Füge eine Handlung in deiner Sprache hinzuDisgraced detective Tony fakes evidence in divorce cases, implicates wife in Stasio affair. Stasio and wife shot dead in hotel. Tony's ex-partner Frank investigates, suspects inheritance-see... Alles lesenDisgraced detective Tony fakes evidence in divorce cases, implicates wife in Stasio affair. Stasio and wife shot dead in hotel. Tony's ex-partner Frank investigates, suspects inheritance-seeking mistress Angeline and inconsistent Tony.Disgraced detective Tony fakes evidence in divorce cases, implicates wife in Stasio affair. Stasio and wife shot dead in hotel. Tony's ex-partner Frank investigates, suspects inheritance-seeking mistress Angeline and inconsistent Tony.
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A few minor shortcomings have already been noted, such as the use of Brighton locales in 1990 that had changed since 1959 and the up-market house in a setting that was nothing like Sussex (it was in Portmeirion, apparently).
In retrospect the opening scenes seemed implausible - a policeman undertaking surveillance leaving his post for a, extedned sex session with the target's wife.
But the film really fell to pieces in the last 15 minutes or so, with the frenetic house search, that frantic last-second dash to the prison and the later encounter in the prison courtyard that would never have been allowed in real life.
The ultimate twist was a jaw-dropper and made me think back to see if the actions that it revealed could have actually happened. Perhaps watching the film again would enable some of the loose-fitting pieces in the plot jigsaw to mesh, but I have my doubts.
I guess I must invest in a DVD player that can show region 1 and I can enjoy this movie again.
Unfortunately not out on DVD in the UK which should be rectified.
Set in England in 1959-60, Neeson plays an police officer, Tony Aaron. While on assignment with his partner Frank guarding the home of a wealthy man who is out of town, Tony takes time out to have a dalliance with the owner's wife. In the fray that erupts when he's nearly caught by her husband, another officer is killed. Tony is pressured to resign and when he leaves, he only has one friend left - his partner Frank. Tony becomes a low-life private detective who helps clients fake adultery in order to have grounds for divorce. To do this, Tony uses his own wife, Hazel, the woman of the above dalliance, as the "other woman." One night, he does the usual thing of entering the hotel room with a camera and surprising the client and Hazel in bed when he discovers that both have been brutally murdered. He immediately becomes a suspect, though he trails along with his ex-partner during the investigation and discovers some other suspects - not only who had a reason to knock off the artist, but who had plenty of reason to frame Tony for the crime.
This is a very well produced and directed film with brilliant construction. The detail in evoking the atmosphere of the late '50s is wonderful, and if there were ever a film that deserved a "best costumes" nomination for an Oscar, this is it.
The acting is all around very good, with a good deal of the film's budget going to Liam Neeson, who back then was a prolific actor two years from superstardom. Neeson is terrific as a loser who has made one mistake after another so that a noose around his neck seems appropriate. Yet there's something likable about him, and earnest, too, so that the audience feels that though he may not have been able to keep his pants zipped, at heart he's not a bad guy. Laura San Giacomo, who has enjoyed an okay film career but is now best known for her work in the TV series "Just Shoot Me" is very effective as the mysterious mistress whom Tony suspects may have had something to do with her boyfriend's murder. Kenneth Cranham, a very familiar face in British productions, is excellent as Tony's loyal ex-partner, who risks his own job protecting his friend. An absolutely gorgeous woman, Alphonsia Emmanuel, plays Stasio's wife and does a good job in a role that, were she not so beautiful, would probably not have been noticed.
Any film that has me yelling out loud at the screen at 3 a.m. is a good movie in my book. That's the level of suspense that "Under Suspicion" has - if you have a weak heart, take medication first. It's absolutely thrilling.
Actually, that twist is something you have to ponder to determine whether it makes sense. I am not sure it did. You'd have to watch this again soon and check on a few things. It's either very clever or its totally unfair to the viewer, which is why I kept it at an '8."
It's nicely photographed and I bet it looks much better on a widescreen DVD than on the tape I viewed it on in the '90s. Liam Neeson and Laura San Giacomo star. I was familiar with the latter from the film, "Quigley Down Under." She's much more appealing in that film than this one. Neeson is almost always interesting to watch.
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- WissenswertesPatrick Bergin dropped out playing the male lead due to creative differences. Liam Neeson was eventually cast in his place.
- PatzerSet in the late 1950s, a pair of 1980s British Telecom phone booths are visible immediately after the opening sequence as Tony Aaron steps out of his car.
- Zitate
Tony Aaron: Why did you stay with him, with Stasio? If he was so awful, why did you stay with him? Huh?
Angeline: Can't believe you're cross-examing me while we're making love.
- SoundtracksCHRISTMAS ISLAND
Performed by Dickie Valentine (as Dicky Valentine)
By courtesy of The Decca Record Company Ltd
Written by Lyle Moraine
Copyright Northern Music Company
Licensed by MCA Music Publishing
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Under Suspicion
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 221.295 $
- Eröffnungswochenende in den USA und in Kanada
- 47.349 $
- 1. März 1992
- Weltweiter Bruttoertrag
- 221.295 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1