Mr. Baseball

MR. BASEBALL is a film of paradoxes. Written and filmed as a "light, sports comedy" it truly has a heartwarming core as human and universal as some of Capra's finest. At the plot level, you have the paradox of baseball, a fine old American game, as it is played in Japan - turned around, with American values cast off and Japanese values imprinted upon the game. (Some of the superficial "sports comedy" results from Jack's uncomprehending disbelief at how "basa-boru" is played in Japan.) You also have a lead character who's presented as an over-the-hill, aging baseball star, but who is actually quite immature - pro ball allowed him to postpone growing up. And you have a lead character who is rudely resistant to the changes in his life that are being forced upon him, refusing to accept the curveball that life has given him, in the midst of a new country, a new manager, a new team, and a new girlfriend, who have all welcomed him and try to accept him. Sound like heavy stuff? Not really. It's a charming "clash of cultures" comedy that takes place on the national, sports, romantic, and professional levels. But if you watch it sensitively enough, you will also find a great story about a man who has to abandon his immaturity and grow up way too late in life (causing some amount of personal pain), and finds success in places he never expected it. I love the story, but I also have great respect for Selleck's performance; he bares his tush (literally) to portray an ugly American, insulting people and throwing tantrums in public, then lets us inside this character to understand his dismay. It also doesn't hurt if you're a big fan of Takakura Ken like I am. MR. BASEBALL is a surprising "loss of innocence" tale.

Jack Elliot (Tom Selleck), former World Series MVP for the New York Yankees, is traded to the Chunichi (Nagoya) Dragons of Japan. Although Elliot is on the downside of his career, he has not lost all of his playing skills. Now the trade doesn't stir well with the drinking, smoking, and womanizing egomaniac. Knowing little about Japanese culture, cuisine, and mannerisms, the gaijin (foreign) Elliot's awful attitudes form the basic plot of this not unlikeable movie. You just know that the American will quickly butt heads with unflappable Dragon manager Uchiyama (Ken Takakura). Meanwhile, as athletes attract attractive woman, Hiroko Uchiyama (Aya Takanashi) will become Elliot's love interest. But Hiroko, who is no bimbo, is an advertising professional who makes commercials for Japanese television. So can the love interest last?

Along the way Elliot would do well to heed the advice of new Dragon teammate Max "Hammer" Dubois (Dennis Haysbert), not a Frenchmen but an African-American. Dubois, earlier traded to the Dragons, had the gumption to learn Japanese ways and some of the language. Fitting in as well as he can, Dubois is resigned to his challenging situation. Conversely, as Elliot is green in Japan, he is accompanied by an interpreter, Yoji Nishimura (Toshi Shioya), who is wise enough to clean up the American's sardonic comments for the Japanese press. Overall, the movie does well in depicting the Japanese sports culture: manager-player interaction, the fanfare of the large crowds (which appear genuine), umpire esteem, corporate pressure on the managers, and the voracious sports media. Also note the importance placed on saving face, which means that certain on-field events are sometimes compromised. The climax involves the big game between the Dragons and their traditional rivals who always seem to beat them, the Yomiuri Giants. Will Elliot find redemption? Watch and find out!

PS: Know that the Japanese certainly love their baseball, and have played it a long time. The sport was introduced in Japan in the late 19th century! In 1934 Manager Connie Mack, Babe Ruth (called "Beibu Rusu"), Lou Gehrig, Charlie Gehringer, Jimmie Foxx, OSS spy Moe Berg, and other Major League Baseball all-stars visited and were greeted by huge and enthusiastic crowds.

If you like baseball, you'll dig this movie. It's kinda cheesy and it's not exactly Oscar-worthy, but Tom Selleck is pretty convincing as a struggling major leaguer who is traded to a Japanese team. If you've seen all the new releases (except Thin Red Line, which you should avoid like the plague) and you're looking for something light-hearted and entertaining, this movie is a safe bet. Enjoy.. and GO DODGERS!!! (yes they're struggling now, but i can feel a comeback)

I lived in Japan at around the period in which this film is set, and I must say--this film does an OUTSTANDING job of capturing the "feel" of what Japan was like. Unfortunately, the accuracy of this is not appreciated by most viewers. Whoever chose the shots and locations really understood Japan well.

The movie itself should rate among the best baseball movies EVER, but doesn't because it's not about American baseball. Take "field of dreams" or whatever. That basically boils down to some plot contrivance about ghosts and whatnot and is only REALLY about the game at a very superficial level (despite pretentions otherwise). This one has an intelligent and realistic view of many aspects of the game--clubhouse behavior, on-field action, player-manager interactions, the business of sports, and so on. If you're into baseball movies, view this one--and if you don't like it, I challenge you to find ONE other baseball movie that does as well as capturing so many aspects of the game intelligently with a minimum of sap.

Characterizations in this movie: yes, we all know that by the end of the movie the Tom Selleck character will do something to redeem himself. In this regard, except for one interesting plot nuance (not really a twist), the plot itself is straightforward. But the characters all stand on their own--I dont think there is a single bad characterization there with the possible over-stereotyped American agent. From Yoji the interpreter through the teammates who are Japanese jocks to the strong female love interest.. well.. let's put it this way.. if you still think all Japanese look and act alike, see this movie.

Clearly this isn't the best movie ever made, but I really like it on a lot of levels enough that on a scale of one to ten, I honestly have to give it a 10 (and I rate a lot of movies poorly). You probably won't like it quite that much, but I think you will enjoy it--whether you are male OR female, by the way. Definately a good rent.

Tom Selleck has been for most of his career a box office bust. Even though this movie did not score a home run with movie goers, it is still a nicely done film. It doesn't play down Japanese stereotypes, as the writers of this film did their homework on life in Japan. I used to watch Japanese baseball, and I can tell you that the film does a pretty good interpretation. In Japan, the manager of a ball club is more of a nurturing father. It's also more like work than sport. Players run fundamental drills all day and talent takes a backseat to skill. The movie is nicely done and Selleck does a good job as selfish, self-centered Jack Elliot. Dennis Haysbert is also nice in the supporting role of Max DuBois (He had enough practice being in baseball movies after being in Major League). Ken Takakura is good as the no-nonsense manager of the club. It's a shame he hasn't done any other American films after this one. Aya Takanashi is also nice as Jack's love interest. If you can, get the video or DVD because the TV version makes some of the most absurd edits and cuts I have seen.