Füge eine Handlung in deiner Sprache hinzuA young woman on the frontier marries a meek farmer who has an annoying habit of going through a rather drastic change every full moon.A young woman on the frontier marries a meek farmer who has an annoying habit of going through a rather drastic change every full moon.A young woman on the frontier marries a meek farmer who has an annoying habit of going through a rather drastic change every full moon.
- Regie
- Drehbuch
- Hauptbesetzung
Jacqueline Stansbury
- Saloon Girl
- (as Jackie Stansbury)
Melissa Moore
- Miss Saunders
- (as Melissa Anne Moore)
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Firstly, this strange, moody and fascinating film reminded me what an amazing actress Mary Stuart Masterson really is. She grows in front of our eyes without betraying for a moment the romantically lyric aspects of the film. I've noticed a similarity with "Male Di Luna", an episode of "Kaos" a remarkable film from the Taviani brothers, but "Mad at the Moon" explores a universe all of its own and it does it with a score worthy of an Academy Award. The look of the film is also a standout. Hart Bochner, Stephan Blake and Fionnula Flanagan give subtle, moving performances but what I felt as soon as the movie ended was the need to shout: Long Live Mary Stuart.
My goodness, great cinematography, costumes and pretty good acting. That's the end of all the good stuff. The fake beard on the monster is pretty bad. Why you folks insist on 600 characters is beyond me. You know dang well one could review this movie with only two words, very bad. A house in the middle of a forty acre field is not a very scary place. All the props were too clean and pretty. Looks like everything had just been painted and all the actors had just came back from the dentist having their teeth whitened. I guess I'm just too old and have watched too many John Ford westerns to appreciate this poor attempt to make a scary movie.
The look of the film alone is worth the 90 minutes. The score is a masterpiece (where can I buy it?) Mary Stuart Masterson is a dream to behold. How is it possible I've never heard of this movie before? It's not for everybody, I agree. Slow paced, long silences, but the atmosphere is hypnotic. I bought the tape and sometimes I put it on, just to have it in the background. I can't pinpoint what it is, but there is something magic about this film. Unique. Like a western made by a child of Ingman Bergman. I don't want to spoil it for whoever sees it for the first time but there is a scene, a dinner in silence between the four leads just before the climax when a sudden wind storm comes to hurry the proceedings. It is wonderful!
This has to be one of the worst movies I've ever seen. If you find 20 minutes of ceiling fan close ups exciting, then this is the movie for you. If not, find something else. It was so bad we made up our own dialogue and gave it the MST3K treatment. There was also a 20 minute dinner scene where everyone just stares at each with meaningful looks. It's artsy in all the bad ways. Not my kind of movie.
This movie starts and ends with a rather elegant-looking large music box. A large metal wheel with notches cut out moves up into place, and the backlighting makes it look like a sky full of stars. In the beginning, there's an opera performance in a well-lit tent that is painted fancifully.
There's some beautiful and interesting images in this movie like that, and the cinematography might be very good but it is hard to judge from the pan & scan job I watched. However, the movie didn't work for me as drama or horror.
A romantically-inclined and perhaps naive young woman is proposed to by a shy, polite, awkward man she's known since childhood. Her mother is pleased with him, even though he's much poorer than their family. The young woman is more interested in a "saintly sinner" who hangs out at a saloon playing cards. What sort of relationship they have, if any, isn't clear. She sends him a poem, and he comes out to meet her, but doesn't talk at all except to repeatedly say "don't touch me!" when she tries to, and he even puts a gun to his head to drive the point home!
So, she marries the awkward guy, but doesn't want to have sex with him. She writes her mother claiming he doesn't want to touch her. One morning she finds him boarding up the windows from the inside, and she doesn't seem surprised by this. That evening she gets scared as he tells her he'll be spending the night outside, and she's not to let him in.
I've got to say, I didn't understand this movie. The ending made no sense to me. It's not surreal, it just doesn't explain itself well. Another user praised a scene in which several characters have a meal together without talking. I thought it was ridiculous. Perhaps there's something more interesting about it when it is in widescreen.
Definitely not recommended to anyone expecting a horror movie. I wouldn't recommend it to anyone looking for a drama either, though.
There's some beautiful and interesting images in this movie like that, and the cinematography might be very good but it is hard to judge from the pan & scan job I watched. However, the movie didn't work for me as drama or horror.
A romantically-inclined and perhaps naive young woman is proposed to by a shy, polite, awkward man she's known since childhood. Her mother is pleased with him, even though he's much poorer than their family. The young woman is more interested in a "saintly sinner" who hangs out at a saloon playing cards. What sort of relationship they have, if any, isn't clear. She sends him a poem, and he comes out to meet her, but doesn't talk at all except to repeatedly say "don't touch me!" when she tries to, and he even puts a gun to his head to drive the point home!
So, she marries the awkward guy, but doesn't want to have sex with him. She writes her mother claiming he doesn't want to touch her. One morning she finds him boarding up the windows from the inside, and she doesn't seem surprised by this. That evening she gets scared as he tells her he'll be spending the night outside, and she's not to let him in.
I've got to say, I didn't understand this movie. The ending made no sense to me. It's not surreal, it just doesn't explain itself well. Another user praised a scene in which several characters have a meal together without talking. I thought it was ridiculous. Perhaps there's something more interesting about it when it is in widescreen.
Definitely not recommended to anyone expecting a horror movie. I wouldn't recommend it to anyone looking for a drama either, though.
Wusstest du schon
- WissenswertesTown scenes for this movie were filmed in the Paramount Ranch Western town. The town's saloon was used as the hotel. The building's interior was smaller than needed, so the hotel lobby interiors were filmed inside a building with a larger interior at the Big Sky Movie Ranch. That building had originally been built for the Father Murphy series. The exterior of the Paramount Ranch hotel set was altered with temporary structural additions and painted the same yellow color as the Big Sky hotel set so that shots of actors entering and exiting the hotel would match. The Paramount Ranch building that was normally a General Store became a saloon for the movie.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La maldición de la luna
- Drehorte
- Paramount Ranch - 2813 Cornell Road, Agoura, Kalifornien, USA(Western town set)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
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Oberste Lücke
By what name was Mad at the Moon (1992) officially released in Canada in English?
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