jackie Chan's CITY HUNTER, this is a Hong Kong adaptation of a Japanese manga (comic) which would explain all the tentacle monsters in the movie (a particular Japanese obsession). I couldn't follow the plot but this film is so manic and overloaded with bizarre wham-bang special effects that only the most jaded of fans could dislike it.