Do sing

Sing (Stephen Chow) is a mainland China country boy who arrives in Hong Kong to visit his Uncle "Blackie Tat" (Ng Man-tat). When Sing stays with his uncle and his friends in their apartment, Blackie soon learns of Sing's supernatural ability to see through objects and, later on, his ability to change playing cards by rubbing them. He takes advantage of this and turns Sing into the Dou Seng or the "Saint of Gamblers". After getting into a fight with several alleyway gamblers he meets the lovely Yee-mung A. K. A. "Lady Dream", and becomes infatuated with her. Sing quickly becomes a rival to the King and must win his way through a world competition to prove his skill.

The likeable Stephen Chow has the ability to see through things in this lively, glossy HK spoof of gambler films that were popular in the late 80's-early 90's, and there's plenty of fun to be had here, especially with a great performance by Man-Tat Ng, who is a chronic gambler looking to win the big stakes and his nephew ( Chow) is the key to that. Quite an enjoyable film, with nary a dull moment, not with the humour and silly moments running rife. There's some energetic comic fights - funny one is when every time Chow tries to hit a guy another man beats him to it. Man Cheung lends some eye candy, and does some butt-kicking, too.

A parody of movies like "God of Gamblers", Chow plays a young mainland Chinese who comes to visit his uncle in Hong Kong. His uncle discovers that Chow has certain talents and takes advantage of them by using them to win at gambling. Eventually, Chow's character ends up involved with shady characters, falling in love, and competing in a world championship card game. Over-all, not as good as "God of Cookery", but a good solid Stephen Chow film.

All for the Winner, a parody of the Chow Yun Fat movie God of Gamblers, was a huge hit in Asia, further cementing Stephen Chow's reputation as a sure-fire box-office success. Personally, I found the film rather tedious; Chow may have had them rolling in the aisles in Hong Kong, but I watched rather stony-faced, only really enjoying the occasional fight scene or high-octane shoot-out (courtesy of action director, Corey Yuen).

Chow plays Sing, a young man from the mainland, who travels to Hong Kong to stay with his uncle Tat (Man Tat Ng). When Tat discovers that Sing possesses supernatural powers, he tries to exploit them by taking him gambling. But Sing's success at the tables attracts the attention of two rival gamblers/gangsters, both of whom wish to take advantage of his mysterious talents…

I'm guessing that a lot of the movie's comedy was lost in translation (some particularly dodgy subtitles didn't help), since I didn't find it very funny; add to that my general indifference to the gambler genre and I suppose I wasn't destined to love this film as much as I had some of Chow's other offerings (King of Comedy is my favourite so far).

Corey Yuen's deft handling of the action sequences make the film a not entirely worthless viewing experience, but there just aren't enough of them. A few more high-kicking bullet-spraying scenes and I'd have been a much happier bunny.

After the worldwide success of Shaolin Soccer and Kung Fu Hustle, Chow is at last receiving global recognition and I hope that future projects will be as accessible to an international audience as these were. It would be a shame to see Chow losing fans around the world due to his sometimes more baffling and distinctly Chinese 'humour'.

Stephen Chow stars as a young man who goes to visit his uncle (played by Ng Man Tat of course). When his uncle finds out he has a supernatural power that allows him to see through objects, he gets Chow to become a gambler. Things don't start off so great for Chow, but he finally puts his special power to use when a certain woman is around. When the King of Gamblers finds out Chow will be in the World Gambling Tournament, he has his gang take Chow out. After his lady friend is kidnapped, he may not be able to participate in the finals of the tournament.

The comedy is very funny and not many jokes fall flat. In one scene Chow makes his first entrance as the Saint of Gamblers and walks into the room in slow motion. I probably shouldn't try to describe it, but it's a must see moment and had me crying with laughter. There are plenty of other great parts like when Chow tries to do some fancy shuffling and sends all the cards flying into a guy's face. Paul Chun does a good job as the King of Gamblers and the whole cast is enjoyable. Jeffrey Lau is one of my favorite Hong Kong directors and he really makes the gambling scenes fun. You never know what kind of movie you will get from him, but they are usually good. I have seen every Stephen Chow movie except his TVB work, and this is one of my favorites. It's a brilliant showcase of his comic genius.

The fight scenes are not long, but still really good. Corey Yuen's choreography is as masterful as it gets. Chow is not one of the better action stars, but he can can get the job done. With Corey Yuen helping him out, expect the action to be top notch. There are 4 fights, and the one shootout scene is very exciting. Like most Chow movies from 1990-1996, Cheung Man plays his love interest, and thanks to Corey Yuen, she isn't just eye candy but also gets to show off her athletic skills. 'Last Hero of China', 'Fist of Fury 91' and 'Sword Stained With Royal Blood' are the only movies I have seen where she looks this good.

Stephen Chow comes from Gwangzhou to Taiwan to stay with his uncle Man-Tat Ng, Uncle is a degenerate gambler, and it turns out that Chow has two, count 'em, two superpowers: he can see through objects, which allows him to see cards through their backs, and he can change one thing to another, like the ime he changes a ticket of horse #4 to the winning 9. Stephen winds up representing Taiwan in an international gambling competition,where people are willing to kidnap and kill opponents to win. He also falls wildly in love with Man Cheung, an absolutely deadly spy except when the plot calls for her to be kidnapped, which makes Chow's powers fail.

It's as filled with ridiculous and funny gags as any Stephen Chow movie, with Man-Tat Ng getting in a fair share as the second banana. What it lacks is a sense of progress, that this leads someplace, as the gags seem added just to fill out screen time. I laughed a lot, but even the funniest sequence must connect to the rest of the movie.