Shootfighter: Fight to the Death

I watched this for the first time a few years ago to declare my fan-lust for Michael Bernardo, back then anything that came out his mouth sounded good. But I saw it again today and on closer inspection, this movie has some of the worst dialog ever. When viewed with the sound off the actors do a generally good job of presenting their feelings, so they cannot be blamed for the corniness of the final product.

As such the deepest soul searching moments are the ones that are presented through what some may call typical a training montage, and of course the tournament fights with a wide variety of styles and weapons.

"You-disgraced-the-art-of-shoot-fighting" This opening quote sets the tone for this lively beat-em-up starring the ever-lovable Bolo Yeung as Shingo.

The plot revolves around two buddies named Ruben and Nick played by Zabka and Michael Bernardo respectively. Yeung plays their mentor. There is the prerequisite montage where he teaches them to "shootfight" and also they play basketball with young black children and Shingo smiles in an oddly fatherly way. Before the shootfighting tournament, there is a fight in a grocery store a la "Cobra" (1986) where Bolo shows off both his fighting and his broken English skills.

You may remember Zabka as Johnny from "The Karate Kid" where he infamously swept his leg at Macchio. Apparently he couldn't get enough karate-chopping action, so he hooked up with director Patrick Allen to give birth to Allen's one and only cinematic baby.

Ruben and Nick get embroiled in an underground "Shootfighting" ring. They eventually have to shootfight each other...to the death, but not before battling an array of wacky baddies in the ring, such as "Boa", who acts like a snake (including the hisses) and Mongoose, who adopts a mongoose fighting style, whatever that means. Some fights have a surprising amount of gore (i.e. limbs and fingers being broken off in a bloody mess), and this provides unintentional laughter and it sustains the viewer's interest until the end.

Martin Kove plays the evil mastermind, inexplicably named "Mr. Lee", who is behind all the shootfighting, and in his villainous rage, slices a pineapple with a samurai sword.

What is "Shootfighting" you ask? Well, that question is never quite answered satisfactorily, but after doing some research we were able to determine (by reading the back of the VHS box) that it is a "forbidden sport so brutal it's banned from the civilized world".

Prepare to get uncivilized with this classic.

Comeuppance Review by: Ty & Brett

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Oh, those good old days of the VHS, when movies, no matter their low-budget, had meaning. Back in the 80s martial arts films were so popular that any backdoor-garage-studio could produce a low budget film and make tons of money. After JCVM paved the way for tournament fighting style movies with his successful film, "Blood Sport," it was sure that many others clones would follow. Shootfighter followed on the same path but with a lower budget and less flare.

Shootfighter tells the story of two friends, Ruben (William Zabka) and Nick (Michael Bernardo), who are tricked to fight in a no-holds-barred tournament to the death by a blood hungry shootfighter named Mr. Lee (Martin Kove). Their master, Shingo (Bolo Yeung), has to save them from Lee and his cronies.

This movie was memorable because it had Zabka and Kove, both antagonists on Karate Kid (1984) and Yeung the main antagonist in Blood Sport. Now, the acting was average, photography was average, the plot was average, but the martial art choreography was top notch. That's one thing, no matter how cheap movies were back in the 80s and 90s they had some awesome fighting.

If you love old martial arts films, get a pizza, a case of beer, and watch this retro junk on a late Saturday night. You won't regret it.

If nothing else is true, there is at least one thing that martial arts flicks rather reliably have in common, especially those developed in the United States (or at least outside Hong Kong). For the most part, plot is light or thin, and little more than a pretense to spotlight honored disciplines. There's absolutely nothing wrong with this; these titles have a clear intention and surely know exactly what they are. 'Shootfighter: Fight to the death' certainly fits into that same category. There's a narrative, yes, but it's broadly unremarkable, and bears definite similarities to those of other pictures - and just as much to the point, the length is filled with scenes that quickly shift into fights, accentuating the thrust of the title. And with that: so long as you have no expectations otherwise, this is pretty decent, if unremarkable in the long run.

It's easy enough to highlight the movie's faults, or at least where it could have used a little more attention. The characters are pretty flat and standard: the hothead, the one with the troubled past who's trying to be better, the wise teacher with A History, the bad guys, the girlfriends. Most of the cast show glimmers of nuance in their performances that would surely sprout under the right circumstances, but a hardnosed fighting movie isn't that, and the restrictions are evident of what acting abilities they may possess. It's also noteworthy that the plot is even lighter than one may assume upon starting to watch, and I'd be lying if I said the climax didn't feel a little forced. Perhaps more substantively - if to a lesser extent than some of its brethren, 'Shootfighter' makes use of overzealous camerawork and editing in depicting some of the action scenes. There are too many times when, instead of plainly showcasing the genuine impact of each blow, the rapidity of the fundamental filmmaking is intended to heighten the thrills instead. In some instances this is important from a very real safety standpoint, especially in the last act, but overuse dampens some of the visceral stimulation that the film might have to offer.

On the other hand, while the presentation of martial arts is imperfect, it's better than not. Between the unmistakable skills of many of those assembled, and excellent choreography, the fight scenes are outstanding - tense, violent, exciting, and highly invigorating. Weirdly, 'Shootfighter' seems to be the only directorial credit for Patrick Alan, but in my mind it appears as though he demonstrates sufficient capability that I'm surprised he didn't make more movies. The action sequences are the chief draw of this title, and they make the viewing experience worthwhile - but there are, actually, other bits that are done well, too. If not terrific and essential, the score composed by Joel Goldsmith is gratifyingly dynamic and grabbing in no few instances, lending to the drama of the matches. The basic arrangement of every scene, including the whole environs of the tournament, feel suitably slimy and real. And while the screenplay at large merely serves its purpose - the utmost potential isn't teased out - we get peeks of character depth, their backgrounds and mentalities, that even unfulfilled is softly enticing.

Of course, one could him and haw about qualities and critiques all day. When all is said and done the only point of inquiry 'Shootfighter' cares about is the value of the fighting, and by that measure, this is pretty swell. Again, the martial arts violence illustrates flaws in action film-making, but is generally tight, fluid, and energizing; the picture is well made overall, and I do like it. It's just that unless one is an utmost fan of someone involved, there's no particular reason to seek out this specific production over another, and others unquestionably stand out more. (Also, despite Bolo Yeung's top billing, and the supporting part of Maryam d'Abo, neither have all that much screen time, so don't get your hopes up on their accounts.) Still, if you've somehow stumbled across 'Fight to the death' in the first place, chances are it's something that's going to be up your alley one way or another. Don't go out of your way to see this, but if you chance upon it, 'Shootfighter' satisfactorily scratches the itch for fighting fun.

This is one of those movies which is for karate, tae kwon do, kung fu and kick boxing fans, and of course, practitioners. This low budget martial arts movie, which is, as most of them very simple when it comes to the story, characters, directing and other stuff. There is simply no real complex stuff, no real dilemma between characters and no development. It's a typical good VS evil story with the haunting past element. A fighter Nick (Michael Bernardo) returns to his good friend Ruben (William Zabka), and upon their reunion they decide to sign in on the underground fighting tournament, held by Mr. Lee (Martin Kove). Nick founds out that the fights are brutal and sometimes to the death. But, Ruben is persistent and wants to fight. So, Nick asks for help from Ruben's teacher Shingo (Bolo Yeung), to save Ruben's life.

So, the movie is actually nothing special. Pretty bad when it comes to some stuff… For example, actors can't act. Well, most of them are martial artists. The real actors are maybe Edward Albert, Richard Eden and Maryam D'Abo (and I still don't understand how did she get here?). Edward Albert and Richard Eden are not bad actors, but they really appeared in much of the low budget films. Martin Kove is also not a bad actor, but his villain Mr. Lee is just evil and that's it. He is evil and he looks kind of deadly. Nothing more. Though Kove posses some kind of charisma. Michael Bernardo didn't do much with his character, he just under played it. William Zabka was not that bad, I think he was decent. Though his character is somewhat irritating. Just wouldn't listen and he is too prideful. And not in an interesting, complex way… he is just a jerk. Zabka did not move from these kind of films, he remained well known for being martial artist on the film, or rather a bully, just like in "Karate Kid". And for the last… I saved Bolo Yeung. What can I say? This man cannot act… and… he doesn't have to. This man has such a powerful appearance on the film, such a powerful charisma and character that he simply doesn't need to act. He played himself basically, but this time… he was the good guy. Go, Bolo, go! He is the main man.

The other things in the movie are nothing special, OK, the most important – fighting scenes. They were good, plausible. Well done filmed. Though, there are some that were ridiculous. And I think that music score is pretty interesting, especially in training montage. I recommend this film to all martial arts movie fans.