Als eine weltliche Sängerin Zeuge eines Mafia-Verbrechens wird, versteckt die Polizei sie als Nonne in einem traditionellen Kloster, in dem sie Schwierigkeiten hat, sich anzupassen.Als eine weltliche Sängerin Zeuge eines Mafia-Verbrechens wird, versteckt die Polizei sie als Nonne in einem traditionellen Kloster, in dem sie Schwierigkeiten hat, sich anzupassen.Als eine weltliche Sängerin Zeuge eines Mafia-Verbrechens wird, versteckt die Polizei sie als Nonne in einem traditionellen Kloster, in dem sie Schwierigkeiten hat, sich anzupassen.
- Auszeichnungen
- 9 Gewinne & 10 Nominierungen insgesamt
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The plot of the movie is fairly basic. Delores VanCartier (Goldberg) is a lounge singer with a married lover who happens to be a drug dealer and other crime related stuff. Delores decides that she's going to leave Vince (Keitel), but when she goes to give him back the jacket he gave her and say goodbye, she happens to walk in right as Vince is getting his goons to shoot his less than loyal limo driver. Oddly enough, Delores runs like the dickens, basically straight to the police station.
Apparently it will take about two months for a trial date, so until that time, one of the officers hides Delores in a place that Vince would never look for her. A convent. Delores, an off colour black woman with a racy past, ends up pretending to be a nun. The Reverend Mother of the convent (Smith) is slightly less than thrilled at the prospect of having Delores stay with them, but the police do make a substantial donation to compensate them for their kindness.
After a long period of not fitting in anywhere in the convent, the Reverend Mother finally decides to put Delores in the choir. Delores brings her musical talent to the table, and the once atrocious choir at the convent starts to get a little bit better. Then a lot better. Eventually they are ready to sing in mass, and when they do sing, the rest of the nuns just look back and forth at each other as if they can't believe their ears. You can almost hear the thoughts streaming through their minds: "THIS can NOT be the same choir!" But rather than just sing traditional hymns, Delores jazzes things up a little bit and puts some twists into a few old favorites. This doesn't exactly thrill the Reverend Mother, but since it does bring people from the streets into the mass services, she can hardly object.
The convent gains popularity, the crowds start pouring in, and the once backwards convent starts to right itself, thanks to Delores. However, since there is a leak in the police station, Vince eventually finds out where Delores is hiding and goes to find her.
The rest of the movie plays out in a fairly standard manner, but it still highly amusing. Like I said before, not an Academy Award winning flick, but a good way to kill an hour and a half without having to think too hard.
Bottom Line: 3 out of 4 (worth a look)
Deloris Van Cartier (Whoopi Goldberg) is a lounge singer at a successful Reno casino, and is also the mistress of its manager, Vince LaRocca (a lazy Harvey Keitel), a drugs baron. Feeling unloved, she finally decides to quit her job at the casino and split up with Vince when he gives her his wife's old fur coat as a present. But then Deloris accidentally walks in on Vince dispatching one of his snitch employees, and literally has to make a run for her life. Taking refuge with the police, she discovers that she is required to testify in court when Vince is charged for his dirty deeds. But until then, the police arrange for her to hide out at a nunnery in Chicago, overseen by the Mother Superior (Maggie Smith). As Deloris reluctantly adapts to her new lifestyle as Sister Mary Clarence, she strikes up friendships with the unsuspecting nuns at the monastery, and even finds a way to put her singing skills to good use. But wherever she goes, Vince is never far behind
The above plot synopsis is likely to imply to the unknowing that 'Sister Act' is a "woman in jeopardy" thriller, when actually it's the complete opposite. The creators of the film seem to have designed a worthy fish-out-of-water comedy, and then simply used the bookends of the film as window dressing. It's all the story you need, though, when you have Whoopi Goldberg in the lead.
I've always had a preferment to Goldberg's shockingly underused skills as a dramatic actress, but her funny act can make virtually any film enjoyable. This is one of them. However, this being a family film, the climax is slightly underwhelming, and seems to be trying to be funny that actually letting off tension. But 'Sister Act' is a decent comedy regardless.
~ 7/10 ~
I just love the songs, they are so upbeat and joyful, and they are wonderfully staged and sung. The nuns are great to watch, they are sweet, innocent and so easy to fall in love with. Whoopi Goldberg is absolutely terrific in the lead, she really gives it her all and it comes through loud and clear. The film looks great too, goes at a good pace and has a decent story and funny and charming script. Also, the direction is competent, and Maggie Smith is a welcome presence.
Overall, thoroughly enjoyable and if you haven't seen the West End stage show, do, it's even better. 8/10 Bethany Cox
Wusstest du schon
- WissenswertesWhen Paul Rudnick was writing the screenplay, Bette Midler (who was attached to star at the time) suggested he go to a real-life convent to do research. He went to stay in the Regina Laudis Abbey in Bethlehem, Connecticut. The Prioress, Mother Dolores Hart, O.S.B., had been an actress, singer, and dancer, appearing in movies including Elvis - Mein Leben ist der Rhythmus (1958) and Dazu... gehören zwei (1960). Mother Hart is still the only known nun to be a voting member of the Academy of Motion Picture Arts and Sciences, and she and her fellow nuns enjoy watching her Academy screeners every year.
- PatzerAfter Deloris witnesses the murder, she flees to the Reno PD and explains to the detective everything that Vince and his henchmen said to each other and to the victim right before the trigger was pulled, even describing the scene visually. However, when Deloris walked in on the murder, she actually opened the door a fraction of a second before the trigger was pulled, and had been talking to herself until the moment she turned the doorknob, so there is no way she could have heard or seen the preceding conversation that she reported to the police.
- Zitate
Deloris: [prays] Bless us, oh Lord, for these Thy gifts which we are about to receive. And yea, though I walk through the valley of the shadow of no food, I will fear no hunger. We want you to give us this day, our daily bread. And to the republic for which it stands, and by the power invested in me, I pronounce us ready to eat. Amen.
- Crazy CreditsNewspaper and magazine clippings of the nun choir.
- Alternative VersionenTBS broadcasts overdub a quick feedback-like squeal sound during the opening musical number to obscure an obscenity, when Whoopi Goldberg's character inserts the comment "You don't give a s--t" as the song "Heat Wave" ends.
- VerbindungenEdited into The Green Fog (2017)
- Soundtracks(Love Is Like A) Heat Wave
Written by Brian Holland, Lamont Dozier, and Eddie Holland (as Edward Holland)
Performed by Whoopi Goldberg, Jenifer Lewis, and Charlotte Crossley
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Cambio de hábito
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 31.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 139.605.150 $
- Eröffnungswochenende in den USA und in Kanada
- 11.894.587 $
- 31. Mai 1992
- Weltweiter Bruttoertrag
- 231.605.150 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1