Eliane adoptiert Camille, deren vietnamesische Eltern Freunde waren. 1930 interessiert sich ein französischer Marineoffizier für Eliane und später für Camille. In Vietnam findet ein Aufstand... Alles lesenEliane adoptiert Camille, deren vietnamesische Eltern Freunde waren. 1930 interessiert sich ein französischer Marineoffizier für Eliane und später für Camille. In Vietnam findet ein Aufstand gegen die französische Kolonialmacht statt.Eliane adoptiert Camille, deren vietnamesische Eltern Freunde waren. 1930 interessiert sich ein französischer Marineoffizier für Eliane und später für Camille. In Vietnam findet ein Aufstand gegen die französische Kolonialmacht statt.
- 1 Oscar gewonnen
- 12 Gewinne & 13 Nominierungen insgesamt
- Raymond
- (as Hubert Saint Macary)
- Charles-Henri
- (as Thibault De Montalembert)
- Minh
- (as Trinh Van Thinh)
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The story starts in the 1930's at one of the largest rubber-tree plantations in Indochine (Vietnam). This plantation is owned by the French colonist Eliane, a proud woman who lives with her father and her native adoptive daughter Camille. She doesn't have a husband or a man in her life (apart from her father), but gets to know the young officer Jean-Baptiste when both want to buy the same painting at an auction. They have a short affair, but than she refuses to see him again. In the meantime it's Camille who has fallen in love with Jean-Baptiste and Eliane knows it. She makes sure he's send to one of the most desolate outposts on some remote island, making sure that the two will never see each other again. Camille has no choice, but to marry the man she was promised to, but in the meantime she starts a search to find the man she really loves.
This could have been a romantic movie in a different setting than we are used to, but nevertheless one like we have seen many more before. And in a way it is, but the movie has a lot more to offer as well. It shows the atrocities committed by the French, the great poverty of the indigenous people, the rise of Communism and the futile attempts to stop them (before the French got involved in the war that would later be continued by the Americans). This movie is a lesson in history and geography wrapped in a paper of romance and marvelous landscapes. It was beautiful and dramatic at the same time. I was touched and amazed by it and really liked it a lot. That's why I give this movie at least an 8/10.
The French exploited the natural resources and the population of Vietnam; that's what colonialism was all about, and I don't see that this film is even faintly supportive of colonialism. On the contrary, Indochine offers some clarity about what the Vietnamese were rebelling against, and background for the conflict that would later pull in the US.
And a gorgeous, gorgeous movie.
The stunning cinematography, the elegant score, and the epic love story set against the turbulent colonial times. I was quite taken with the myriad plot twists. Too bad our high schooler has a 3minute attention span.
This is a very real depiction of colonialism. One reviewer noted the maternalism of Deneuve's character while pointing out the brutality of the slave sellers. People expecting a total condemnation of colonialism or a total condemnation of communism just don't see the gray between the black and white. Unfortunately, only Europeans could have made this movie. There is no didactic viewpoint, which is why some Americans don't react well to it. While the ending is a bit flat, it still doesn't detract from the fact that this was a great movie.
One of the little pleasures of this movie is listening to the Vietnamese housemaid's pidgin French and reading the subtitled translation. While movies like The Scent of Green Papaya are wonderful and deserve all the accolades they are accorded, this movie is very underrated. Green Papaya is a nice cultural experience but it can't come close to Indochine for grit and history. 3 1/2 stars out of 4.
Wusstest du schon
- WissenswertesThe movie was shot in Vietnam, Malaysia, and France. The slave market scenes were shot in Halong Bay in Northeastern Vietnam. The Vietnamese marriage ceremony was shot at the Imperial Palace at Hue in central Vietnam. The Hotel Continental and the rubber factory scenes were shot in Malaysia. The police headquarters, opium den, cabaret, and gambling den scenes were shot in studio sets in Paris, France.
- Patzer42m 19s: One raw block of rubber reappears on the table after it has already been fed through the flattening machine.
- Zitate
Guy: Give me Le Guen.
L'Admiral: No.
Guy: What will you do with him?
L'Admiral: I'm awaiting orders from Paris.
Guy: Let me question him. What he knows about the communist networks and leaders is of major interest to us.
L'Admiral: Three points, Mr. Asselin. One: Le Guen doesn't talk. He hasn't spoken since his arrest. Not even to my chief of staff - his classmate. Two: If I hand him over to you, he might talk. But I'd rather not. We know your methods. Three: Le Guen is a sailor. His case will be tried by sailors. Any relevant information will be passed along to you.
Guy: Thanks. Another example of Navy-Police cooperation. That's what makes empires great.
- VerbindungenFeatured in The 50th Annual Golden Globe Awards (1993)
- SoundtracksLa Môme Caoutchouc
Music by Maurice Yvain
Lyrics by Serge Veber
Performed by Dominique Blanc
Editions SALABERT
Top-Auswahl
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 5.603.158 $
- Weltweiter Bruttoertrag
- 5.603.158 $
- Laufzeit2 Stunden 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1