Metacritic-Rezensionen

Genre fans will appreciate the blood flow and the gore, and director Anthony Hickox keeps things moving so that there's never a dull moment -- or dull blade. Consider Hell raised.

With its bravura camerawork, fetishistic Cenobite designs, nerve-jangling soundtrack, and literate Peter Atkins script, Anthony Hickox's film is a worthy successor to Clive Barker's flesh-ripping original. Forget the disastrous Hellbound: Hellraiser II; this is adult horror to die for.

Well-produced effort is an effective combination of imaginative special effects with the strangeness of author Clive Barker's original conception, on which the characters are based.

Hellraiser III: Hell on Earth demonstrates, Barker's horrific ideas can still inspire some genuinely creepy cinema. [12 Sep 1992, p.C5]

For all the blasphemies and British accent, Pinhead is just a sub-Freddy goon, and the ambiguities and perversities Barker is so fond of have been neatly tidied-up. This is the sort of picture teenagers in malls in Akron, Ohio might understand — a good horror sequel, and that's all.

By far the weakest of the trilogy. Spurting arteries and random acts of horror are not enough to sustain a film with such a supposedly bold groundwork. Let's hope Barker himself can find the time to return to directing before he ends up like Stephen King.

This movie has more parable than paranoia, more metaphor than roar and gore. [16 Sep 1992, p.3C]

Those looking for sheer gore for its own sake probably won't be disappointed by Hellraiser III, but those expecting the quality of the first film in the series most likely will be. [14 Sep 1992, p.F8]

Mostly about the prospect of getting your skin ripped by fishhooks.

Hellraiser III manages to make even the fearsome Pinhead himself seem like. . .well, a pinhead. Clive, it's time to give these characters a rest. [19 Sep 1992, p.E5]