IMDb-BEWERTUNG
7,5/10
1322
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA chronicle of the events surrounding a 1975 shootout at the Pine Ridge reservation in S. Dakota where two FBI agents were killed.A chronicle of the events surrounding a 1975 shootout at the Pine Ridge reservation in S. Dakota where two FBI agents were killed.A chronicle of the events surrounding a 1975 shootout at the Pine Ridge reservation in S. Dakota where two FBI agents were killed.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Robert Redford
- Narrator
- (Synchronisation)
Darelle 'Dino' Butler
- Self
- (as Darrelle [Dino] Butler)
Leonard Peltier
- Self
- (Archivfilmmaterial)
Richard Wilson
- Self - Tribal Council Chairman
- (Archivfilmmaterial)
Severt Young Bear Sr.
- Self
- (as Severt Young Bear)
Russell Means
- Self - Co-Founder American Indian Movement
- (Archivfilmmaterial)
Empfohlene Bewertungen
Solid, interesting, if slightly dry documentary about a shootout on a Sioux reservation that killed two FBI agents and the government's attempts to blame someone for the crimes, finally railroading Leonard Peltier, using a lot of clearly falsified evidence.
Just as interesting as the trial itself is the examination of the deep political and philosophical split between the 'modern', more white-world assimilated Native Americans, who worked hand in hand with the US government, versus the American Indian Movement (AIM) who were fighting to protect and keep alive Native American heritage -- the conflict leading to a reign of terror by the modern Native American tribe leader.
There is one key element, the mysterious 'Mister X' who supposedly actually confessed to the killings that's awkwardly and strangely under-explored.
In all, this feels like a good episode of PBS's great 'Frontline' series, which - for me- is actually pretty high praise.
Just as interesting as the trial itself is the examination of the deep political and philosophical split between the 'modern', more white-world assimilated Native Americans, who worked hand in hand with the US government, versus the American Indian Movement (AIM) who were fighting to protect and keep alive Native American heritage -- the conflict leading to a reign of terror by the modern Native American tribe leader.
There is one key element, the mysterious 'Mister X' who supposedly actually confessed to the killings that's awkwardly and strangely under-explored.
In all, this feels like a good episode of PBS's great 'Frontline' series, which - for me- is actually pretty high praise.
10ries-3
After seeing this film it is unbelievable that Leonard Peltier is still in prison. How is it possible that this is possible nowadays. See this film and let it open your eyes and then do something about it.
FREE LEONARD PELTIER!!!!
Ries "A Dutchman in Ireland"
FREE LEONARD PELTIER!!!!
Ries "A Dutchman in Ireland"
10jeral
When I first saw this film, I was not terribly informed re the Peltier case. As soon as the credits rolled, I knew that I would have to own this film, if only so that I could lend it to everyone I knew. As I had known would happen, each new person I showed it to became angry and incredulous: how can Leonard Peltier still be in prison? The snow job this soft-spoken, good-humored Ojibwa was given by the U.S. government makes me feel ashamed to be an American. It becomes painfully clear that the FBI popped Leonard because they needed to pop an American Indian, preferably an AIM Indian - and Leonard was there. But if you ask me, no justice has even been done for the 2 dead FBI agents Peltier's conviction was intended to avenge; jailing the wrong man - KNOWING he is the wrong man - is far worse, I feel, than not jailing anyone at all. I think Coler and Williams are still waiting for their killer(s) to be brought to justice; by the same token, Leonard Peltier's supporters are still awaiting justice for Leonard himself. This film clearly shows the mockery made by the U.S. government of its own judicial system; any self-respecting American - of any ethnic background - should cringe at some of the statements made, freely and willfully, by government staff and spokespeople in this film. I hope they all watched this, and could see just how ignorant, unconscionable, and utterly hateful they sounded, with no regard whatsoever for true justice. The bottom line? Watch this film. Then show it to everyone you love. If we continue to raise awareness, then maybe someday, Leonard will find justice - and peace.
FREE LEONARD!!!
FREE LEONARD!!!
Easily one of the finest American documentaries ever, INCIDENT AT OGLALA is also something of a companion to Peter Matthiessen's exhaustive and controversial book 'In The Spirit Of Crazy Horse.' Complementing each other perfectly, they both relate the details surrounding the trial and imprisonment of Leonard Peltier.
Beginning with depictions of the appalling social conditions on the Pine Ridge Reservation in South Dakota, the film builds through depictions of the stand-offs and confrontations on the res between AIM members (American Indian Movement) and authorities both local and federal. If nothing else, INCIDENT AT OGLALA underscores the harsh truism that there's plenty of nasty injustice to be found in the US, and that fairness can be an elusive and nebulous concept with distressing regularity.
See this film (and also director Michael Apted's excellent follow-up, MOVING THE MOUNTAIN).
Beginning with depictions of the appalling social conditions on the Pine Ridge Reservation in South Dakota, the film builds through depictions of the stand-offs and confrontations on the res between AIM members (American Indian Movement) and authorities both local and federal. If nothing else, INCIDENT AT OGLALA underscores the harsh truism that there's plenty of nasty injustice to be found in the US, and that fairness can be an elusive and nebulous concept with distressing regularity.
See this film (and also director Michael Apted's excellent follow-up, MOVING THE MOUNTAIN).
It's unbelievable that Leonard Peltier remains sitting in prison to this very day. A classic example of extreme oppression and injustice dealt out by the federal government. Though this film was originally released in 1992, it's no less riveting today. The documentary makes its case clearly and logically, unraveling the intricate details like a thriller. This film is not slick--and that is precisely its strength. Without using cheap visual gimmicks, it relies on the power of story and truth.
Few documentaries can match the intense content of this story. Every American needs to see this film to realize exactly what's happening in this country. The war waged against native people continues from centuries ago. You'll also see how this injustice was only a warm-up for the current Green Scare campaign against political activists and ordinary citizens defending earth from destruction. Learn more about the Green Scare in articles by journalists Dean Kuipers and Will Potter.
Few documentaries can match the intense content of this story. Every American needs to see this film to realize exactly what's happening in this country. The war waged against native people continues from centuries ago. You'll also see how this injustice was only a warm-up for the current Green Scare campaign against political activists and ordinary citizens defending earth from destruction. Learn more about the Green Scare in articles by journalists Dean Kuipers and Will Potter.
Wusstest du schon
- WissenswertesProduced and narrated by Robert Redford who has been a passionate advocate of Leonard Peltier's innocence since the 1980s.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Robert Redford (1992)
- SoundtracksOut of the Blues
Written & Performed by John Trudell, Mark Shark, Quiltman (as Quiltman)
The Peace Company / Schatzkamer Publishing / Quiltman Music
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Details
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- Incident at Oglala
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Box Office
- Bruttoertrag in den USA und Kanada
- 536.848 $
- Eröffnungswochenende in den USA und in Kanada
- 19.070 $
- 10. Mai 1992
- Weltweiter Bruttoertrag
- 536.848 $
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