Gau yat san diu haap lui

Saviour of the Soul radiates innovative action and gawping visuals for a non-stop hour and a half, spinning a tale of star-crossed lovers in a haze of delirious pandemonium. Aaron Kwok brakes test tubes and inhales colourful gases to possess his opponents, running through the torso at warp speeds and stealing their life support. As the cloak-cladded ‘Silver Fox', Kwok is the most dazzling out of the young cast (mostly made up of Cantopop starlets), yet not to be upstaged by the talented Anita Mui who takes on a clever duel-role as two sisters, one a fashion-conscious jabbermouth, the other a sultry law-abider named May. Fundamentally a futuristic sci-fi thriller (its glossy mise-en-scene and specialised camerawork dominate proceedings), May is the victim of a vengeful Silver Fox, longing to seek revenge for his master's subsequent killing, while Andy Lau plays the charmer after her heart and summarily her protection. Hectic showdowns involve flying daggers which explode on impact, Andy's nifty yo-yo that doubles as an extendable wobble-sword, and a completely surreal stuck-in-a-mirror routine that'll leave you both puzzled and enthralled. This film is just awesome, and there's nothing really quite like it.

Ugh. It's quite rare that the English title of a Hong Kong movie is better than the original Chinese one but I'm sure they gave this movie its Chinese name (which translates to '91 Condor Heroes) solely to capitalize on lead actor Andy Lau's popularity from his role as Yang Guo in the classic TVB series, Return of the Condor Heroes. Any connection between this movie and that series is loose at best and I didn't really pick up on it, especially since the plot of this movie is all kinds of ridiculous. Apparently Wong Kar Wai co-wrote this. No wonder it barely makes sense to me, ha.

The direction of this movie was bad as well - scenes could go from comedy to action to melodrama in the course of a minute without any regard for flow, though the fighting sequences, choreographed by luminary Corey Yuen, were good whenever there wasn't an over-reliance on special effects.

The dearly departed Anita Mui is classy in every role she plays. Yes, even in her dual role of the twin sister who gets shot in the butt.

As for Andy Lau and Aaron Kwok, well, there's a good reason why they only won their respective first acting awards 9 and 14 years after this movie.

I love Anita Mui. That 1963 born beauty began her career as a singer and soon started to act, too. She has the most beautiful eyes and face I've ever seen. If a movie she stars in is pretty mediocre, I will still want to check it out because of Anita. Savior of the Soul is directed by Corey Yuen and David Lai, both are professional directors and have many films on their filmography. Savior of the Soul starts very promisingly with one of the most incredible action scenes I'd ever seen. The start is fantastic, but soon the film turns into usual comedy, but still doesn't forget those effects laden action parts, which along Anita save this film from total failure. The story is very confusing even at Hong Kong standards, so it is no use in trying to describe it. It involves one mean demon named Silver Fox who is trying to kill Anita's character for vengeance and so on. There are many characters and many turns, but that is usually the case in Hong Kong films.

The action scenes are incredible and fantastic, as wires are used and camera flows and twists all the time with the flying and fighting characters. If you have seen films like Ching Siu Tung's Heroic Trio (also starring Anita!), you know what to expect from this, as the action scenes are equally great, even though not as plenty as in Heroic Trio. The drama parts in Savior of the Soul are often stupid, and the film tries to be too funny, and fails like Ching Siu Tung's other film, Terra Cotta Warrior, which has great beginning and ending, but stupid and "funny" middle part. Savior of the Soul could have been greater if they had left out those slapstick parts and concentrated more on serious fantasy film making.

Savior of the Soul is still very nice film for fans of Hong Kong cinema, and has also many positive things. Never have I seen such a great visuality and cinematic magic anywhere else, than in these Orient movies. Their cinema is so unique, it is even too much for many, and I know many movie fans, that don't like Hong Kong films at all. I think it is mostly because of the lack of imagination and tolerance for something never before seen. Action, horror and fantasy are the genres Orient is almost unbeatable in. There are many great Orient film makers, and internationally known Tsui Hark, John Woo and Ringo Lam are only few, and many great talents are almost unknown for many western viewers.

Savior of the Soul is another wonderfully shot and edited fantasy adventure film, but there are too many stupid moments and also little slow moments to fully appreciate the film. Still, as the cinematography and other magic elements are so perfect, I gladly give this 7/10 rating!

I enjoy Hong Kong cinema quite a bit and i had pretty high hopes for this movie when i got i on DVD. Especially for the manga-like action-sequences which were rumored to be something very special. But unfortunately my hopes were all crushed within 45 minutes of the movie.

There are several problems with this movie. The first problem is unfortunately very common in Hong Kong cinema and that is bad acting. The actors are just horrible and can´t seem to say a single line in a credible way (which is strange since for example Andy Lau has since made good performances). The second problem is the misplaced comedy scenes. Several times the movie shifts from a very serious and emotional scene to slapstick comedy in the blink of an eye. This ruins both the comedy (which is very cheap) and the emotional scenes since you can never take anything about the movie seriously. The third and last major problem is the sub-standard action sequences. The action is both quite poorly choreographed and the effects look very cheap (people being cut to pieces by swords are VERY obviously dolls etc.). The action scenes are also too short and too far between. This creates a problem with the pace in the movie which is much too slow. And the story is much too thin and unbelievable to support the film. What might have saved this movie would have been a steady fast pace, but unfortunately it slows down and becomes very boring at times.

If you enjoy this kind of manga-style action-films there are a lot of better alternatives in the genre. This poor attempt is simply not worth the effort. I rate it 3/10.

This is an action sci-fi adventure from Hong Kong, starring Aarok Kwok as the graying black-clad swordsman Silver Fox, out to wreck havoc on mercenaries Ching (Andy Lau), Kwan (Anita Mui) and Chuen (Kenny Bee). He kills Chuen (Kenny Bee), but is wounded by Kwan (Anita Mui). Kwan is later poisoned by a spell, which only the powerful Madam Pet (Carina Lau) has the antidote. While Ching hopes to obtain the antidote from her, Silver Fox is out to defeat them all.

Filled with wild, sword-wielding action, sci-fi elements, drama and some wacky comic relief, this film is definitely a medieval fantasy with reality-suspended moments. Aaron Kwok plays quite the formidable villain, somebody you would love to hate. Andy Lau was OK as the protagonist, but Anita Mui is the main highlight of the film. Quite the fast-paced movie, but there's a little too much genre elements all slapped into one story.

Grade B-