Evil Dead - Die Saat des Bösen

Modern day Rhode Island is the setting for this adaptation of the H.P. Lovecraft yarn "The Case of Charles Dexter Ward". John Terry ("Full Metal Jacket") stars as private eye John March, hired by comely young Claire Ward (Jane Sibbett, 'Friends') to find out what her husband Charles (Chris Sarandon, "Fright Night" and "Child's Play") is up to. Not that long ago, Charles had come into the possessions of an ancestor, and been awfully intrigued by what he found. He sets up a laboratory in a remote locale so he can work on a series of messy (and I do mean MESSY) experiments. Ones that involve a lot of blood and fresh meat.

One of only two feature length directorial efforts for the late screenwriter Dan O'Bannon (the other being, of course, "The Return of the Living Dead"), this picture does have some ominous atmosphere, a twisty story (there are flashbacks within flashbacks), a wonderful music score by Richard Band, and eye popping monster effects by Todd Masters and his company. The acting is variable. Terry is just okay, but he at least comes off better than the bland Sibbett. Sarandon, unsurprisingly, acts rings around them both, and gets to have some fun when he starts behaving even more strangely than before, and speaks using antiquated language. Laurie Briscoe is fine eye candy as March's miniskirt wearing secretary, and the ever amusing Robert Romanus ("Fast Times at Ridgemont High") is amiable as March's leg man Lonnie Peck.

O'Bannon proves himself to be at home in this sort of horror fare. Granted, the production company would tamper with it after he was done, apparently removing the element of humour that one might expect from the man who made RotLd. It's an entertaining story, that begins on a good note, but it's also a protracted one. One major "haunted house walk" set piece occurs a little past the one hour mark, and it could have used some tightening. The film does lead to a dazzling special effects-laden finale, and some horror fans are sure to be delighted by all the gore.

Not a great film, by any means, but reasonably compelling and worth comparing to the 1963 Roger Corman version, "The Haunted Palace".

Seven out of 10.

"The Resurrected," based on Lovecraft's story "The Case of Charles Dexter Ward," focuses on a Rhode Island P.I. who one day is contacted by the wife of a chemist. She expresses concern over her husband's erratic behavior, which has led to him isolating himself at his remote family estate, where he has been suspected by locals of grave robbing and performing disturbing experiments with human body parts. What they discover is all that and more.

Given that I am not familiar with H.P. Lovecraft, nor am I familiar with director Dan O'Bannon's work or other Lovecraft adaptations, I feel I have a fairly objective opinion to offer here. It seems that the user reviews largely reflect the reactions of (mostly) big Lovecraft fans. From my knowledge, "The Resurrected" essentially takes the premise of the Lovecraft story and situates it in the twentieth century, and more or less is consistent with the story's framework.

The film's beginning is rather dull, and I wondered what I was getting myself into; a drab, single-take shot of Jane Sibbett and John Terry in a very nineties-decor office gave the affect of a cheap television movie—and in all honesty, much of the film does in fact feel like that, from the unimaginative cinematography to the poor editing and sometimes awkward performances. That said, if you stick with the film, it does get progressively interesting and progressively weird.

The final thirty minutes are what really cemented my enjoyment of the film, where it becomes a sort of "Indiana Jones"-esque horror film, and the filmmakers seem to step up their game in terms of the camera-work and atmosphere. The special effects are in some respects dated, but in others look passable by today's standards. The acting, as I said, is a bit of a hodgepodge, with Chris Sarandon overacting at times; John Terry is only mildly likable as the lead detective, and Jane Sibbett ranges from bad to quite good. Robert Romanus has a memorable part as the P.I.'s chain-smoking sidekick. The final showdown is well-handled, though the voiceovers from Terry that conclude the film (and which are present throughout) leave a bit to be desired.

Overall, "The Resurrected" is a pretty decent horror flick. It definitely has the look and feel of a low-budget television movie at times, but it also manages to be atmospheric and quite a lot of fun once its wheels get turning. If the first twenty minutes of early-nineties aesthetic overload is too much, I'd urge you stick with it, as it really starts to demand one's attention about a quarter of the way through. It is not a flawless film by any stretch of the imagination, but it is commendably dark and compelling. 6/10.

This is a decent Lovecraftian movie, certainly demanding more attention. I think Dan o Bannon ( with whom I incidentally share my b'day) knows how to create tension, setting and atmosphere while maintaining a fast pace at the same time. Some of the creature shots are pretty good although it does suffer from some minute bad stop motion effects occasionally . I really liked the hero character as well( who had a hint of Sam o Neil) , very traditionally one dimensional but that's how they really should be in a story that leads specifically up to the conclusion of just one main mystery. You really don't need any unnecessary sub plots or character arcs in a Lovecraftian story. I would recommend watching this all tucked up and cozy on a winter's night before going to bed.

There is one other film I know of which is based on Lovecrafts "The Case of Charles Dexter Ward", and that is the old Roger Corman movie "Edgar Allen Poe's The Haunted Palace", with Vincent Price as Joseph Curwen and Charles Ward. But The Resurrected is by far the most accurate movie about this story, which is damning it with faint praise.

The Resurrected is set in the modern day and Charles Ward is the head chemist at Belmar Cosmetics. He's rich. He has a beautiful wife. He's Chris Sarandon. But his wife detects that Charles is having some problems and so enlists a detective from the Marsh Agency to investiate. If you like the Call of Cthulhu game as well as Lovecraft you'll recognise how this movie goes: the detective makes his Library Use roll, uses his paid source to get info, makes an initial foray into enemy territory, then eventually finds the deepest secrets of Charles Dexter Ward. Almost everything in the book is in the movie: the painting, the formula for re-animation, the essential saltes, the pits, the initial destruction of Curwen in Revolutionary War times. It's all here and with good acting, costuming, and set. Curwens secret abode is everything you'd expect after reading the book.

Simply put this movie is great. It and maybe one other movie are the reason I still have a Laserdisk player, as it's sadly not yet out on DVD.

The nineties were a disappointing decade for the horror genre whichever way you look at it, so it's lucky that filmmakers like Stuart Gordon and Dan O'Bannon were on hand to adapt classic HP Lovecraft stories. Horror fans have got used to seeing a director's credit for the aforementioned Stuart Gordon and a starring role for the great Jeffrey Combs in Lovecraft films; but even though this one has neither, director Dan O'Bannon has succeeded in brining the classic "The Case of Charles Dexter Ward" to screen. Of course, this isn't the first screen adaptation of the classic story; as Roger Corman made a rather good one in 1963 with the classic 'The Haunted Palace'. The plot has shades of Re-Animator, and follows an investigation into a man who may have found a way to cheat death. The story starts when Charles Dexter Ward's wife visits a private detective, asking him to investigate her husband who has become a recluse; living in a house on their estate grounds. A strange smell of death permeates the air surrounding the retreat, and the neighbours are suspicious after seeing the amount of raw meat being delivered...

The film doesn't contain a great deal of suspense, but the director masks this nicely with a great aura of mystery and intrigue. The film builds up to finally discovering the mystery behind what Charles Dexter Ward has been doing, and although it takes a while to get there - the film never gets boring because O'Bannon keeps the mystery bubbling. The special effects are a little silly, but they actually work quite well in the context of the film, and O'Bannon gets to show his twisted imagination with abominations such as a still-living mauled torso and many other otherworldly creatures. There's a lot of blood and guts too, and even though the film appears to be trying to imitate A-class horror, O'Bannon doesn't completely veer away from B-movie cinema. The acting is decent enough, but one of the few weak links for me. John Terry is more than a little unenthusiastic, while Chris Sarandon never completely convinces in the Vincent Price role of the villain. That really isn't important, however, as it's the atmosphere and the story that are the stars of the show here - and The Resurrected is strong in both those areas. This film is indeed a lost gem and one that deserves to be more seen!