IMDb-BEWERTUNG
6,4/10
20.668
IHRE BEWERTUNG
Ein Einbrecher hält Karen ein Messer an die Kehle, während ihr Mann nichts unternimmt. Das Paar freundet sich schließlich mit dem Polizisten an, der kommt.Ein Einbrecher hält Karen ein Messer an die Kehle, während ihr Mann nichts unternimmt. Das Paar freundet sich schließlich mit dem Polizisten an, der kommt.Ein Einbrecher hält Karen ein Messer an die Kehle, während ihr Mann nichts unternimmt. Das Paar freundet sich schließlich mit dem Polizisten an, der kommt.
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Unlawful Entry along with Breakdown is another Kurt Russell film which is excellent yet doesn't receive the highly acclaimed fanfare. Actually this movie has two main stars (Russell and Ray Liotta) who are pitted against each other, resulting in a very interesting and intense emotional roller coaster.
What makes this movie great is that it has 2 actors who are very good at portraying emotional characters. Russell and Liotta are rivaled by none in depicting characters of struggle, grit,intensity and emotion. The films script and directing by it's producer Jonathan Kaplan is perfect.
Without a doubt there is something about Liotta's eyes, when he speaks, they have emotion written all over them. After watching this movie you feel that even though Liotta's character of Officer Pete Davis was initially a functioning member of society, without a doubt this guy has some serious issues and probably isn't working with a full deck. The scene where he has sex in his police cruiser with the female he earlier stopped for a ticket is almost astonishing and very eerie. This is an indication of this films mood and tone.
Russell meanwhile excellently plays his role as a husband who is struggling dealing with a policeman who; going with his instincts, is a little "off". Madeleine Stowe comes off perfect as his sexy and sultry wife who innocently is unsuspecting in realizing officer Davis's true intentions.
Without a doubt Unlawful Entry is about Michael Carr(Russell)VS Pete Davis. They square off in various ways culminating with a memorable physical confrontation at the end. One scene of note is when Officer Davis responds to the Carrs home on a hoaxed security system call. Officer Davis walks into the couples bedroom holding a flashlight during a lovemaking session and Russell fires off to him "Get the bleep outta my house!!". Later he warns his wife that "this guy is sick and he's after you". Incredibly at the onset Madeleine (Mrs Carr) doesn't believe so.
If you like a fast moving suspenseful thriller then Unlawful Entry has a lot in store for you. Director Jonathan Kaplan treated me to a classic with this score. One of Kurt Russell and Ray Liotta's best films, and neither one are shabby actors. In fact both are 2 of my favorites because they have a way of bringing to life the characters they play. Check this film out.
What makes this movie great is that it has 2 actors who are very good at portraying emotional characters. Russell and Liotta are rivaled by none in depicting characters of struggle, grit,intensity and emotion. The films script and directing by it's producer Jonathan Kaplan is perfect.
Without a doubt there is something about Liotta's eyes, when he speaks, they have emotion written all over them. After watching this movie you feel that even though Liotta's character of Officer Pete Davis was initially a functioning member of society, without a doubt this guy has some serious issues and probably isn't working with a full deck. The scene where he has sex in his police cruiser with the female he earlier stopped for a ticket is almost astonishing and very eerie. This is an indication of this films mood and tone.
Russell meanwhile excellently plays his role as a husband who is struggling dealing with a policeman who; going with his instincts, is a little "off". Madeleine Stowe comes off perfect as his sexy and sultry wife who innocently is unsuspecting in realizing officer Davis's true intentions.
Without a doubt Unlawful Entry is about Michael Carr(Russell)VS Pete Davis. They square off in various ways culminating with a memorable physical confrontation at the end. One scene of note is when Officer Davis responds to the Carrs home on a hoaxed security system call. Officer Davis walks into the couples bedroom holding a flashlight during a lovemaking session and Russell fires off to him "Get the bleep outta my house!!". Later he warns his wife that "this guy is sick and he's after you". Incredibly at the onset Madeleine (Mrs Carr) doesn't believe so.
If you like a fast moving suspenseful thriller then Unlawful Entry has a lot in store for you. Director Jonathan Kaplan treated me to a classic with this score. One of Kurt Russell and Ray Liotta's best films, and neither one are shabby actors. In fact both are 2 of my favorites because they have a way of bringing to life the characters they play. Check this film out.
Unlawful Entry is a tense, uncomfortable home invasion thriller where the intruder is the one person who should protect you from that sort of thing: a police officer. It's a perfect concept for a thriller and here its executed to spine tingling effect, through great performances and an intimately hair raising atmosphere. Kurt Russell and Madeleine Stowe play a well to do yuppie couple whose house is broken into by a petty thief one night. The officer who answers their call the next day (Ray Liotta) is friendly, helpful and goes out of his way to ensure that a security system is installed and that they feel safe. His kindness takes a creepy turn though, when he sets his sights on beautiful Stowe, Russell's wife. He gets scarier and scarier, eventually becoming totally unhinged and zoning right in on her with volatile lust and unhealthy sociopathic obsession that tears all three lives apart. Liotta is scary good, and his eerie transformation from likable upstanding guy to violent stalker madman is something from a nightmare. Some scenes are downright nasty to keep your eyes on, and you really feel sick watching Stowe get exposed to this cruelty. She's darkly radiant as always though, and Russell shows fear and fury in an awesome role that isn't an easy one to play. Domestic thrillers are a dime a dozen, and often can descend into seedy melodrama, but this one takes the high road and uses genuine skill and well orchestrated tension to glue us in our seats.
Unlawful Entry is by no means a great film; not even by genre standards, but it still stands out as a more than adequate example of the genre, and aptly portrays the basic thriller tradition. Next to thrillers from the same period; films like Basic Instinct, Unlawful Entry may seem a little tame, but as it puts the focus on its trio of central characters, the film becomes more interesting than it would have if experienced director Jonathan Kaplan had tried for more action and sex scenes. The film portrays the frightening idea of someone 'above the law' abusing their power for their own means, and does this through police officer Pete Davis. The action centres on married couple Michael and Karen Carr, who call the police one night after a thief breaks in and holds the wife to knife point. However, it turns out that they've actually made things worse for themselves as the officer sent to the house takes a liking to Karen, and thus makes it his business to infiltrate their relationship and try to take Michael's wife for himself...
It has to be said that the film doesn't offer much in the way of surprises, as the plot is purely formulaic and can be likened to any number of similar films, but somehow the familiarity of the plot gives it something of a relaxed feel, and while experienced movie watchers will feel that they've seen it all before, the film is carried off with enough panache to see it through. Unlawful Entry relies a lot on its actors, and the three at the centre of the story manage to deliver worthwhile performances. Kurt Russell gets toned down in his role as the unlucky husband, while Madeleine Stowe doesn't get to do any heavyweight acting, but at least looks nice. The pair doesn't really have any chemistry together, which is a shame and brings the piece down - but this is offset by a conniving Ray Liotta, who manages to get under the skin despite looking a bit like David Hasselhoff. The film is always interested, but never really intriguing; although the plot does work well and the ending is fitting in context. Overall, this is not great or a must see film; but its decent enough and I don't regret watching it.
It has to be said that the film doesn't offer much in the way of surprises, as the plot is purely formulaic and can be likened to any number of similar films, but somehow the familiarity of the plot gives it something of a relaxed feel, and while experienced movie watchers will feel that they've seen it all before, the film is carried off with enough panache to see it through. Unlawful Entry relies a lot on its actors, and the three at the centre of the story manage to deliver worthwhile performances. Kurt Russell gets toned down in his role as the unlucky husband, while Madeleine Stowe doesn't get to do any heavyweight acting, but at least looks nice. The pair doesn't really have any chemistry together, which is a shame and brings the piece down - but this is offset by a conniving Ray Liotta, who manages to get under the skin despite looking a bit like David Hasselhoff. The film is always interested, but never really intriguing; although the plot does work well and the ending is fitting in context. Overall, this is not great or a must see film; but its decent enough and I don't regret watching it.
I remember seeing this film in theaters in 1992 at the tender age of 12, and I can recall now how frightened I was. That just goes to show the professionalism involved in this first-rate thriller. When a cop is on your back, what are you gonna do? Call the cops? Hmmmm....Kurt Russell and Madeleine Stowe struggle to find that answer here. Ray Liotta has never been creepier. Kurt Russell shines yet again in a role balancing the everyman we can relate to and the hero we cheer for in the end. One of the best thrillers of the 1990s.
When I first watched this film, I could not help but marvel at how brilliant Ray Liotta was at his role. Even though Kurt Russell and Madeleine Stowe both gave very good performances, it is Ray Liotta that stands out the most. I found that the transition that Liotta made between playing a nice guy to an obsessed and jealous psycho was absolutely outstanding.I believe he deserved an award for his exceptional performance. Not many actors could pull off a performance like Liotta did. Overall I felt that this film was a well thought out thriller, and was well cast. It definitely deserves the credit it gets. I would thoroughly recommend this film to anyone who enjoys a good thriller.
Wusstest du schon
- WissenswertesKurt Russell and Madeleine Stowe refused to use body doubles for their sex scene.
- PatzerWhen Michael is speeding home in his lawyer's car, a motorcycle cop starts chasing him, and follows him all the way home. So why didn't he pursue him straight into the house? Presumably, the lawyer must have explained what was going on, but it took an unrealistically long time for the cops to show up.
- Zitate
Officer Pete Davis: [after giving the wrong answer to the security company] What's the password, Michael?
Michael Carr: Figure it out yourself, asshole. Seven letters.
[Chuckles]
Michael Carr: Fuck you.
- Alternative VersionenThe Indian theatrical version made cuts by the CBFC to remove...
- Reduce by 50% the visuals of love making in car by the police officer and the prostitute especially deleting the visuals of bare breasts and movements (Length Retained: 22.00 ft).
- Reduce by 50% the visuals of love making by couple in the bathroom by deleting the visuals of lifting of gown and putting his head on belly (Length Retained: 18.00 ft.)
- Reduce by 50% the visuals of love making by couples especially deleting the total nudity and copulation (Length Retained: 20.00 ft.) ...for an 'A' (restricted to adults) certificate.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Obsesión fatal
- Drehorte
- 546 Wilcox Avenue, Los Angeles, Kalifornien, USA(Carr Residence)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 57.138.719 $
- Eröffnungswochenende in den USA und in Kanada
- 10.067.609 $
- 28. Juni 1992
- Weltweiter Bruttoertrag
- 57.138.719 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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